Scary Movie Challenge 2017: Part 5

Another 10 in the bag. After a days delay due to God smiting the power int he theatre, Dedfest X finally started last night. So BLUE titles are ones seen in the theatre.


337 10/17 Evil Ed (1995) 2.5/5   A meek film editor gets assigned to cut horror and it has an effect on him. It’s gooey and an excuse to have fun with horror tropes, it just didn’t work for me.


338 10/17 Madhouse (1981) 2.5/5   A teacher for deaf kids gets stalked by her evil twin sister. Or is it in her head? Pretty typical slasher for the era that adds in a killer dog but none of it is particularly interesting.


339 10/17 Re-Animator (1985) 4/5   First time watching the integral cut. Herbert West thinks he’s Baron Von Frankenstein. I prefer the shorter cut as I find the added bits in this kill the pacing a bit. Still worth a watch or three. This one is a classic deserving of all it’s cult fandom. It’s also the right way to have comedy in a horror film. Play the horror straight and the comedy comes from the situation. Makes this one a delight and the Arrow Blu-ray set is suitably gorgeous.


340 10/18 The Slayer (1982) 2.5/5   A woman appears to be cracking up from stress so her husband takes her with some friends on a vacation. Some nice gore can’t help this one, despite being more ambitious than the typical slashers of the era. It plays it pretty straight but I found it draggy.


341 10/18 Children of the Corn (1984) 3.5/5   Small town kids discover religion and the parents don’t like it. This one will never go down as the greatest Stephen King adaptation but it works. It’s been too long since I read the original short story so I can’t comment on how close it is, it simply works as one of the better creepy kids/Village of the Damned type movies.

Image result for the zodiac killer 1971
342 10/18 The Zodiac Killer (1971) 3.5/5   It’s absolutely bananas that prior to the Fincher film Zodiac, this was the best telling of the Zodiac story. It’s not actually a “good” picture, it’s cheap beyond belief, spends too much time on a red herring and then goes off on flights of fancy. When it does stick to the facts, it’s kind of effective. That expert Paul Avery backed it just shows how scared everyone was at the time, they producers thought it would help catch the actual killer. Viewing it now, it has a goofy charm.

For a Good Time, Call... Poster
343 10/18 For A Good Time Call… (2017) 2.5/5   Short film about a douche-bag who secretly films a tryst and suffers the consequences in an extreme way. It’s good for what it is, but I tend to find that horror shorts tend to feel more like demo/audition reels than proper stories.

Image result for replace 2017
344 10/18 Replace (2017) 3.5/5   A young woman deals with bad skin problems in a icky way. An interesting play on beauty expectations, and a great play on body horror. It goes for a bit of a wander in the last act but the stuff leading up to it is great.

Image result for hell haunt 2017
345 10/18 Hell Haunt (2017) 3/5   A short filmed in my hometown of Edmonton about a killer replicating murders at a horror movie premiere? Maybe? I have to admit, I couldn’t follow it. It was damned pretty and well executed which I guess makes it a success. Have I mentioned that I find horror shorts to feel like demo/audition reels?

Image result for fake blood 2017
346 10/18 Fake Blood (2017) 3/5   Documentary about a pair of amateur filmmakers exploring if exploiting violence on screen can affect people to commit violence in real life. It’s well done in that it doesn’t feel like a fake documentary, but it’s also not as clever as it thinks it is.

 

 

Advertisements

Scary Movie Challenge 2017: Part 3

10 more movies down in the challenge. Another horrible week of real world news to live through. I feel befuddled.


317 10/10 At Midnight I’ll Take Your Soul (1964) 3/5   The Coffin Joe myth starts here! Long whispered about, long desired by me, and I have to admit, it’s a bit of a let down. It’s not bad for what it is, more a case of not knowing what to expect. Coffin Joe the character is more of a prick than a macabre genius. The blasphemy I’m guessing plays better in 1960’s Brazil. That said, it’s fun and surprisingly graphic for the era so I’ll give it a three out of five.

Image result for this night I'll possess your corpse
318 10/12 This Night I’ll Possess Your Corpse (1967) 4/5   This one was a huge improvement over the last. Coffin Joe still is looking to sire a son in order to achieve immortality. Joe’s main character trait is still mostly that of being a giant prick to everyone, but the film packs in more style and gimmick – including a genuinely brilliant colour sequence- to really put it over the top.

Teaser poster for 2017 film Get Out.png
319 10/12 Get Out (2017) 4/5   I loved this one, a perfect twist on paranoid thrillers. Others better versed than me can comment on a the racial politics. I’ll just say that if you took race out of the picture, it would still be damned fine. As it is, it’s fantastic.


320 10/13 Embodiment of Evil (2008) 3.5/5   40 years after the last picture, Coffin Joe is back and he is NOT messing around. Marins is back in the role and the director’s seat, and the character is still on his mission to have a son. Marins does not hold back though, amplifying the gore and ugliness like you would not expect. It works though, and I have to admit this ended up being a much stronger trilogy than I expected it to be.


321 10/13 Billy The Kid Versus Dracula (1966) 2.5/5   Exactly as advertised. Dracula is buzzing around the old west and ends up preying on Billy’s fiance. It’s ridiculous, John Carradine is awarded no favours as Dracula. It is “Fun-Bad” though, and we discover that while bullets won’t stop a vampire, a gun chucked to the face will drop one cold.


322 10/14 Waxwork (1988) 3.5/5   First time seeing this one since it came out and I know I enjoyed it a lot more than I did before. In my mind most of this era was garbage, but revisiting them I’m enjoying them a bit. There’s nothing really exceptional or scary, they’re just fun little movies. This one uses a wax museum as an excuse to use the exhibits as sketches of other horror tropes. It does it’s job and that’s all it needs to do.


323 10/14 Waxwork II: Lost In time (1992) 2.5/5   All the goodwill earned in the first film is lost on this one. Instead of playing with horror tropes, they attempt to spoof other films (In particular the Evil Dead series) and it makes for a terrible sequel to a film that was fun but no masterpiece in the first place. You’re in trouble when you cast Bruce Campbell is a small role in your comedic horror film and it brings no laughs.


324 10/14 Creepshow 2 (1987) 2.5/5   I’ve just never warmed to this one. It’s not terrible, it’s more a case of none of the stories being as interesting as those in the first one on top of what appears to be a significant budget cut so it doesn’t look that good either. First and last segments are fine for what they are, with THE RAFT being the weakest.


325 10/14 Kong: Skull Island (2017) 3.5/5   I had a little bit of trepidation going into this one after that last Godzilla movie that never wanted to show the monsters. Thankfully, they don’t mess around with this one and they get to the monster stuff quick. It makes for a fun picture and John C. Reilly is a gift to be treasured.


326 10/14 Dark Dreams (1971) 2.5/5   Young newlyweds get a flat tire and knock on the door of a witches coven in this early hardcore effort. Sadly nothing much happens. It manages to be both ambitious and not very good at the same time.

Scary Movie Challenge 2017 Part 2

I know I said I would post these every ten films and I’m over again. It was a long weekend, so it made sense to include a full day instead of half a day. It’s my blog, I do what I want!


304 10/07 Nightmare Honeymoon (1974) 2/5   A woman is assaulted on her honeymoon and her husband acts like a prick about it. This one looks like a vengeance thriller of the era, but it just plods along never really spooking or entertaining.


305 10/07 Kiss of the Tarantula (1976) 2/5   Another find from TCM Underground that is no great shakes. A young woman uses her beloved spiders to get even with those who would hurt her. Another one that isn’t really bad, just never gets really good despite adding in a little sleaze.


306 10/07 The Bad Seed (1956) 4/5   Really enjoyed this one. You know going in what to expect, so in lieu of surprises it’s more about watching things play out. And things do play out. Patty McCormack plays the most devious little shit ever seen on film, and it’s a heck of a lot of fun watching everyone twist around her. Despite knowing the premise, there are some surprises to be had and the film is surprisingly grim for the era. Worth checking out.


307 10/07 The Intrusion (1975) 3/5   Nasty hardcore feature about a wife assaulted by a home invader posing as a travelling salesman. This genre is sleazy enough without being hardcore so it really gets uncomfortable watching it. Which makes it a success.


308 10/08 Death Watch (1980) 3/5   Harvey Keitel stars as a reporter that has cameras implanted in his eyes so he can follow a woman as she goes through the stages of dying for reality TV in the near future. More Sci-Fi/Drama than the thriller it sounds like, but a pretty solid offering all the same that goes more into character examination than exploitation.


309 10/08 Alice Sweet Alice (1976) 3/5   This is one of those films that always kicked around the cheap bins so I always glossed over it despite the Brooke Shields being the draw. She’s barely in it as far as I can tell, and the whole thing is a pretty basic slasher that doesn’t offer up much.   


310 10/08 I Drink Your Blood (Theatrical Version) (1970) 3.5/5   The drive-in classic about satanic hippies infected by rabies is far better than it should be. I mean, it’s no great shakes, but it absolutely delivers on what it promises which is what makes these exploitation films a success. From limbs being hacked off to dead goats being dragged around, it’s not for everyone but for those of us that can enjoy a dumber, gorier Night Of The Living Dead ripoff, it’s pretty great.


311 10/08 The Swarm (1978) 4/5   First off, there is no such thing as an actually good killer bee movie. That said, this one is probably the best. A all star cast featuring Michael Cain and legends Henry Fonda, Richard Widmark, Olivia de Havilland among others, playing it straight and acting their asses off in a film that has billions of killer bees attacking the states, you have to respect it. It’s an Irwin Allen film, so things get absolutely bonkers by the end with the army lighting up everything with flame throwers. To fight killer bees. And it’s not the stupidest killer bee film since it doesn’t feature a scene where the bees plead to the United Nations for world peace. (That film would be the glorious The Bees.)

Related image
312 10/09 I Eat Your Skin (1964) 2/5   This is the one that became notorious thanks to being billed with I Drink Your Blood, and I can just imagine how disappointed audiences where after viewing it. It’s an old school voodoo zombie picture with a scientist creating them as an after effect of his cancer research. Nothing exceptional at all.


313 10/09 Chopping Mall (1986) 3.5/5   In the realm of dopey 80’s horror films, you can do a lot worse than this one about a bunch of horny teens partying after hours in a mall. The new security robots go haywire and start attacking. This one is helped by its short running time, it gets to the goods quick and keep the energy going so you stay interested.


314 10/09 Blood Diner (1987) 4/5   A spiritual successor to Blood Feast, I’m rating this one a lot higher than I probably should. Two brothers grow up to follow their dead uncle’s wishes to resurrect the goddess Sheetar via a grand feast. I don’t typically like horror comedies like this, but they run absolutely wild with the dumb premise, pack it with gore and nudity and I managed to actually laugh out loud more than once at some of the jokes. It all ends up being fantastically entertaining.


315 10/09 The Driller Killer (1979) 4/5   First time watching the “Interpositive” cut, and I’m not expert enough to tell you what is added or missing. At any rate, this continues to be a favourite of mine. Abel Ferrara does not mess around, staring and playing the lead. Packed with grimy New York, from the punk music to the alleys, the whole thing simply works splendidly.


316 10/09 The Devil Rides Out (1968) 4/5   Incredibly strong Hammer offering with Christopher Lee starring as man schooled in the occult trying to save his friend from Satanic forces. Genuinely creepy and authentic feeling, even when things get spectacular. It’s great to see Lee in a hero role, and the whole thing is one of the more effective Hammer Horrors I’ve seen.

 

This bit from Blood Diner still has me laughing:

The greatest scene of all time.

A post shared by Ruz-El (@ruz_el) on

 

Movie A Day: Straight Sugar Pierce

Sick with summer cold this week. Got bad enough that I missed a day of work. Still have it. I feel like this phlegm-y mess is my life now. As a result, lots of movies were watched. I finished up my “True-Life Adventures” jag and started catching up on my Vinegar Syndrome back log. So the sleaze is back, dear readers.


212 07/09 Straight Outta Compton (2015) 3.5/5   The story of NWA is a great story to tell. The performances are great, especially Ice Cube’s kid who plays his dad. I watched the extended director’s cut and it goes on a bit too long frankly, with NWA’s story actually being done before the halfway mark which leaves all the solo stuff which is great for Ice Cube and Dr. Dre, but also means that MC Ren and DJ Yella practically disappear. Still, it’s well done and nails the culture of the era and how stupid the rap business can be. Once again I feel like I would have rather watched a documentary.


213 07/09 Johnny Belinda (1948) 3.5/5   Jane Wyman stars as a deaf/mute girl who is getting help from a town doctor, only there’s a darkness to Cape Breton small time life. Wyman does a great job, and the unsavory subject matter is handled will in this one. It’s best described as a “woman’s picture” from the era, but it plays almost like a film noir.


214 07/10 Detour (1945) 4/5   An essential noir title that I finally got around to watching. A piano player decides to hitchhike from New York to Los Angeles, and gets into the wrong car. It’s a lean number that just completely works and this guy gets hammered maybe the hardest by the wrong set of circumstances and the wrong woman. Essential viewing.


215 07/10 The Hearse (1980) 2.5/5  A woman recovering from a breakdown decides to move into her aunt’s country house and discovers a satanic history and things that go bump in the night. It never really gelled for me and poor Joseph Cotton deserved better movies that this.


216 07/12 Malibu High (1979) 3/5   From the looks of it, this is one of those dopey titty High School comedies that were so popular. It’s not. It’s actually a rather messed up film about a girl who gets dumped and gleefully enters into a prostitution racket. It’s sort of played for laughs, but nothing lands and despite the pacing/cheapness issues it has, it actually works as a low budget neo-noir.


217 07/12 Red Mob (1993) 2.5/5   Russia takes a stab at 80’s style action spectacle and it ends up a total mess. The plot makes zero sense. Something about an ex KGB trying to reconcile with his son and getting mixed up in some other KGB… I have no idea. The action gets bonkers in the second half and the last third is a helicopter chase that seems to last 5 days. It’s more a curiosity than it is “good”, but I have to admit, Sergey Veksler as “Nick” has some serious action chops. To bad he couldn’t transition to western made films.


218 07/12  Journey Into Fear (1942) 3.5/5   The last film Orson Welles delivered to RKO, it’s directed by Norm Foster but Welles’ hand is all over it. Joseph Cotton (who is great in this and carries the film) is an arms dealer in Turkey who gets mixed up in some Nazi intrigue. It’s lean and sharp, but not as good as Welles’ other noir pictures.


219 07/14 Jackie (2016) 3/5   What makes this one interesting is also the problem. The film tells Jackie Kennedy’s story of the days of the assassination. As an assassination nut, it’s interesting and actually something that tends be glossed over. So it’s interesting in that regard, but it also relegates her story to that of “grieving widow” and I’m sure she had a lot more going on than that. It’s a shame since everyone is so good in it.


220 07/14 Sweet Sugar (1972) 4/5   I may be a little biased on this one. Way back in the VHS days dad brought this one home and we watched it late on a Friday night. My intro to the sleazy Women In Prison genre, and at around 12 years old I probably shouldn’t of watched it. It left a mark since it’s so bonkers. Hooker Sugar gets roped into working in a sugarcane plantation run by “Doctor John”, a nut who uses the women for strange experiments. Add in voodoo and this one really is one of the better examples of the genre. It doesn’t hurt that lead Phyllis Davis can carry the film with both her beauty and brawn.


221 07/15 Nurse Sherri (1978) 2.5/5   This one mixes up Satanic possession with the nurse genre and ends up being a real mess despite attempting to be ambitious on no budget. It never works. There’s an alternate cut that puts the sex first over the horror that is supposed to be better, I may check it out at some point.


222 07/15 Mildred Pierce (1945) 4/5   Joan Crawford revitalized her career for the first of many times with this one. She plays a mother that would do anything for her child. It sounds like a melodrama, but it plays like a noir and a dark one at that. Crawford is fantastic, the script is razor sharp and consummate pro director Michael Curtiz nails it. Recommended.

 

Movie A Day!: Witchtrap Champions!

More movies! Past week was an absolute bitch at work with our customer base being even more clueless and challenging than normal. When you have conversations explaining to people that the “Forrest Green” they say they purchased last month was actually called “Meadow Green” and that is why I was quoting them the wrong product, it does your fucking brain in.

So no fake deep thoughts to intro this one. Here’s the shitty movies I watched last week.


077 03/26 Witchtrap (1989) 3/5   At first glance all this film seems to have going for it scream queen supreme Linnea Quigley, as depicted on the poster. It’s actually a not bad haunted house type deal about a group of investigators trying to ghost-bust a house so it can become a bed and breakfast. Quigley has a minor role as a para-investigator that looks after all the tech, which has to be one of the only “smart” roles in her career. She still has to show her tits in a shower scene though, such is the life of a scream queen. Anyway, it’s pretty good but has a major problem. They mucked up the sound when filming so all the dialogue and sound effects are looped in post, and not very well. I’ve seen Italian dubbed films with tighter synch than this, and it makes for distracted viewing since everything sounds separate from the action. Which is a shame since aside from that it’s quite accomplished.

078 03/28 The Book of Joe (1984) 3/5  Student short film by the director of Witchtrap, Kevin Tenney is a little gem of a film about a defence lawyer who has to represent a man claiming to be the returning Jesus Christ. It manages to not be corny or preachy despite having a pro-faith lean. Included on the Blu-ray due to having many of the same actors as Witchtrap, it’s a neat addition.


079 03/30 Big City Blues (1932) 2.5/5   Pre-Code film from Warners finds a hick arriving in New York to set the town on fire and ends up getting burned. Probably most notable today for Humphrey Bogart having a small unbilled part. That’s kind of the problem with this one, lead Eric Linden as the hick is so completely overshadowed by co-star Joan Blondell (who gets top billing, just look at the poster) and everyone else that it’s hard to root for him since he’s such a unlikable, naive milksop. It ends up being serviceable at best.


080 03/31 Black Mass (2015) 2.5/5   Johnny Depp stars in the true story of Whitey Bulger, psychopath crime boss of South Boston. Depp does a pretty good job in this one, compared to the cartoon-like roles he’s been playing recently. That said, it’s not a very good movie in that despite being a true story it hits all the crime beats these pictures usually do without offering anything new and holy shit do actors love to mangle those Boston accents. I left this one thinking a documentary would have been better.


081 03/31 Boiling Desires (1987) 2/5   You have to hand it to porn jobber Carlos Tobalina for hiring four stars and managing to make an entire film out of the one-note plot of a couple of girls in which one hasn’t had sex yet and they’re all excited to have her have sex. It’s not a good movie, but you have to hand it to him.


082 04/01 The Hunger Games: Mocking Jay Part 1 (2014) 3.5/5   Finally getting around to these. Problem I had is I barely remember the first two films, so most of this one was me going “Oh, right!” as plots came forward in my hazy brain. This one mostly revolves around Katniss mooning about for Pita while becoming a reluctant leader of the revolution. It’s good, though kind of sad since I think this is the last film Philip Seymour Hoffman did before passing he’s just so goddamned good. I think that’s why these pictures work. The love triangle stuff is lost on me since I find both the guys (Pita and whoever the other one is, so forgettable I can’t recall his name) so useless, the rest of the cast is so strong that it allows you to kind of forget about it and makes the rest of the film work.

083 04/02 Love Champions (1985) 2/5   The second Tobalina feature on the disc with boiling Desires, it has an even thinner plot than the first one, more hacked together and ends in another poorly shot orgy. Pretty much worthless as everyone in this picture have been in better movies.

Speaking of adult. I learned this morning on the passing of Radley Metzger. If anyone is wondering why I’m bothering with “shitty old porn”, I would advise them to have a peek at Metzger’s filmography. In the early days when it looked like porno-chic might actually go mainstream, it was largely due to filmmakers like Metzger. Getting his start in euro-softcore, under the pseudonym of Henry Paris  Metzger was one of the filmmakers that seemed on the cusp of making hardcore legit. The Opening of Misty Beethoven is an absolute masterpiece, period, and is highly recommended. Metzger will never get the credit as a filmmaker that he deserves, and he will never be forgotten. I also highly recommend The Rialto Report site or anyone with even a passing interest in adult, or a damn fine story since porn history is full of bonkers stories and the podcasts are great.

And with that, I will leave you for another week.

Movie A Day! Gruesome Night of Spanish Fly

Not much for news this week. Time seemed to drag and go by to quick to accomplish much at the same time. Now it’s daylight savings time Sunday and I already feel jet lagged so I’m keeping things short.


063 03/06 The Gruesome Twosome (1967) 2.5/5   Herschell Gordon Lewis attempts a horror comedy that is baffling in its ineptitude. The first 5-10 minutes is made up with a bit with two Styrofoam wig display head puppets discussing matters to set up the plot. The only reason is to shamelessly pad the run time to 70 minutes since the film fell short in editing. Once the film begins it barely improves. A wacky old woman wig maker who talks to her stuffed wild cat Napoleon has a drooling idiot son that she gets to scalp young college girls for her wigs. The gore is the only reason to watch this, despite being crappy and actually looking worse in spots compared to Lewis’s earlier pictures (The beheading by electric night bit being the exception). This is one of those films that you have to wonder why it exists since it’s not the worst plot in the world but the planning and execution of it is so piss-poor. Take out the comedic wackiness that doesn’t work and play up a Psycho rip with the boy and his mother and you would have something. As is, it’s a bonkers curio more than anything.


064 03/09 A Taste of Blood (1967) 2/5  Another HGL opus, this one see’s him doing an update on Dracula. A smarmy business man gets a mysterious shipment of blood-laced brandy, becomes a vampire and learns that he is an heir to Dracula himself. He’s then tasked with killing of the heirs of Van Helsing and all the other people responsible for killing the original Dracula in the book. It’s not a bad plot, it’s the execution that is horrendous. The usual HGL cheapness shines through, bad set-ups, ine-take acting, things out of focus, but it’s the pacing that really kills this one. Extraneous scenes go on forever, eating up the screen time to a glacial paced two hours. On top of all this, Lewis cut back on the gore so there’s no payoffs. Yet despite all that, it’s not his worst film.


065 03/10 Gilmore Girls Season 6 (2006) 3/5   This season improved over the last in that it felt like they pushed the characters ahead instead of spinning the wheels like the last one. That said, instead of just making Luke unlikable they also made pretty near every other character infuriating in their actions. Which is either brilliant writing in that it fits their patterns as established, or an unfair challenging of the audience’s patience. Main plot is Rory and Lorelai dealing with the end of last season blow out and Luke having a life changing revelation. Which are interesting plot points for sure, but had me tearing out what little hair I have left when watching them make one bad decision after another. Jess comes back for a couple of episodes and ends up being the voice of reason. Who would have thought? After all that, I’m curious to see how they wrap it all up in the next and last season.


066 03/10 The Night of the Spanish Fly (1976) 2/5   This one was the co-feature on the DVD with The Night Bird (reviewed last post) and was certainly the weaker of the two. Go-Go Wieners have been unknowingly laced with a potent spanish fly that causes the hot dog loving women of a metropolis to become overwhelmed with desire! It’s a fun plot to type out but the execution kills it with a jokey annoying voice-over setting up and rambling over uninspired sex scenes with a mostly unknown cast. I found it plodding and uninspired.

With this post I’m halfway though the Herschell Gordon Lewis boxset. I might take a time out and spend the week back in Silent Movie Land with the Mack Sennett set since My plan was to watch one disc (two films) from the HGL and spend the rest of the week watching the silents. I’m not getting in the time to do that, and I feel like I need to give my brain a break from genre films. Especially when the next pack of filth from Vinegar Syndrome is on it’s way. So maybe next post will be a little different?

Don’t hold your breath….

Movie A Day!: Extra Oscar Lounge!

Another tough week of struggle out here in the west. Weather seems to be torturing us into death by being both too cold and then warm in the same day. I’ve felt like I’ve been coming down with a cold for the past two weeks. I think it’s the barometric pressure kicking my head in. I’m ready for winter to end.


056 02/26 The Extra Girl (1923) 2.5/5   Mabel Normand stars in this Mack Sennett comedy about a young woman who wins a contest to go to Hollywood for a chance to be a star after her rural parents refuse to allow her to marry her mechanic boyfriend. Lots of intrigue, not many laughs in this silent feature. Mabel was an incredible talent but this one doesn’t give her too much to do despite a plot that goes all over the place and allows her to do a bunch of stuff. It just never really works out aside for the chase sequence with the loose lion.


057 02-26 89th Academy Awards (2017) 3.5/5   The night we have all been waiting for! The one where the starving artists we enjoy on the big screen are finally fed via airdrops of food! It really is a beautiful sight, millionaires enjoying Jr. Mints. they really are just like us!. This one ended up being pretty good. Show moved about as quick as these things can, only one of the bits (tour bus) went on too long and there was an epic fuck up with the best picture award going to La La Land instead of Moonlight, so that was fun. I had no horse in the race so nothing stuck in my craw or had me orgasmic in delight. It was just a mostly nice show and Jimmy Kimmel did a good enough job as the host that I wouldn’t mind seeing him do it again.


058 02/28 Gilmore Girls Season 5 (2005) 3/5  I’ve reached the part in the series where old is new and I’m hitting the episodes I missed the first go round. This season was a let down from previous ones. Lorelai finally gets with Luke, and the writers do a thing where they turn Luke from the greatest guy/only decent guy on the show to a rage-aholic asshole. Rory is still in college and is now interested in Logan, a rich kid prick and it all makes the season a bit insufferable compared to the heady joys of season 3. It’s still good though since the performances and writing continues to stay true to the characters (aside from Luke), and while the Gilmores are floundering it gives space for Kirk and Lane to steal the show.


059 03/01 Color Me Blood Red (1965) 3/5   Herschell Gordon Lewis wraps up the “Blood Trilogy” with this one, a comedy about a bonkers painter who discovers that blood is the perfect colour of red and gets inspired. It’s basically a rip-off of the superior in every way Roger Corman film Bucket Of Blood (which is probably more famous for being the one that wrapped production in time for Corman to crank out the cult classic Little Shop Of Horrors over the 2 day weekend before he had to return the rental equipment), only on the cheap and with more gore effects. This one suffers from the typical Lewis corner cutting. Rather than stop the camera and doing a second set-up, he’ll do things like let it run while a second actor gets ready and then pan and focus to shoot them and it just slows the film down to a crawl. Which is saying something when the film is about 70 minutes long. There’s a reason why he’s considered a hack, and it already starts to show in this one. That said, it’s still fun, and I always watch it since it’s billed as the third film in the trilogy so my mental illness dictates that I have to watch it after Two Thousand Maniacs.

The weird thing watching the Blood Trilogy in this day and age is how chaste they are. I don’t think a single swear is uttered and despite Lewis and Friedman coming from the Nudie Cutie circuit there is no explicit nudity. There’s just buckets of gore all over the place. It’s probably what saved them from the censor to some degree. Still a fun watch even if they are dated, and Two Thousand Maniacs really is a classic. After Color Me Blood Red Lewis and Friedman will split up, but both will keep on making films on their own.


060 03/03 The Night Bird (1977) 2.5/5   The Night Bird is the hot underground disco club that was built for sex. This one was an odd hardcore title in that it plays like Saturday Night Fever meets Mean Streets. The first half is actually pretty good but it falls apart in the end. It sets up an emotionally cracking lead that never plays out, instead you get a never ending orgy sequence that is cut with disco dancing. The quality of this one is first rate so it’s a bummer it never gels into something more.


061 03/04 Something Weird (1967) 3/5
062 03/04 A Hot Night at the Go Go Lounge! (1966)2/5
An odd pair of Herschell Gordon Lewis cheapies. Something Weird is exactly as titled. A guy is electrocuted and ends up with psychic powers, joins a witch that tricks him… there’s murders as well… a guy gets attacked by his bed sheet… and I’m out. You can’t describe it. It’s a comedy, it’s a murder story, it’s psychic flim flam and an LSD scare film all at once. You have to see it to believe it. The craziest thing is it’s actually pretty accomplished in form compared to most of Lewis’s films.

A Hot Night at the Go Go Lounge! is a nudie short in which the first half seems to be footage from other films and the last half featuring surprisingly plain topless dancers. More of a curio as opposed to something worth seeking out.

I try to mix up what I watch, to find a balance, but I’m finding that the weeks are getting away from me so I end up not getting anything in other than genre films. I might have to take a time out to feed my brain.