Movie A Day!: Blood Face

After a week of sunny skies and spring temperatures, today finds the sky back to the gloomy grey that is Edmonton in the winter. Perfect weather for hermit-ting up with movies and other things to distract from the political climate.

This post is a real mess theme wise. Friends who followed my Snapchat during the horror movie challenge will know that one of the greatest boxsets of all time arrived on my door step near the end, SHOCK AND GORE: THE FILMS OF HERSCHELL GORDON LEWIS. After staring at it for months and frankly being intimidated by it, I finally broke down and cracked that sucker open. My plan was to watch one disc a week. Then the February pack from Vinegar Syndrome showed up three weeks early. And I’m still watching the Oscar best picture nominations. So your stuck with classy films, gore films from one of the worst directors of all times, and porno from one of the hardcore masters who literally helped create the porn industry.

This blog may be a psychiatric profile of a cry for help.


042 02/12 59th Annual Grammy Awards (2017) 3/5   I don’t know why I watch these but I always find a reason to. Ends up this year was pretty good. Katy Perry debuted a new song that’s actually kind of a clever protest, Lady Gaga performed metal with Metallica (my excuse to watch this years awards, her halftime show at the Superbowl was amazing) and aside from a dead mic on Hetfield, she rocked. Lady Gaga may be the the legendary performer of this generation. She can sing anything and do so convincingly. The real highlight though was oldie rappers A Tribe Called Quest who performed as an assault unit, attacking Trump (President Agent Orange, as dubbed by guest Busta Rhymes) and it was exhilarating. Oh, and Beyonce did a really artistic performance piece on black womanhood. I think. So yeah, despite all this fun, it still managed to feel like it would never end.


043 02/12 Blood Feast (1963) 4/5   Exploitation legends Herschell Gordon Lewis and David Friedman invented the splatter genre with this one. The effects are primitive at best, the acting not so great and while people always say Ed Wood Jr. was the worst director of all time, I think Lewis fits the crown better since there is a unenthusiastic workman like feel to Lewis compared to the glee in a Wood Jr. picture. That said, it’s an irresistible picture. I’ve forgotten how many times I’ve watched it, but I love it more each time. People joke about the effects, but they really aren’t that bad compared to the regular make-up. The grey hair on younger actors looks like they rubbed a bar of soap on their heads. That’s far more unforgivable than creating a more than decent tongue being yanked out of a girls head effect. I like to think so anyway. This one is a must see (along with the other films in the “Blood Trilogy”, I’ll get to those later) for anyone with an interest in horror history.

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044 02/13 Scum of the Earth (1963) 3.5/5   1963 was a pretty big year for Herschell Gordon Lewis. Not only did he invent the gore film, he was one of the first to put out a film that would be known as “Roughies”. Roughies were the horrible children of the “Nudie Cuties”, instead of wholesome nudist camps full of nubile innocents, roughies were more urban and had pervos creeping on and corrupting women. This one was about a porno photography outfit that hoodwinks High School girls into being models before getting them to shoot nude and then blackmailing them to do hardcore. It’s very innocent despite that description since actual porno wouldn’t be shot for nearly a decade and the brief nudity in the picture is actually sort of tasteful with the real rough stuff happening off camera. Shot in black and white it actually looks classier than it is, and ends up being one of Lewis’s more accomplished pictures. Sexploitation would keep on pushing after this one, Lewis would mostly drift into gore (which based on his final film, the hardcore Black Love, is a very good thing…). Well worth checking out as it doesn’t have some of the pacing issues Lewis’s films tend to have.


045 02/14 Lion (2016) 3.5   A young Indian boy gets lost and ends up adopted by Nicole Kidman’s terrible haircut that is a perfect representation of Australia in this Oscar pick. I quite enjoyed this one in that it sticks with telling the kids true story without getting too over the top with the melodramatics (I think) and without the “Forrest Gump-Ness” of Slumdog Millionaire. Don’t think it was best of the year stuff though.


046 02/14 Carving Magic (1959) 4/5   This one is an industrial short about a guy hosting a dinner party and wows his dickhead friend with his turkey carving prowess. Why would I watch a carving instructional film? It’s on the Blood Feast blu-ray as an extra! It features Blood Feast star William Kerwin as the guy who learns how to carve, but more interesting is that Harvey Korman plays the dickhead friend, this being his first film role. I love Harvey Korman! Go watch Blazing Saddles again and see what I mean! This one was also legit educational, I think I might be able to carve a turkey properly now!


047 02/15 Moonlight (2016) 4/5   This one is about a kid growing up and navigating himself through Black Miami culture. I really liked this one in that it’s the kind of film that is usually made about white people in that it didn’t have any black genre trappings despite dealing with lower income/gang/drug culture. Dead solid performances that ring true in that they are frustrating to watch. There’s no hand holding the audience. I wouldn’t mind if this one won.


048 02/15 Slaughterhouse (1987) 3/5   1987 seems a bit late to try to pull a rip on Texas Chainsaw Massacre, but when it’s as fun as this one, why not give it a go? A bunch of cool kids decide to hold a party in a foreclosed slaughterhouse. Unbeknownst to them, the owner and his deranged son (who talks in pig-squeals) have decided to kill the people who fucked him over business wise. It’s all an excuse for some typical 80’s slasher mayhem and it delivers which is all you can ask.


049 02/17 Arrival (2016) 4/5   I really enjoyed this one. I had heard it compared to Contact (another one I really enjoyed) but Arrival really is it’s own thing. Aliens have come down and language specialist Amy Adams has to figure out how to communicate with them. It leads to a thoughtful Sci-Fi that is actually pretty rare in these days of action blockbusters. Good stuff, I wouldn’t mind if it won Best Picture.

050 02/17 Parochial Passion Princess (1975) 2.5/5  Depraved hardcore short from Alex deRenzy about a teen prostitute. No one does sleaze like deRenzy, you have to give him credit.


051 02/18 La La Land (2016) 4/5   Hollywood finally does a traditional musical. That’s how this one is billed. The opening number had me cringing since it was so modern Broadway in style, thankfully the film settles down and ends up being really good, and yes, pretty traditional. I don’t think it works quite as well as it wants to- it never reaches the insane dancing fever pitch of the classics- but it’s welcome all the same.


052 02/18 Babyface (1977) 4/5   Feature length film by Alex deRenzy about a guy who gets shanghaied into working in a brothel owned by women for women clients. One of the sleaziest films I’ve seen, it practically is checking off a list of triggers for things deemed politically incorrect and will make you feel squeamish watching it. It’s also done with so much showmanship and glee that it’s hard to be mad about it. deRenzy was a master at this stuff and this one was one is no exception.

So which one should win best picture? I honestly don’t know. None of them wowed me. None of them are bad films, more a case of none of them feeling particularity exceptional or memorable. The only one that really feels like a broken thumb is Hacksaw Ridge, and that’s due to the first half being so schmaltzy. The second half in the war is brilliantly over the top. If I had to pick one I’d go with Moonlight since it’s the only one that didn’t have something in it that made question the filmmakers choice, with Arrival, La La Land and Manchester By The Sea following. Yet despite that, I think I enjoyed Hidden Figures best but found the film technically problematic. It looks like this years Oscars will be mostly blah for me since I don’t have a horse in the race that I really  want to see win. It’s not the first time, and wont be the last.

Which is okay, I got more terrible movies and Gilmore Girls to keep me company.

Until next time.

Movie A Day 2017! Gymnasium Blood of Taboo Terror!

It seems that starting this blog back up in the year of 2017 might of been a bad idea. It appears that we live in an era where your social media posts will be investigated in order to allow your movement from country to country. Not that I’m planning to travel mind you, it still seems like a good idea to delete everything. I’ll see how this all pans out. Maybe I should code this so it looks like all I watch are christian dramas instead of horror movies and old porn?


028 01/29 Gymnasium Jim (1922) 4/5   Last blog I mentioned the Mack Sennett set that was taking me forever to get through. It’s films like this one that make it all worth it. Billy Bevan stars; sharp eyed horror fans will recognize him from bit parts in Universal’s Monster horror films like The Invisible Man. Bevan plays a mechanic who is trying to woo a girl while getting caught up in a fight to steal his inheritance. The plots just an excuse for 20 minutes of non-stop, surprisingly complicated gags. So while lacking in some of the sophistication that the big three (Chaplin, Keaton and Lloyd) brought to their shorts, Bevan more than makes up for it in energy.


029 01/31 Blood Mania (1970) 2.5/5   A title like that sets some high expectations. Sadly, this one doesn’t meet any of them. A woman is teaming up with her deviant boyfriend to knock off her father for an inheritance. It’s best described as either a shitty horror movie with no blood or a mediocre melodrama that tries to spice things up with some cool horror stuff at the start and the end. The only thing that really saves it is it’s relentlessly sleazy with unnecessary nudity.


030 02/02 Point of Terror (1971) 2.5/5   This one was the second feature on the same disc as Blood Mania; being produced by the same person, Peter Carpenter who also stars in the pictures. This one he plays a nightclub singer who’s willing to do anything to get that big recording contract. Like Blood Mania this one is more of a melodrama than a horror or spook film. I enjoyed this one a little more, mainly due to all the corny songs and dance numbers. Carpenter is actually quite good and it helps to hold your interest.


02/04 Super Mario World (1990) 3.5/5   Finally finished this one. I say finally since it took me all week in small chunks and I found it really hard. Which is annoying since it’s made for kids, right? I’m getting soft in my old age. That said, it’s an amazing game and despite being 25 years old doesn’t really look or play dated. The Super Nintendo might of been the greatest console of all time.


031 02/04 Gilmore Girls Season 4 (2004) 3.5/5   Oh those crazy girls! This one sees Lorelai busy trying to build and open her dream project, The Dragonfly Inn! Rory is off to Yale and there’s surprisingly little shenanigans. Most of the drama of the season is with Lorelai’s dad going into business on his own and taking on a partner who Lorelai ends up dating. This season is a bit of a drop compared to the first three and some of the quirks are wearing a little but it’s still worth watching since the writing and acting is so solid.


032 02/04 Taboo 4 (1985) 3.5/5   The Taboo series is one of the most iconic in adult and easily one of the more creepy ones to watch. This one really gets over the top with pretty near every variation of incest happening. It’s awkward to watch, but also a really accomplished film. Jamie Gillis stars as a therapist that specializes in incest issues and really puts in a career best acting performance which makes the scene with his daughter all the more disturbing since there’s no shit porn-acting to make it all ridiculous. The Blu-ray from Vinegar Syndrome is great, featuring a new interview with Ginger Lynn in which she reveals that she wasn’t comfortable with the film back in the day and still isn’t. Sleazy stuff for sure.

You can tell that this post features movie watching from the end of the month since it went from silent films to sleazy porn. I get my Vinegar Subscription at the end of each month and it gets priority! Don’t worry though, next blog will have some class. I’m taking a Gilmore Girls break to watch Academy award nominations. And the rest of my Vinegar Syndrome pack, so it wont be all classy.

Movie A Day 2017! 09-15: Golden Globes Girls

It’s inauguration week in the USA! What new horrors will 2017 release after the never-ending popular culture death knell that was 2016? Who cares! It’s movies we’re about here on the rarely read Movie A Day blog! Here’s what I tucked into this past week.

009 01/08 The 74th Golden Globe Awards (2017) 2/5   This show is only ever as good as it’s host, which means it was terrible since Jimmy Fallon is pretty much unwatchable. The real take away for me though is how completely out of touch I am with the modern day movie business. It’s crazy. I haven’t heard of 80% of the movies and shows up for these awards. Some movie blog writer, eh?

010 01/08 Come Deadly (1973) 2.5/5   This one was maybe the scuzziest film yet out of the Bizarre Art boxset. A murderer is on the loose, raping and strangling theatre folk. I can’t help but think someone saw a giallo, decided to make a hardcore version for a hundred bucks and this was the result. It doesn’t work as a suspense or a porn, but the theatre troupe “Hey guys, let’s make a movie!” no budget feel has its charms.

011 01/08 Mania (1971) 2/5   This one decides to show up “Come Deadly” by cutting the rape aspect and instead having the murders happen after consensual sex scenes, the features an incest subplot to keep everything gross and scuzzy. A strict headmistress and her son are running a boarding school for troubled girls and the girls are getting killed. Tries to set up a red herring despite showing the face of the murderer during the second killing. Ugly stuff that’s a bit too inept to be sleazy fun like “Come Deadly”.

012 01/10 Gilmore Girls Season 2 (2002) 3.5/5   Running the series before watching the Netflix update. This one finds the series getting a more serious tone as Rory discovers the joys of boy trouble as brooding “Jess” is introduced and Lorelai continues to be mostly self absorbed. The show is so well written it’s hard not to get caught up in it. Sean Gunn as the ever annoying “Kirk” is really starting to stand out. That said, all the men prospects for the girls are insufferable dip-shits. I’ve basically turned into their dad where “No man is good enough for my girls!”.

013 01/11 Daughters of Darkness (1975) 2.5/5   The weirdness continues with this one. A young writer rents a room from a Satanist hippy chick and gets enthralled by Satanic forces. Sort of. This is one of those old porns that are so cheap and bad while being so ambitious that it goes around the corner and ends up being pretty good.

014 01/13 The Unholy Child (1973) 2/5   The Bizarre Art Theatre set comes to a close with this one. A Navy man returns home to find himself stalked by a mysterious man. Flat out boring porn offering that never delivers outside of how awful it is.

This boxset is easily one of the weirder things I’ve watched. The appeal is there for nobody. The porn “action” is atrocious, the acting terrible, the plots are horrible, and the look is cheaper than dirt. They have a “Hey gang, let’s make a porn film!” vibe which makes zero sense. It all adds up to being pretty fascinating stuff. My only complaint with the set is there’s no notes, no explanation, you put the disc in and it starts playing. I want to know more! Where do these come from? Why do they exist? Who thought they were a good idea? You guys didn’t even hear about the Bigfoot one, I watched it before Jan 1st.


015 01/14 Ray Harryhausen: Special Effects Titan (2011) 4/5   Harryhausen is easily the most influential special effects man in the history of film, having perfected stop-motion animation. This documentary is the perfect round up of Ray’s career featuring himself and others talking about his films and process. It’s packed with clips both from the films and behind the scenes. If there’s any complaint it’s that it nearly all professional and doesn’t get much into his private life. Which may be fitting for a man whose life was largely spent alone with models. Great stuff, another must watch for film fans. The Arrow Academy disc I’m watching is feature packed. 

I’m at 15 films on Jan 15th, not bad! As new readers can see, I cheat a bit. Obviously the Golden Globes isn’t a movie. It is fucking long though so I count it. TV series get counted as a film when I watch a season. DEAL WITH IT!

Know a film friend with time on their hands? Any comments, shares, tweets etc are appreciated.

Movie A Day 2017! 1-8: HyperNormalisation of Uranus

The planet hasn’t burst into flames so it looks like I’ll get a start to the old movie blog. That’s a bit negative, let’s try to have fun this year, eh?

Friends, this one is smut heavy. I’m going though a boxset of sketchy 70’s horror-porn and whelp, you’re stuck with the terrible results. Things should get a little more mainstream in the future. A little anyways.

Here’s what I watched the first week of January. I kicked it off with a bang.

001 01/01 The Big T.N.T Show (1966) 3/5   This one is the follow-up to the legendary “The T.A.M.I Show”. “T.A.M.I” was the to be the start of a series of mega-concert films and was taped at the end of 1964. Featuring The Rolling Stones, James Brown, The Beach Boys and others in a concert that frankly is so amazing to watch it’s exhausting. Rights to the film went off the rails (Chuck Berry demanded cash money up front and left them cash poor), the plan to have teens vote on acts for the next film never happened and the idea died with “The Big T.N.T Show”. It’s a real mash-up with The Byrds and The Loving Spoonful sharing the stage with Ray Charles and Ike & Tina Turner. It grinds to a halt with Donovan and melts your mind with Joan Biaz joining Phil Spector to sing blue-eyed soul classic “You’ve Lost That Loving Feeling”. It can’t compete with the non-stop legendary acts of the first film, but as a snap-shot of popular music in 1965 it’s still worth a look. That said “The T.A.M.I Show” is an absolute must see.

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002 01/01 Turn On With Kelly Nichols (1984) 2/5   In the early days of hardcore pornographers were able to skirt the censorship laws by putting out “Educational” films with explicit footage. They were nicknamed “White Coaters” and by 1972 with the release of “Deep Throat” the genre was pretty much dead. The old ones are kind of dopey fun, mainly due to the very serious narration. Sadly none of that fun is found in this one, made a decade after the genre was dead and near the end of the film era of porno chic which was sliding into shot on video tape. It’s simply boring and no amount of star power or goofy narration can save it despite being technically well made.

003 01/02 The Sorceress (1974) 2/5   A woman pretends to be psychic as a front to service guys in this early hardcore feature. Nothing real great to offer, it’s sleazy and only notable for the shock ending.

004 01/02 The Scorpion (1975) 1.5/5   A nervous woman goes in search of her sister who has gone missing and has ties to a mysterious cult. My description is a billion times better than the film which is just a lazy series of horrendous hardcore scenes full of people in bad wigs.

005 01/03 Dr. Sexual & Mr. Hyde (1971) 2/5   A mad scientist makes a concoction that turns people horny. This one started out completely bonkers crazy and I thought I was watching one of the great, lost, underground films. Then the hardcore kicked in after about 10 minutes and it became dull, dull, dull. Those first 10 minutes or so though, man, amazing lo-fi stuff.

006 01/04 Rites of Uranus (1975) 2.5/5   A young woman gets roped into the Cult of Uranus, where a voice projects out of a horn jammed into a decorative plate hung on a wall and they stick candles in your bottom. You really can’t make up how bonkers these crappy early hardcore features are.

007 01/06 Waltz of the Bat (1972) 2.5/5   The Bat stole power from The Bee and survives by roping young women under his spell. It’s near the hundred year mark so the Bee has to sleep with the Bat and get her power back or she’ll turn to dust. You really can’t make this shit up. This one was actually lots of fun when it came to plot movement. The actual hardcore is as dire as the other films mentioned here.

008 01/07 HyperNormalisation (2016) 4.5/5   This is more of a visual essay than a documentary but it’s an absolute must see if you’re curious how we’ve ended up in this terrible part of history where facts don’t matter and our reality is a fiction. It’s maddening, it’s scary and it’s essential viewing despite being 2.5 hours long. WATCH IT!

Honestly can’t express enough how good HyperNormalisation is. It really feels like mandatory viewing at this point. Then again I’ve become obsessed with all the awful in the world so I’m most likely biased.

I realize in getting this started that I picked a bad time to start this thing. I’m going through a porn boxset (final disc starts next week), watching a TV series, and plan to catch up on some other series I never finished watching last year before getting back to my regular movie watching. I try to include poster art and what not, but most of these weren’t even on IMDB until Vinegar Syndrome put them out, much less have movie posters. You’re going to have to stick it out. It’s worth it. I promise!*

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*I don’t actually promise.

Movie A Day! 141-151: Sprout Wings Super Soul Brother!

So much for getting the blog under control. This one looks longer than it is, but it’s still pretty long. I watched some double feature stuff that hit around the five film marks and didn’t want to split them into two blogs. So you get a little extra and I’ll try to get this thing back to the fives next time.


141 04-27 Supersoul Brother (1978) 2.5/5
“Wild Man” Steve takes a page from Rudy Ray Moore’s DOLEMITE playbook and tries to make a his own blaxploitaton action comedy. He fails in almost every regard. Steve plays a wino who gets picked up by a couple of thieves to be injected with a super serum so he can be used to rob a jewel safe. It’s dirt cheap, the acting is atrocious, but it does have it’s charms as both a spoof on THE SIX MILLION DOLLAR MAN (the original title, and the one on the print on Vinegar Syndrome’s DVD is THE SIX THOUSAND DOLLAR NIGGER) and for the gusto of Wildman himself who tries his darn-dist to spin straw into gold and fails pretty much completely. A hell of a time capsule, and as the first in Vinegar Syndromes collaboration with the American Genre Film Archive, it’s going to be fun to see what they bring out next.


142 4-28 A Life In Dirty Movies (2013) 3.5/5
A pretty good documentary on Joe Sarno, one of the first and best of the sexploitation filmmakers at the dawn of the genre. This one mostly deals with Sarno at the end of his life trying to get one last film financed. I would of preferred more of an overview since I can only imagine some of the stories he has, but what we do have in here is still interesting. Having people like John Waters, Jamie Gillis and Annie Sprinkle on hand to discuss Sarno and his work also helps to keep the film moving. Now we need someone to tackle restoring Sarno’s surviving films.


143 4-30 Garlic Is As Good As Ten Mothers (1980) 3/5
Les Blank skips the profiles of people and goes straight to food and music with this one. It’s a history of garlic, showing many of the ways it is prepared as well as the folklore. Some of the fanatics come off a bit hippie dippy and crackers, but it is a fun watch. Since it’s literally about the food, this one is missing the heart found in his other pictures.


144 05-01 When Taekwondo Strikes (1973) 3/5
A pretty good chop socky feature starring Angela Mao about Koreans revolting against Japanese rule. Lots of different styles of martial arts are in view, and it also features Jhoon Rhee, known as the father of American Taekwondo. So there’s lots of fun to be had in this one.


145 05-02 Little Miss Innocence (1973) 2.5/5
146 05-02 Teenage Seductress (1975) 2.5/5
This is a pair of softcore features from Chris Warfield that Vinegar Syndrome put out in their DRIVE-IN COLLECTION. The first features a pair of hippie girls who shack up and torture an older music executive when he picks them up hitchhiking in LA. It’s the most porn-y of the two since they emotionally abuse him with constant sex, and it’s as sleazy as it sounds. TEENAGE though downplays the sex to be more messed up dramatically as it features a woman who is out to find her father that skipped out when she was born, in order to sleep with him and try to ruin his life that way. Did I mention it was messed up? Anyway, the pair are actually pretty decent watches since they play more serious than the usual goofy that is sexploitation, and are looking great in these DVD restorations.


147 05-02 Escape From New York (1981) 3.5/5
John Carpenter’s cult classic features a breakout role for Kurt Russell who stars as Snake Plissken who in the future dystopia of 1997 has to retrieve the President of the United States who has crashed into the prison island of Manhattan. It makes zero sense, but Carpenter and Russell totally pull it off. I don’t love this one as much as others, but I have no knocks against it, it delivers and the cast featuring genre legends like Lee Van Cleef and Isaac Hayes doesn’t hurt either.


148 05-02 Champagne For Breakfast (1980) 3.5/5
Chris Warfield again, this time with a later porno chic effort that manages to work. The script, about a guy who plays gay in order to get a job as a chauffeur/bodyguard to a young woman who has recently become vice president of an ad agency, genuinely works on it’s own both dramatically and as a comedy. The actors, featuring stars like Leslie Bovee, John Leslie and Kay Parker all have the chops to pull it off, they could of cut the sex out and still had a decent late seventies comedy. A short comedy though since ther is a ton of sex in this one, which makes the story working aspect of it all the more unusual. Typical of everything they put out, the Vinegar Syndromes presentation is top notch.


149 05-03 Sprout Wings And Fly (1983) 4/5
150 05-03 Julie: Old Time Tales of the Blue Ridge (1991) 4/5
151 05-03 My Old Fiddle: A Visit with Tommy Jarrell in the Blue Ridge (1995) 4/5
Another trio of documentaries from Les Blank. SPROUT features fiddle player Tommy Jarrell, in his eighties when it was shot, telling stories of life in the Blue Ridge mountains (nearly all of them about whisky and death), and playing a ton of amazing fiddle songs. It’s a brilliant piece of work, and Jarrell is one hell of a storyteller. This Les Blank blu-ray set just never fails to please. JULIE was shot at the same time, and is a short film featuring Tommy’s older sister telling stories and singing a couple of songs, while MY OLD FIDDLE is more of Tommy playing and talking. As a whole, they are not only a entertaining films, but a record of a lost time.

See? It wasn’t so long and at least the movies were varied eh?

Movie A Day! 036-040: Indiegogo Playbook Confession

So this one features a couple of Vinegar Syndrome releases (not the best ones they have to offer, but two all the same). Anyone who’s read this blog should be able to tell, I’m a pretty big fan of this company. They are doing the big work protecting, restoring and preserving a genre of film, exploitation, from disappearing. They’re doing the work that most of the major studios refuse to do (See MGM and the protection of John Wayne’s THE ALAMO for an example) as an independent. They are introducing a new initiative this year, a streaming channel that will start off offering over 200 films, porn, horror, who knows what else, in a Netflix like service. They are currently offering an indiegogo campaign to get the project started. So if you’ve ever been curious about the films I review, but don’t want to purchase, it’s a great way to check them out, help them out, and keep the movies that influenced a generation of film makers alive. Click the link, share the campaign, and watch their video, it’s pretty cool.

https://www.indiegogo.com/projects/vinegarsyndrome-tv-instant-digital-exploitation/


036 01-29 An Act of Confession (1971) 2.5/5
The final film in this Peekarama edition (unless you count a soft version of CRY FOR CINDY) is a bit of a mixed bag. Barely released, never distributed in New York and thought lost, Vinegar Syndrome found a print of this Anthony Spinelli Nunsploitation in the archives of fellow porn legend, director Alex de Renzy. Sadly, it’s not fully uncut, but it is as complete as it’s likely ever going to be. I’m going to guess time wise this one came after Ken Russell’s THE DEVILS (still not released uncut by Warner Bros. despite a HD restoration) since it shares a similar look to whatever version of THE DEVILS I saw (a patched together uncut version from the UK). Explicit films based around nuns getting horned out due to erotic fantasies are always problematic I guess, whether it’s a porno or a Warner Brothers film. Anyway, this one isn’t that bad, and actually plays a bit arty instead of exploitative. Though it is exploitative, there’s a bit of hardcore thrown in/not fully cut out (?) and most importantly, the final scene with the main nun and Jesus(!) is mostly intact. That said, the constant Gregorian chants and rather uninspired plot leave it meandering a little bit, like a less interesting WAKEFIELD POOL’S BIBLE! (also by Vinegar Syndrome). So it’s more of an interesting curiosity than a proper “Good” film.


037 01-30 Silver Linings Playbook (2012) 4/5
It’s technically a rom-com with a stupid title, but I really enjoy this one. I think because it deals with mental illness in an open way, yet never makes actual fun of it. Humour comes from situations, but never the disease itself. Anyway, it’s good, and Bradley Cooper is about as good as he gets in it. Jennifer Lawrence steals the show despite Chris Tuckers attempts in a role that requires him to tone down his usual film persona. Good stuff all around this one.


038 01-31 The Comedy (2012) 2.5/5
I’m a big Tim & Eric fan, so I’ve been wanting to see Tim Heidecker’s dramatic debut for a while. Finally took the plunge, and it’s not great. Tim is fine, the movie is about a wealth fund kid kicking around New York being an asshole. The film is pretty much plot-less as a rambling character study that never really finds a point. Or I just didn’t get what they were trying to achieve.


039 01-31 Impact (1949) 3/5
A B-level noir starring Brian Donlevy as an industrial magnet who’s gold digger wife plots to have killed. The first fifteen minutes play in a burst of energy that would be the plot of most film noirs with the Donlevy’s attempted murder and a mistaken identity plot that then wanders for the rest of the film as Donlevy, presumed dead, lives a new life as a small town mechanic. Shave a bit out of the middle and this could of been a twisty, noir classic. As it stands, it wears out it’s welcome a bit, especially since the film could of ended at the twenty minute mark with a a single call to the police.


040 01-31 Oriental Hawaii (1982) 2/5
When Carlos Tobalina (JUNGLE BLUE) uses an assumed name on a directors credit, you know you’re in trouble since none of his films are all that great. This one is about a family who rents a couple of rooms to some asian university girls for some extra cash. That’s it. The most base of porn plots for a very base porn. This half of the Vinegar Syndrome Peekarama double feature is far from their best effort, though the actual transfer quality is right up there like all their releases. I’ll probably get to the more interesting second feature MAI LIN Vs. SERENA next week.

That’s about it for this one. Be sure to shoot a couple bucks over to the VS campaign if you have some extra bucks to shoot. They, and genre fans everywhere will thank you!

Movie A Day! 397-407: Last Christmas To The Head

We have nearly made it, only a few days left and 2014 is put to rest. Everyone making out okay? This time of year can feel like survival sometimes. My holidays are going okay, so far. It’s been mostly quiet and low key, which is what I wanted. It’s the first Christmas without dad, and mum and I are accepting it quietly while cracking the odd joke about how dad wouldn’t be impressed with us and our celebration since we’re going small.

I passed 400 titles this past week. Not bad. Watched some great, classic films, and some not so great films. As per usual. Here they are!

397 12-21 Christmas Evil (1980) 4/5
My (and John Waters) favourite Christmas movie looking fantastic on Blu-ray via Vinegar Syndrome! This one came out in the midst of slasher mania and was obviously designed to be the Christmas version of HALLOWEEN. Surprisingly, they went more psychological, so the first half plays more like a TAXI DRIVER style character study before going completely loopy. Believe me, it gets deliriously loopy, so check it out.

398 12-23 Kelly Clarkson’s Cautionary Christmas Music Tale (2013) 3/5
Yup, still watching Christmas specials. This one was one of the better ones mainly because Clarkson can sing anything in a way that doesn’t drive you up the walls. The sketches aren’t as good as the performances, but the performances are all good and Clarkson has a fun personality.

399 12-23 Masterchef Canada Holiday Special (2014) 3/5
Stumbled on this one. They brought back 5 contestants from Season one, who along with their families compete in cooking challenges with the winning family getting $10,000 for their favourite charity. It was surprisingly fun, and since it’s Canadian, everyone was happy, working together and having a good joyous cry instead of baiting and trying to screw everyone over like the American version.

400 12-24 Hot & Saucy Pizza Girls (1979) 4/5
This is one of the porno chic titles that gets tossed around as being a classic so it was nice to finally view it via Vinegar Syndrome’s release. Directed by Bob Chinn, this one fits right in with the teen sex comedies that were popular at the time. Think of PORKY’S or ANIMAL HOUSE type comedies, except with hardcore sex. John Holmes starts as an owner of a pizza shop who has a gang of sexy, skateboarding delivery girls who deliver pizzas throughout San Francisco on their skateboard as a cover for hooking. There is a mysterious “Chicken Rapist” out to get them, run by a fried chicken group who want to put the Pizza Girls out of business. Desiree Cousteau is back playing her naive dumbbell persona that she did so well in PRETTY PEACHES, and future feminist porn director Candida Royalle is memorable as well as one of the Pizza Girls. Cut out the porn, and it would still be a fun and funny little film.

401 12-25 2014 Disney Parks Christmas ‘Frozen’ Parade (2014) 2.5/5
This was on Christmas morning and was probably your last chance to see Ariana Grande soullessly warble out a Christmas song. Seriously, if it was a variety type special from this year, Grande was part of it. I guess she won the magic ticket.

402 12-25 All Is Lost (2013) 3/5
This one has Robert Redford as a guy dealing with sail boat that has a hole in it. In a twist, that it all this movie is about. All of it. No kidding. A guy on a boat, by himself. So your enjoyment will be based on if you don’t mind watching a guy on a boat with a hole in it for ninety minutes. I liked it, and I thought Redford did a really good job. That said, I don’t think I’m going to be spinning it a ton. It’s a neat experiment and change of pace, but not completely successful. I have a sneaky feeling that this one was made as Oscar bait to get Redford a statue.

403 12-26 The Green Mile (1999) 4.5/5
This is the best of Frank Darabont’s Stephen King prison novel adaptations, which is saying something since the other one he did was THE SHAWSHANK REDEMPTION. I like this one better though, since it has gruesome executions and Tom Hanks pissing all over the place to balance the sentimentality that is borderline over-sentimental. Plus it has that god damned mouse!

404 12-27 Doctor Who Christmas Special – Last Christmas (2014) 2/5
405 12-27 Black Mirror – White Christmas (2014) 4/5
These should be the last of the Christmas specials for me. Doctor Who had Nick Frost as Santa, sorry, as Father Christmas since it’s British. Anyway, he was a great Father Christmas but the episode dealt with Jenna and her dumb boyfriend. For fuck sakes, that shit was wrapped up in the season finale! I thought we were done with her and her horseshit. I’ll give next season a chance, but I’m far from excited for it.

I never did watch BLACK MIRROR SEASON 2, and I’m going to rectify that toot-sweet since this Christmas special was excellent. John Hamm and some other guy are working at some unexplained job on Christmas, and Hamm is telling stories of what brought him to the isolated outpost. It’s smart and cynical, Brooker has a dead tight script and Hamm has never been better. I want more Black Mirror please, even though season two is supposed to be a bit dodgy.

406 12-27 Bullet To The Head (2012) 2/5
Walter Hill finally gets a new movie out, and it sucked. Walking human Growth hormone experiment Sylvester Stallone is a hitman who gets set-up on a bad job and has to work with a cop to sort things out. It hits every dumb cliche there is to hit. The cop is Korean, so there is way too many Asian jokes at his expense to get a pass in this day and age, and 90% of the dialogue seems to be exposition to explain what the characters are doing, and why they are defying all common sense and logic. So skip this one.

407 12-27 Oui, Girls (1981) 2/5
A detective goes undercover at a swingers ranch to solve a murder. I think that’s the plot. This one was spoken of pretty highly in the book THE OTHER SIDE OF HOLLYWOOD, and was considered to be director F.J. Lincoln’s best film. As a porno, it’s not bad, but as a movie it just didn’t make any sense with way too many plot holes. I know, it’s a porn, but I expected more. Pizza Girls delivered a plot, no reason this one shouldn’t have. F.J. Lincoln is also mostly known for his role as one of the attackers in Wes Cravin’s LAST HOUSE ON THE LEFT, so between that and the hype from the book, this one was a let down.

That’s it for now. There will be one more post, The wrap up for 2014! I’ll try to post it this week anyway.

I’m on the fence with continuing this blog into 2015. It’s actually a bit of work writing these dumb mini-reviews and finding the posters and math. Ugh. Feel free to let me know your thoughts in the comments.