Movie A Day!: Pazuzu Nurses

So the first half of the month has wiped me out. Mum was in hospital for most of it, getting out mid this week. Christmas is cancelled while she recovers, which I’m okay with since I lost my Christmas spirit when I lost my marriage years ago.

Lots of variety this post, but be warned, my Vinegar Syndrome package arrived so it’s filthy and tawdry as well.

Pick-up Poster
462 12/11 Pazuzu (Pick-up) (1975) 3.5/5   A couple of hippy chicks get picked up by a guy in a mobile home, they stuck in the everglades and things get weird. This one is a bit of a mess, but it plays like a weird dream that is utterly captivating.

Orgy at Lil's Place Poster
463 12/11 Orgy At Lil’s Place (1963) 3/5   An old school sexploitation about a girl that heads to New York for fame and fortune and gets hooked up in some sleazy modelling. It’s incredibly chaste by today’s standards and one of those cheapies with a narration. It ends up remarkably charming.

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464 12/12 Two Seconds (1932) 3.5/5   Two seconds is the time the brain remains alive after getting the big jolt in the electric chair and it’s all the time the brain needs to recant Edward G. Robinsons terrible life. Ruined by a woman, Robinson is fantastic in this one, a twisted ball of torn nerves. Them 30’s big city dames were RUTHLESS! Eddy didn’t stand a chance, and you owe it to yourself to check this one out.

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465 12/12 The Confession Tapes (2017) 3.5/5  A Netflix series of documentaries on cases where confessions in criminal cases appear to have been coerced as opposed to freely given, resulting in innocents being convicted. The opening two on an RCMP case was an eye opener for this Canadian, but all of them are disturbing for different reasons. Worth a look.

Seeds Poster
466 12/13 Seeds (1968) 3.5/5   I’m new to Andy Milligan, mostly new anyway. This one is restored to its original cut by the fine folks at Vinegar Syndrome and it’s an eye opener. What starts as a melodrama with an alcoholic matriarch having a fit that her families coming over for Christmas rolls into a bonkers exposure of the incestuous relationships and demons come out. It’s played at a fever pitch that rolls into horror and is absolutely captivating.

Vapors Poster
467 12/13 Vapors (1965) 4/5   This is the short film debut from Andy Milligan and it’s incredibly wonderful. A gentleman goes to the St. Marks Baths for companionship. It should be tawdry, but instead it’s remarkably tender and heartfelt, more about loneliness than gay sex, and frankly an eye opening progressive work. The Seeds/Vapors blu-ray from Vinegar Syndrome is a limited edition, so seek it out.

The Breaking Point Poster
468 12/14 The Breaking Point (1950) 4/5   The great John Garfield takes the lead as a boat captain down on his luck who takes a couple of dodgy jobs to pay the bills. Tight noir gets a little fat in the last half but is so damn good you can easily forgive it. Garfield is mesmerizing and the rest of the cast hold its own. Add in some progressing for the time racial casting and this one is all win.

Ice Cream Man Poster
469 12/14 Ice Cream Man (1995) 2/5   Competent but ultimately dull horror comedy about a killer Ice Cream Man! Clint Howard steals the film as the ice cream man, but it’s not enough. The film isn’t nasty or funny enough to elevate it from the cheap-o direct to video slum it wallows in.

Zodiac Poster
470 12/16 Zodiac (2007) 5/5   Hard to believe that this one is ten years old now. I think it’s David Fincher’s best work. The true story of the Zodiac killing that left San Francisco in fear, it’s dead on with the facts as laid out by Robert Graysmith in his classic book. What sets this apart is how deep it goes, and becomes a study on obsession as much as a crime procedural. Doing so shows the impact of crime touches more than the victims. A must see for crime fans.

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478 12/16 Nasty Nurses (1984) 2.5/5   Adult feature starring Herschel Savage as the lead surgeon of a small hospital finding his life spiralling with his cheating and hospital budgets going out of control. Typically hospital set porn is a lame excuse for nurse outfits and comedy. This one at least tries to have more going on, but doesn’t fully succeed despite the competent cast and production value.

 

Movie A Day!: Salome Brain Damage

Only thing worse than the news is family thinking that all the horrible people are correct.

Salome Poster
420 11/06 Salome (1973) 2.5/5   Experimental short film from Clive Barker is just that. Didn’t make any sense but had some nice visuals.

421 11/07 The Forbidden (1978) 2.5/5   Another experimental short film from Clive Barker that is bigger on ideas and image than actually being fun to watch.

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422 11/11 Blue Sextet (1971) 2.5/5   Directed by the man who brought us I Drink Your Blood, this one find a group of people meeting up to remember a friend who passed away, only to discover what a total bastard he was. It’s an ambitious softcore film that emphasizes plot but didn’t really hold my attention.

The Keepers Poster
423 11/11 The Keepers (2017) 3/5   A Netflix true crime series about the murder of a nun is actually a disturbing outing of sexual abuse in the Catholic Church. It’s easily two episodes too long, and a massive trigger warning to anyone who survived abuse. The death of a nun bit almost seems like a trick to get you to watch.


424 11/11 Kinky Tricks (1977) 3/5   Okay look, this is probably a one-day wonder as far as porno goes, but star Candida Royalle is a firecracker of personality and the short run-time helps to keep it fun. It also delivers “kinky tricks” and is generally lighthearted. For what it is, it’s pretty good, but no must see.

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425 11/12 Star Wars: The Force Awakens (2015) 2.5/5   I enjoyed this one more the second time but it still relies way too much on nostalgia for the past and what they have done with “The Force” is horrendous. It’s a shame since the new cast is great.

426 11/12 China Lust (1976) 1.5/5   Low rent porno quickie that barely has a plot and no real star power to make it stand out.

Next are a pair of short films from Emiliano Rocha Minter.

Inside Poster
427 11/13 Dentro (Inside) (2013) 2.5/5   A short film that manages to pack in a ton of style into its running time and has a good sense of dread as two people build a mysterious thing in the woods.

428 11/13 Videohome (2014) 3/5   This one feels more like a warm-up to images the director will explore in WE ARE THE FLESH, but manages to be impressive all the same.

The Window Poster
429 11/13 The Window (1949) 4/5   A real spooky film noir about a young boy who witnesses a murder only no one will believe him. The boy is Disney wunderkind Bobby Driscoll who manages to carry the film without ever being annoying. It makes what happened to him in later life all the more tragic. Everyone else is great as well and really makes this one worth checking out.

430 11/13 Listen To The Light: The Making of Brain Damage (2017) 3.5/5   Really well done documentary on the making of the film despite missing the directors input. Can be found on the recent Arrow Blu-ray.

Movie A Day!: Desperate Hellraisers

Another week of film, film fans! Catching up on special features from discs I watched in October, but snuck in a few films.

Desperate Poster
410 11/01 Desperate (1947) 3/5   Better than average noir about a truck driver that gets roped into committing a crime and has to clear his name. Main issue is that lead Steve Brodie is completely overshadowed by heel Raymond Burr, so you find yourself waiting for Burr to show up instead of getting wrapped up in the main story. Still good time though.

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411 11/01 Train To Busan (2016) 4/5   South Korea proves once again that they are one of the best at producing genre movies. If there’s a tired genre, it’s the zombie film. Having a contained outbreak on a literal train is a bit of a stroke of genius, and the film completely delivers not just the action, but enough humanity that you may find yourself tearing up.

Ronin Poster
412 11/03 Ronin (1998) 4/5   It’s a film that’s  completely driven by a MacGuffin, but it’s so well done it’s hard not to love it. The car chases are great, but what really keeps it interesting is the film never feels like it has to give everything away as far as the characters go, as well as the purpose of the plot. Makes for a tight action film and at a level with John Frankenheimer’s other classics.

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413 11/03 The Sinful Pleasures of Reverend Star (1977) 2/5   A cult is using hypnotism to prey on young women in this poverty row porno. Not much to make it stand out.

Never Sleep Again: The Elm Street Legacy Poster
414 11/04 Never Sleep Again: The Elm Street Legacy (2010) 4/5   Massive, four hour documentary going into the complete Elm Street history and featuring nearly every major person involved. If you’re interested in the history of the series, this one is for you since it’s made for the fans.

The Strange Love of Martha Ivers Poster
415 11/04 The Strange Love of Martha Ivers (1946) 3.5/5   Film noir about three childhood friends who cross paths as adults. Barbara Stanwyck is Martha, and neither Van Heflin or newcomer Kirk Douglas are a match for her. Stanwyck really is just the best.

Document of the Dead Poster
416 11/04 Definitive Document Of The Dead (2012) 3.5/5   Documentary on George A. Romero. Starts off strong, going pretty deep in the process with Dawn Of The Dead, but starts to wander later on. Still well worth a watch.

Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II Poster
417 11/05 Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II (2015) 3.5/5   Massively detailed and long documentary on the making of the two films that manages to tell everything you want to know, without the participation of Clive Barker. Which means that despite how packed with info and stories it is, you can’t help but feel like you’re missing something.

Django, Prepare a Coffin Poster
418 11/05 Django Prepare A Coffin (1968) 3/5   I’ve not dived into the Django films, which means I was honestly lost for most of the set up to this film as I’m guessing there’s a presumed familiarity at play with it. Once it got going it ended up being a good but not particularly memorable spaghetti western.

419 11/05 Hell On Earth: The Story of Hellraiser III (2015) 3/5  Significantly shorter documentary by the team that brought you Leviathan. It’s the story of Hellraiser III which sadly never mentions cult porn legend Flame as one of the dancers, but tells you everything else you need to know about the film.

Scary Movie Challenge 2017: Part 7

Another chunk of films. Caught up on my Vinegar Syndrome releases.

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373 10/23 Trip With The Teacher (1975) 3/5   Tame sleaze-fest about bikers terrorizing an all-girl trip in the desert. I still enjoyed it though, and Zalman King was great as the biker leader.

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374 10/23 Demon Wind (1990) 3/5   This one has literally zero to do with farting. A group of friends head out to a farm to check up on a guy’s family and discover some demon stuff. Not the greatest film ever released by Vinegar Syndrome, and it’s takes a while to get going. Once it does though it redeems itself a bit with some decent practical make-up.

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375 10/23 Blood Beat (1983) 3/5   A family reunite for some Christmas hunting and encounter the spirit of a samurai. It plays like a weird knockoff of Evil Dead, only not as successful despite some arty touches.

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376 10/23 The Corpse Grinders (1971) 3/5   The Grindhouse classic holds up not bad though it’s much more tamer than the title would suggest. A cat food company is using human meat and it’s turning the cats into KILLERS! It’s ridiculous, but fun.

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377 10/23 Don’t Torture A Duckling (1972) 3.5/5   Pretty tight giallo from Lucio Fulci about child murders in a small Italian town. This one was less over the top than later Fulci, but you could see some of where the gore was going to go. A tight crime who done it, I have no complaints.

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378 10/23 A Woman’s Torment (1977) 3.5/5   A mentally disturbed young woman starts to lose control and submit to urges while left alone. It’s not the greatest horror film, but it is a pretty ambitious XXX one, all things considering. Roberta Findlay manages to keep things moving and build some characters in this one, and works better than most ambitious hardcore films do.

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379 10/24 Prime Evil (1988) 3.5/5   Ancient satanic priests causing trouble in our time. I think what sets this one apart from the typical ropey horror tropes is Roberta Findlay bringing a woman’s viewpoint to the characters. There’s still tits and whatever, but the characters feel richer than the usual, especially the women who are typically victim bait. It helps to keep this one interesting.

Lurkers Poster
380 10/24 Lurkers (1988) 2.5/5   A woman is haunted by her past in this one. Some edgy stuff, but not enough to set it apart. I found it plodding.

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381 10/24 The Creeping Terror (1964) 1.5/5   Sometimes a bad movie is simply a bad movie. The monster is terrible, but gloriously terrible that makes it a shame that it’s wasted in this completely inept film. There’s just a complete lack of fun or ambition, and the narrated plot (there’s barely any properly spoken dialogue) just plods along painfully.

Too Young to Die Poster
382 10/24 The Suspicious Death Of A Minor (1975) 3/5   This one was billed as a giallo but it’s really more of a straight up crime film. It’s okay, but there was too many bits played for humour that I think too away from the narrative. There are better Sergio Martino films to be found.

The Creep Behind the Camera Poster
383 10/24 The Creep Behind The Camera (2014) 3/5   Bio-pic/documentary on the man behind The Creeping Terror. He was a garbage human being. Interesting film, better than Creeping Terror anyway.

Scary Movie Challenge 2017: Part 3

10 more movies down in the challenge. Another horrible week of real world news to live through. I feel befuddled.


317 10/10 At Midnight I’ll Take Your Soul (1964) 3/5   The Coffin Joe myth starts here! Long whispered about, long desired by me, and I have to admit, it’s a bit of a let down. It’s not bad for what it is, more a case of not knowing what to expect. Coffin Joe the character is more of a prick than a macabre genius. The blasphemy I’m guessing plays better in 1960’s Brazil. That said, it’s fun and surprisingly graphic for the era so I’ll give it a three out of five.

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318 10/12 This Night I’ll Possess Your Corpse (1967) 4/5   This one was a huge improvement over the last. Coffin Joe still is looking to sire a son in order to achieve immortality. Joe’s main character trait is still mostly that of being a giant prick to everyone, but the film packs in more style and gimmick – including a genuinely brilliant colour sequence- to really put it over the top.

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319 10/12 Get Out (2017) 4/5   I loved this one, a perfect twist on paranoid thrillers. Others better versed than me can comment on a the racial politics. I’ll just say that if you took race out of the picture, it would still be damned fine. As it is, it’s fantastic.


320 10/13 Embodiment of Evil (2008) 3.5/5   40 years after the last picture, Coffin Joe is back and he is NOT messing around. Marins is back in the role and the director’s seat, and the character is still on his mission to have a son. Marins does not hold back though, amplifying the gore and ugliness like you would not expect. It works though, and I have to admit this ended up being a much stronger trilogy than I expected it to be.


321 10/13 Billy The Kid Versus Dracula (1966) 2.5/5   Exactly as advertised. Dracula is buzzing around the old west and ends up preying on Billy’s fiance. It’s ridiculous, John Carradine is awarded no favours as Dracula. It is “Fun-Bad” though, and we discover that while bullets won’t stop a vampire, a gun chucked to the face will drop one cold.


322 10/14 Waxwork (1988) 3.5/5   First time seeing this one since it came out and I know I enjoyed it a lot more than I did before. In my mind most of this era was garbage, but revisiting them I’m enjoying them a bit. There’s nothing really exceptional or scary, they’re just fun little movies. This one uses a wax museum as an excuse to use the exhibits as sketches of other horror tropes. It does it’s job and that’s all it needs to do.


323 10/14 Waxwork II: Lost In time (1992) 2.5/5   All the goodwill earned in the first film is lost on this one. Instead of playing with horror tropes, they attempt to spoof other films (In particular the Evil Dead series) and it makes for a terrible sequel to a film that was fun but no masterpiece in the first place. You’re in trouble when you cast Bruce Campbell is a small role in your comedic horror film and it brings no laughs.


324 10/14 Creepshow 2 (1987) 2.5/5   I’ve just never warmed to this one. It’s not terrible, it’s more a case of none of the stories being as interesting as those in the first one on top of what appears to be a significant budget cut so it doesn’t look that good either. First and last segments are fine for what they are, with THE RAFT being the weakest.


325 10/14 Kong: Skull Island (2017) 3.5/5   I had a little bit of trepidation going into this one after that last Godzilla movie that never wanted to show the monsters. Thankfully, they don’t mess around with this one and they get to the monster stuff quick. It makes for a fun picture and John C. Reilly is a gift to be treasured.


326 10/14 Dark Dreams (1971) 2.5/5   Young newlyweds get a flat tire and knock on the door of a witches coven in this early hardcore effort. Sadly nothing much happens. It manages to be both ambitious and not very good at the same time.

Scary Movie Challenge 2017 Part 2

I know I said I would post these every ten films and I’m over again. It was a long weekend, so it made sense to include a full day instead of half a day. It’s my blog, I do what I want!


304 10/07 Nightmare Honeymoon (1974) 2/5   A woman is assaulted on her honeymoon and her husband acts like a prick about it. This one looks like a vengeance thriller of the era, but it just plods along never really spooking or entertaining.


305 10/07 Kiss of the Tarantula (1976) 2/5   Another find from TCM Underground that is no great shakes. A young woman uses her beloved spiders to get even with those who would hurt her. Another one that isn’t really bad, just never gets really good despite adding in a little sleaze.


306 10/07 The Bad Seed (1956) 4/5   Really enjoyed this one. You know going in what to expect, so in lieu of surprises it’s more about watching things play out. And things do play out. Patty McCormack plays the most devious little shit ever seen on film, and it’s a heck of a lot of fun watching everyone twist around her. Despite knowing the premise, there are some surprises to be had and the film is surprisingly grim for the era. Worth checking out.


307 10/07 The Intrusion (1975) 3/5   Nasty hardcore feature about a wife assaulted by a home invader posing as a travelling salesman. This genre is sleazy enough without being hardcore so it really gets uncomfortable watching it. Which makes it a success.


308 10/08 Death Watch (1980) 3/5   Harvey Keitel stars as a reporter that has cameras implanted in his eyes so he can follow a woman as she goes through the stages of dying for reality TV in the near future. More Sci-Fi/Drama than the thriller it sounds like, but a pretty solid offering all the same that goes more into character examination than exploitation.


309 10/08 Alice Sweet Alice (1976) 3/5   This is one of those films that always kicked around the cheap bins so I always glossed over it despite the Brooke Shields being the draw. She’s barely in it as far as I can tell, and the whole thing is a pretty basic slasher that doesn’t offer up much.   


310 10/08 I Drink Your Blood (Theatrical Version) (1970) 3.5/5   The drive-in classic about satanic hippies infected by rabies is far better than it should be. I mean, it’s no great shakes, but it absolutely delivers on what it promises which is what makes these exploitation films a success. From limbs being hacked off to dead goats being dragged around, it’s not for everyone but for those of us that can enjoy a dumber, gorier Night Of The Living Dead ripoff, it’s pretty great.


311 10/08 The Swarm (1978) 4/5   First off, there is no such thing as an actually good killer bee movie. That said, this one is probably the best. A all star cast featuring Michael Cain and legends Henry Fonda, Richard Widmark, Olivia de Havilland among others, playing it straight and acting their asses off in a film that has billions of killer bees attacking the states, you have to respect it. It’s an Irwin Allen film, so things get absolutely bonkers by the end with the army lighting up everything with flame throwers. To fight killer bees. And it’s not the stupidest killer bee film since it doesn’t feature a scene where the bees plead to the United Nations for world peace. (That film would be the glorious The Bees.)

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312 10/09 I Eat Your Skin (1964) 2/5   This is the one that became notorious thanks to being billed with I Drink Your Blood, and I can just imagine how disappointed audiences where after viewing it. It’s an old school voodoo zombie picture with a scientist creating them as an after effect of his cancer research. Nothing exceptional at all.


313 10/09 Chopping Mall (1986) 3.5/5   In the realm of dopey 80’s horror films, you can do a lot worse than this one about a bunch of horny teens partying after hours in a mall. The new security robots go haywire and start attacking. This one is helped by its short running time, it gets to the goods quick and keep the energy going so you stay interested.


314 10/09 Blood Diner (1987) 4/5   A spiritual successor to Blood Feast, I’m rating this one a lot higher than I probably should. Two brothers grow up to follow their dead uncle’s wishes to resurrect the goddess Sheetar via a grand feast. I don’t typically like horror comedies like this, but they run absolutely wild with the dumb premise, pack it with gore and nudity and I managed to actually laugh out loud more than once at some of the jokes. It all ends up being fantastically entertaining.


315 10/09 The Driller Killer (1979) 4/5   First time watching the “Interpositive” cut, and I’m not expert enough to tell you what is added or missing. At any rate, this continues to be a favourite of mine. Abel Ferrara does not mess around, staring and playing the lead. Packed with grimy New York, from the punk music to the alleys, the whole thing simply works splendidly.


316 10/09 The Devil Rides Out (1968) 4/5   Incredibly strong Hammer offering with Christopher Lee starring as man schooled in the occult trying to save his friend from Satanic forces. Genuinely creepy and authentic feeling, even when things get spectacular. It’s great to see Lee in a hero role, and the whole thing is one of the more effective Hammer Horrors I’ve seen.

 

This bit from Blood Diner still has me laughing:

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The greatest scene of all time.

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Movie A Day!: Kung Fu Scoundrels

I read this earlier today. Read it.

https://www.theguardian.com/global/2017/sep/17/choosing-to-be-on-your-own

This one is bigger than I was expecting. Wrapped up The Wire, which left me a little short to post when I usually do. Now it’s a long read. In a couple weeks I start the Scary Movie Challenge. there will be too many posts. Not that I have any idea if anyone actually subscribes to this.

Kung Fu, porno, and classic Hollywood. Pretty typical.


265 09/05 Whiplash (1974) 3/5   Pei-Pei Cheng is back this time capturing a gang of bandits and forcing them to show her where they found some items of her father. It’s a kung fu adventure flick in the mountains with a hidden treasure, played for laughs with a song about boners. It’s one of those awful films that end up being kind of unbelievable and likeable. Hard to recommend, but I’d be tempted to force it on friends.

266 09/08 Sunny (1979) 3.5/5   Candida Royalle takes the title role in this one about a young woman hired to influence a young man but sets out to get his money for herself. It’s classy adult fare from Shaun Costello who manages to slowly add in some sleazy aspects as it goes on to keep the Time’s Square crowd interested. It runs short, which means it never tests your patience and works better than most from the era.


267 09/09 The Wire Season 5 (2008) 4/5   The series wraps up with season, and it’s great. This one shifts focus once again, this time including the media in the tangled web of politics, police works and what not and how the least of anyone’s worries is the people the civil servants are supposed to serve. It also finds McNulty fully succumbing to his obsessions. It’s great stuff, and a perfect ending to the series. I give the whole series a 5/5. Highly recommended.


268 09/09 One-Armed Boxer (1972) 4/5   Jimmy Wang Yu writes, directs and stars in this one, about a boxer who’s master and group is pretty much wiped out by the evil Iron Claw Gang and the evil gangs hired martial arts masters of different disciplines. It’s near non-stop fights, and the whole gang war thing starts over a dudes pet finch. It’s shithouse bonkers, with the one-armed boxers training being the most bonkers of many bonkers moments. It makes for an absolute gem of a kung fu film that has everything you are looking for in an Golden Harvest oldie.    

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269 09/10 The Tattooed Dragon (1973) 2.5/5   This Kung Fu flick can best be described as “serviceable”. Jimmy Wang Yu is back, this time as the Tattooed Dragon, a Robin Hood like character who keeps the thugs at bay. It’s starts off strong, but then does a hard right dealing with a duck farmer and a town’s gambling problems that features far too little fighting to hold any interest. When Wang is kicking the shit out of folks, it’s great! There’s just not enough of it.


270 09/13 Beach Party (1963) 3/5   After all these years, I have finally seen a proper Frankie & Annette Beach Party movie. (I’m not counting the classic Back To The Beach as proper.) It wasn’t really worth it. A bunch of teens are hanging out at the beach, surfing, with an anthropologist studying their habits being the excuse for the whole thing. It’s not a good movie, but it is charming in it’s own way which never makes it super annoying or anything. Dick Dale is sadly wasted, but the self awareness that this film is pandering to teenagers keeps it going. It’s goofy enough that I’ll watch more of these.


271 09/13 Beach of the War Gods (1973) 3/5   Jimmy Wang Yu is back writing, directing and starring in this one about a Chinese town fighting to keep marauding Japanese at bay. For the most part it works, it’s a little draggy in the middle but the last third of non-stop bananas action makes up for it.


272 09/14 Alias Nick Beal (1949) 3/5   An interesting twist on a political corruption story with Thomas Mitchell taking the lead as a crime fighting D.A. that gets a push to being a Governor. Ray Milland is the pusher, and he may be the devil. Lots of noir touches in this one, but it I found dragged bit in the latter half despite how great the leads (and Audrey Totter in a showy support role) are.   


273 09/15 The Man Called Tiger (1973) 3/5   Jimmy Wang Yu is back in the final film in the set I have. This time he’s in a contemporary setting and playing a kind of cool “Steve McQueen” type, only he’s not up to the part like Bruce Lee was. It mostly drags until once again, things go bonkers in the last half with near nonstop fighting.


274 09/15 More Than Sisters (1979) 3/5   The second feature on the Shaun Costello disc that also featured Sunny, this one is the exact opposite. All the glossy style of Sunny is gone, replaced by an incredibly dark and seed psychological thriller that is closer to horror that porno usual gets. It makes for a nice surprise and speaks to Costello’s talent for using any budget to his advantage.

275 09/16 Farm Aid 2017 3.5/5   Spent the day watching this one. Margo Price continues to be a new favourite, but the real attraction for me is seeing what Neil Young is going to do. Young did a set with Promise of the Real and it was simply okay. Young didn’t seem to be into like he typically is. I’m hoping it’s road rust and not age. Willie Nelson wrapped the night up and it’s just a joy to see him out there.

276 09/16 Scoundrels (1982) 4/5   Since unexpectedly getting into porno chic thanks to the fiends at Vinegar Syndrome, Cecil Howard has been a name mentioned in the VS circles as one of the master of the genre. This is the first of his films that I have seen, and I have to say, they’re right. This one stars Ron Jeremy as a successful psychiatrist whose family is coming apart at the seams. Everyone knows Ron Jeremy, he’s a goof. In here he plays it pretty straight, and the film is quite serious in tone, and Jeremy is legit fantastic in this. Especially in the surreal clown bits. And it all works with the near constant sex scenes. A strong film that’s easy to recommend. The Blu-ray put out from Command Cinema with the help of Distribpix is a beauty. 

Movie A Day!: Wired Asian Action

Once again, I did not forget to post this or abandon the blog. I just flat out didn’t get much watch the week before last, so rather than post a 2 film blog, I held off. My blog my rules! So while the world burns, floods and possibly nuclear rains (if we have a nuclear war before I finish FALLOUT 4, I’m going to be pissed off. I’m really close!), here’s what I watch the past couple week. After the Vinegar Syndrome catch up, I’m back with subtitled foreign films to catch up with before the Scary Movie Challenge. “Subtitled Foreign Films” sounds fancier than “Yakuza/Kung Fu action films”.

Also impacting my movie numbers is my binge viewing of:


257 08/24 The Wire Season 3 (2004) 4.5/5   After the focus on the larger crime world in Season 2, Season 3 gets to what the series is really about: an indictment on the war on drugs. A west division major sets up a safe zone for the drug trade. It’s in the realm of fantasy, but damn if it doesn’t make for some thought provoking television. I’m not even getting into the stories of the cops and drug dealers that started in Season 1 are doing. It’s arguably the best season of the best crime show in television history.

258 08/25 More (1975) 2/5   Another low rent hardcore feature from Ralph Eli, this one manages to be more game to run a detective plot with Harry Reems investigating a murder and the widow basically fucking everyone involved. It’s so poorly made that it’s actually fun to watch, and has a stolen Led Zep soundtrack to boot. I can’t really recommend the triple feature that this is on, but it was kind of a fun watch regardless.

New Battles Without Honor and Humanity The Boss's Head.jpg
259 08/26 The Boss’s Head (1975) 3/5   Second film in the New Battles Without Honor And Humanity series is more of the same. Bunta Sugawara is back, this time as a stray dog Yakuza that is fresh out of a seven year prison bit for doing a hit and getting caught up in Yakuza politics. It’s good for what it is, but failed to knock my socks off.


260 08/28 Last Days of the Boss (1976) 3.5/5   This one wraps up the New Battles Without Honor or Humanity series and I liked it best. It starts off sleazy before settling into one of the more action packed installments which helps it to stand out from the rest. Aside from the action, it’s the usual Yakuza intrigue. The New Battles trilogy of stand alone stories never reach the heights of the original, and end up being more of a tonal tribute. Good for what they are, but didn’t wow me.


261 08/30 The Killer (1989) 4.5/5   Revisited the film that put John Woo on the map and it holds up remarkably well. It’s corny as heck, but damn, those action scenes are still completely bonkers and it’s clear that it’s influence is still reverberating around THE RAID and JOHN WICK twenty plus years later. Chow Yun-Fat is the suavest mother fucker since Cary Grant and the only knock you can have against this film is that Woo followed it up with HARD BOILED which might be the greatest action film of all time.


262 09/01 Kung Fu Girl (1973) 2.5/5   When the DVD cover calls the film “Kung Fu Girl” and the film on the disc is called “None But The Brave” (imdb has it as “Tie Wa”), you know you may be in trouble. Ends up that this one wasn’t too bad. A country kung fu girl heads off to the city to confront the evil Japanese imperials that killed an adopted sister. It’s over long and the fights are clunky. What helps set it apart is the casting. Jackie Chan makes an unimpressive appearance in a small role early on, and Diamond Guy Jo Shishido plays the Japanese baddy which helps to make this one a little more interesting. Star Pei-Pei Cheng Manages to be both engaging and disappointing in that her kung fu is a little to dance-y/staged compared to other leading actresses like Angela Mao. So it all adds up to being mostly a miss.


263 09/02 Throat… 12 Years After (1984) 3/5   Gerard Damiano returns to Deep Throat, only not really. The tag line is “A Reflection NOT A Sequel”, only it has nothing to do with the original film. Which is probably a good thing since despite it’s fame, it’s actually pretty terrible. This one is basically an episodic film about a couple of couples figuring out their relationships. A great cast but it never really stands out as anything too special. (That said, the extra feature interviews on the Vinegar Syndrome disc make it worth picking up as they are more interesting than the feature.)


264 0/03 The Wire Season 4 (2006) 4.5/5   One of the joys of this series is wondering where it can go after the conclusion of a season. This one finds the focus shifting to the war on drugs impact on the school system. It’s the kind of thing I typically don’t like since it follow a group of kids. It’s handled so good, and with none of the fake emotional manipulation that these topics usually have. While this is going on, it the story continues to push forward with the political/police stories that are the base of the series. It might be the best season.

Movie A Day!: Vinegar Syndromed

I was hoping to post this last night but getting back to work and having to work in the warehouse really laid me out. So I’m a day late. One day this blog might get back to it’s regular weekly posts. I know you are all worrying about it. Welcome, let’s have a look.

As promised last blog, I spent my staycation catching up on Vinegar Syndrome smut and sleaze. So it’s a mixed bag for those of you who hate this stuff. For those with a taste for the bad, it’s a real treasure trove.


247 08/11 A Touch of Genie (1974) 3.5/5   One of sexploitation legend Joe Sarno’s early hardcore efforts ends up being something that porno rarely is: adorable. It’s a skid-row version of I Dream Of Genie as seen through the eyes of Woody Allan with tons of Jewish humour and a self awareness to the porn industry at the time it was made. To the point where the humour ends up overshadowing the hardcore. A fun little film that won’t be for everyone but for fans of the genre is a bit of fresh air.


248 08/12 Matinee Idol (1984) 3.5/5   This one finds exploitation legend David F. Friedman writing a story about the trials and tribulations of producing adult films. It’s got a great cast but what sets it apart from standard hardcore fair is there’s a sense of fun to this that’s more in tone with the softcore features he used to make. The story comes first, and it mostly works.


249 08/14 My Chauffeur (1986) 2.5/5   It’s the 80’s and sex-romp comedies are still all the rage! Only this one isn’t really a sex-romp, it doesn’t seem to quite know what it is. A hip Valley Girl type gets the call to be a chauffeur and really sticks it to the patriarchy of old men at the Chauffeur club. Each job is an excuse for wacky shenanigans. There’s boobs. Penn & Teller get a chance to do some business that never really works. None of it really works. Maybe I’m too fussy. Or I’m jealous that she’s all hot over the rich jock asshole. 


250 08/14 Afternoon Delights (1980) 3.5/5   Early hardcore feature from Shaun Costello about a group of guys at poker night sharing stories about their ex-wives. It’s all an excuse for vignettes, but what elevates it from the usual is the vignettes are wonderfully sleazy and there’s a bitter-sweetness to the scripting. It doesn’t hurt that the cast is packed with all stars.


251 08/15 Snapshot (1979) 3/5   A nice little suspense thriller from Australia finds a young hairdresser swept up into the modelling world all while being stalked. It’s never knocks your socks off, but isn’t a bad film to spend your time with and a not bad example of a more straight film from the Ozploitation scene.


252 08/15 The Wire Season 2 (2003) 4/5   The second season picks up where the first left off with the unit in tatters and a new focus: corruption on the docks. The expansion of scope while continuing the story started in season 1 is really striking and well done. The politics are maddening and will change your worldview. It really is the best crime show in the history of television


253 08/16 Slave of Pleasure (1978) 4/5   This one is a sleazy gem of a film about a private eye investigating the disappearance of a housewife that got swept up by white slavers. It’s the kind of cheap, grimy hardcore that scared everyone back in the day, and it’s entertaining as hell since they really go for it. It doesn’t hurt that it has legendary sleazeballs like Jamie Gillis in it.


254 08/18 My Master My Love (1975) 2/5   Sometimes low rent sleaze is simply sleaze, which is the case here. Darby Lloyd Rains stars as a Mistress who’s business is interrupted by the arrival of her little brother. Aside from an appearance of Annie Sprinkle there’s nothing much of note to this one and it manages to be a bit of a chore.


255 08/19 Teenage Masseuse (1975) 2.5/5   From the same filmmaker as My Master My Love and just as cheap and low rent. I give it half a star more mainly due to Bobby Astyr being so hilariously over the top as the abusing dominant. The story works better too, a bored housewife gets swept up into a massage parlour. It’s good for what it is but nothing to recommend.


256 08/21 Red Roses of Passion (1966) 4/5   Vinegar Syndrome’s Sexploitation series kicks off with this Joe Sarno stunner. A woman relies on a psychic who is more witch priestess than flim-flam to get back at her stuffy relatives that she lives with. It plays more like a nightmare than a sex film, with that odd feeling more associated with David Lynch as opposed to David Friedman. It plays very strange, and if this is setting the tone of this series, it’s going to be a real knockout.

There it is. Back to normal for me and my movie watching. I’m going back to the subtitled films. Try to clear the docks since October is coming, and you know what that means.

Movie A Day: Death Heat

The week began with literal murder threats on loved ones and ended with the heat making it impossible to sleep in a house designed to have winters not kill you. Here’s hoping you all had more fun than me.

A mixed bag. I’m on a documentary/bio-pic jag with diversions into classic films and porno. So pretty typical, I guess.


187 06/25 The Snake Pit (1948) 3.5/5  Olivia de Havilland stars in this one about a woman sent to a mental hospital with no recollection of how she got there. A doctor helps her piece together her story and it’s a little hokey. The main reason to watch this is de Havilland is absolutely amazing in it.

188 06/26 Bill Cosby: Fall of an American Icon (2017) 3/5   A good recap of his history of abuse. It’s horrible to listen to the stories, of course, but valuable and not as exploitative as it could have been.


189 06/26 Bettie Page Reveals All (2012) 4/5   A really well done documentary with Page (via voice over interview clips) telling her own story. There will never be a more iconic pin-up model and the doc does a great job of not only telling her story but packing in tons of pictures and footage. That said, the blu-ray disc is an abomination with one of the worst sound designs that I have ever heard. The music (which isn’t great to begins with) is mixed way too hot and often drowns out the people speaking, only to get even louder when they are not. I’m tempted to knock a star off the review but I’m guessing it’s a mix on the blu-ray and not on the film proper if viewed elsewhere. I’m hoping anyways, since it really is terrible.


190 06/27 Michael Jackson: Searching For Neverland (2017) 2/5   A made for TV biopic on the pop star’s final years as told by his bodyguards. It avoids all talk of child molestation and paints the bodyguards as saints. That’s really the problem with this one, it’s hard to root for Jackson to get back on his feet when you know he’s molested children, so fuck him and his money problems, right? Chad C. Coleman from The Wire is the main lead bodyguard and he’s great. Navi is shockingly, creepily good as Jackson, but it’s just not enough to make me care about a child molester.


191 06/28 In A Lonely Place (1950) 3.5/5   Bogart stars as a down on his luck screenwriter who gets wrapped up in a murder he may or may not have committed. Bogart is great in the role, getting to play a not as nice guy as he typically did at this point in his career and Gloria Grahame more than holds her own as the inspired love interest. It’s a good film but I didn’t find myself wrapped up in it.


192 06/29 Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2016) 3/5   This one was in the works just prior to both of the stars passing, so it’s a bittersweet affair that I wanted to like more. It shows their eccentric current life, but doesn’t go too deep in what brought them to this point. So if you go in not knowing too much about them, you’re going to be a little lost since they come off kooky. That said, what it does deliver, it delivers well.


193 06/29 I Always Said Yes: The Many Lives of Wakefield Poole (2013) 4/5   Really interesting documentary on dancer, choreographer, pornographer and chef Wakefield Poole. I know him from the porn, he’s arguably the greatest gay adult filmmaker of all time (with his “Bijou” easily one of the greatest adult films of all time.) It was interesting to see how close he was to the front lines of gay rights though, with numerous stories and encounters with Harvey Milk and other political heros. A really well done picture, and Poole seems like the sweetest man in the world despite having a bittersweet history.


194 06/30 The Times Of Harvey Milk (1984) 4/5   Great documentary on the first gay man to hold public office in California. I was familiar with him through Gus Van Sant’s film Milk, but it was great to see the real story. A bittersweet film considering how it all ends, you get a really great sense of who Harvey was and why it was such a tragedy.


195 06/30 Pleasure Maze (1986) 2.5/5   A rather workmanlike effort of an adult film about robot hookers and their testers which is all an excuse for 80’s futuristic costumes and run of the mill sex scenes one would expect of the era. The fantastic cast helps to elevate it, but it’s no classic.


196 07/01 Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau (2014) 4/5
Ends up the story behind the picture is as bonkers as rumoured. I’m not convinced that Stanley would of pulled the film off if he stayed on, but it is fun to think about. Sadly missing is Ron Perlman’s fantastic Brando story which can be found on Marc Maron’s podcast WTF. At any rate, this is one of the better documentaries on filmmaking and worth checking out.


197 07/01 Love & Mercy (2014) 3.5/5  Bio-pic on Beach Boy genius Brian Wilson uses the trick of casting Paul Dano as young 60’s Brian and John Cusack as 1980’s Brian trying to get his life together with the help of Dr. Eugene Landy. It sounds weird, but if you have ever seen a documentary on Brian, it makes sense. This one was well done, it goes pretty deep into both the music and Wilson’s troubles, though I could see a non-fan getting a little lost and wondering what the big deal is.

198 07/01 Lovers Lane (1986) 2.5/5   The second feature on the Peekarama disc from Vinegar Syndrome that featured Pleasure Maze is less inspired and even more workmanlike. Director Duck Dumont knows how to shoot, it’s too bad he doesn’t push himself in these two features. Then again, it could be the sign of competing with  SOV 80’s wall to wall porn. At any rate, the cast helps this one, but not enough to put it ahead of any other of its like.


199 07/02 A Band Called Death (2012) 4/5   Back in the early 70’s three black brothers were inspired to move on from their funk band and start a rock group. They called it DEATH, and they were punk as fuck before there was a proper name for punk. Not the cool New York punk either, but the edgy hardcore sounds that came out in the late 70’s early 80’s. Anyway, they were completely ignored, never got their record out and finally are getting their due. This documentary is really quite fantastic as despite their name, they are such positive people and seeing them finally get some of their due is wonderfully inspiring. It’s as much a family story as it is a music doc and really worth checking out.


200 07/02 Heat (1995) 4/5   Nice revisiting this one, my first time watching the “Director’s Definitive Edition”. One of the best heist crime movies ever made, I have to admit that Pacino is as scenery chewing in this one as he is in SCARFACE. All acting sins are forgiven with the incredible LA shootout sequence that is one of the most perfectly shot action scenes you will see. It all holds up just fine and the cast listing is absolutely bonkers.