Movie A Day!: Salome Brain Damage

Only thing worse than the news is family thinking that all the horrible people are correct.

Salome Poster
420 11/06 Salome (1973) 2.5/5   Experimental short film from Clive Barker is just that. Didn’t make any sense but had some nice visuals.

421 11/07 The Forbidden (1978) 2.5/5   Another experimental short film from Clive Barker that is bigger on ideas and image than actually being fun to watch.

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422 11/11 Blue Sextet (1971) 2.5/5   Directed by the man who brought us I Drink Your Blood, this one find a group of people meeting up to remember a friend who passed away, only to discover what a total bastard he was. It’s an ambitious softcore film that emphasizes plot but didn’t really hold my attention.

The Keepers Poster
423 11/11 The Keepers (2017) 3/5   A Netflix true crime series about the murder of a nun is actually a disturbing outing of sexual abuse in the Catholic Church. It’s easily two episodes too long, and a massive trigger warning to anyone who survived abuse. The death of a nun bit almost seems like a trick to get you to watch.


424 11/11 Kinky Tricks (1977) 3/5   Okay look, this is probably a one-day wonder as far as porno goes, but star Candida Royalle is a firecracker of personality and the short run-time helps to keep it fun. It also delivers “kinky tricks” and is generally lighthearted. For what it is, it’s pretty good, but no must see.

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425 11/12 Star Wars: The Force Awakens (2015) 2.5/5   I enjoyed this one more the second time but it still relies way too much on nostalgia for the past and what they have done with “The Force” is horrendous. It’s a shame since the new cast is great.

426 11/12 China Lust (1976) 1.5/5   Low rent porno quickie that barely has a plot and no real star power to make it stand out.

Next are a pair of short films from Emiliano Rocha Minter.

Inside Poster
427 11/13 Dentro (Inside) (2013) 2.5/5   A short film that manages to pack in a ton of style into its running time and has a good sense of dread as two people build a mysterious thing in the woods.

428 11/13 Videohome (2014) 3/5   This one feels more like a warm-up to images the director will explore in WE ARE THE FLESH, but manages to be impressive all the same.

The Window Poster
429 11/13 The Window (1949) 4/5   A real spooky film noir about a young boy who witnesses a murder only no one will believe him. The boy is Disney wunderkind Bobby Driscoll who manages to carry the film without ever being annoying. It makes what happened to him in later life all the more tragic. Everyone else is great as well and really makes this one worth checking out.

430 11/13 Listen To The Light: The Making of Brain Damage (2017) 3.5/5   Really well done documentary on the making of the film despite missing the directors input. Can be found on the recent Arrow Blu-ray.

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Movie A Day!: Desperate Hellraisers

Another week of film, film fans! Catching up on special features from discs I watched in October, but snuck in a few films.

Desperate Poster
410 11/01 Desperate (1947) 3/5   Better than average noir about a truck driver that gets roped into committing a crime and has to clear his name. Main issue is that lead Steve Brodie is completely overshadowed by heel Raymond Burr, so you find yourself waiting for Burr to show up instead of getting wrapped up in the main story. Still good time though.

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411 11/01 Train To Busan (2016) 4/5   South Korea proves once again that they are one of the best at producing genre movies. If there’s a tired genre, it’s the zombie film. Having a contained outbreak on a literal train is a bit of a stroke of genius, and the film completely delivers not just the action, but enough humanity that you may find yourself tearing up.

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412 11/03 Ronin (1998) 4/5   It’s a film that’s  completely driven by a MacGuffin, but it’s so well done it’s hard not to love it. The car chases are great, but what really keeps it interesting is the film never feels like it has to give everything away as far as the characters go, as well as the purpose of the plot. Makes for a tight action film and at a level with John Frankenheimer’s other classics.

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413 11/03 The Sinful Pleasures of Reverend Star (1977) 2/5   A cult is using hypnotism to prey on young women in this poverty row porno. Not much to make it stand out.

Never Sleep Again: The Elm Street Legacy Poster
414 11/04 Never Sleep Again: The Elm Street Legacy (2010) 4/5   Massive, four hour documentary going into the complete Elm Street history and featuring nearly every major person involved. If you’re interested in the history of the series, this one is for you since it’s made for the fans.

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415 11/04 The Strange Love of Martha Ivers (1946) 3.5/5   Film noir about three childhood friends who cross paths as adults. Barbara Stanwyck is Martha, and neither Van Heflin or newcomer Kirk Douglas are a match for her. Stanwyck really is just the best.

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416 11/04 Definitive Document Of The Dead (2012) 3.5/5   Documentary on George A. Romero. Starts off strong, going pretty deep in the process with Dawn Of The Dead, but starts to wander later on. Still well worth a watch.

Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II Poster
417 11/05 Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II (2015) 3.5/5   Massively detailed and long documentary on the making of the two films that manages to tell everything you want to know, without the participation of Clive Barker. Which means that despite how packed with info and stories it is, you can’t help but feel like you’re missing something.

Django, Prepare a Coffin Poster
418 11/05 Django Prepare A Coffin (1968) 3/5   I’ve not dived into the Django films, which means I was honestly lost for most of the set up to this film as I’m guessing there’s a presumed familiarity at play with it. Once it got going it ended up being a good but not particularly memorable spaghetti western.

419 11/05 Hell On Earth: The Story of Hellraiser III (2015) 3/5  Significantly shorter documentary by the team that brought you Leviathan. It’s the story of Hellraiser III which sadly never mentions cult porn legend Flame as one of the dancers, but tells you everything else you need to know about the film.

Scary Movie Challenge 2017: Part 7

Another chunk of films. Caught up on my Vinegar Syndrome releases.

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373 10/23 Trip With The Teacher (1975) 3/5   Tame sleaze-fest about bikers terrorizing an all-girl trip in the desert. I still enjoyed it though, and Zalman King was great as the biker leader.

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374 10/23 Demon Wind (1990) 3/5   This one has literally zero to do with farting. A group of friends head out to a farm to check up on a guy’s family and discover some demon stuff. Not the greatest film ever released by Vinegar Syndrome, and it’s takes a while to get going. Once it does though it redeems itself a bit with some decent practical make-up.

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375 10/23 Blood Beat (1983) 3/5   A family reunite for some Christmas hunting and encounter the spirit of a samurai. It plays like a weird knockoff of Evil Dead, only not as successful despite some arty touches.

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376 10/23 The Corpse Grinders (1971) 3/5   The Grindhouse classic holds up not bad though it’s much more tamer than the title would suggest. A cat food company is using human meat and it’s turning the cats into KILLERS! It’s ridiculous, but fun.

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377 10/23 Don’t Torture A Duckling (1972) 3.5/5   Pretty tight giallo from Lucio Fulci about child murders in a small Italian town. This one was less over the top than later Fulci, but you could see some of where the gore was going to go. A tight crime who done it, I have no complaints.

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378 10/23 A Woman’s Torment (1977) 3.5/5   A mentally disturbed young woman starts to lose control and submit to urges while left alone. It’s not the greatest horror film, but it is a pretty ambitious XXX one, all things considering. Roberta Findlay manages to keep things moving and build some characters in this one, and works better than most ambitious hardcore films do.

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379 10/24 Prime Evil (1988) 3.5/5   Ancient satanic priests causing trouble in our time. I think what sets this one apart from the typical ropey horror tropes is Roberta Findlay bringing a woman’s viewpoint to the characters. There’s still tits and whatever, but the characters feel richer than the usual, especially the women who are typically victim bait. It helps to keep this one interesting.

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380 10/24 Lurkers (1988) 2.5/5   A woman is haunted by her past in this one. Some edgy stuff, but not enough to set it apart. I found it plodding.

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381 10/24 The Creeping Terror (1964) 1.5/5   Sometimes a bad movie is simply a bad movie. The monster is terrible, but gloriously terrible that makes it a shame that it’s wasted in this completely inept film. There’s just a complete lack of fun or ambition, and the narrated plot (there’s barely any properly spoken dialogue) just plods along painfully.

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382 10/24 The Suspicious Death Of A Minor (1975) 3/5   This one was billed as a giallo but it’s really more of a straight up crime film. It’s okay, but there was too many bits played for humour that I think too away from the narrative. There are better Sergio Martino films to be found.

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383 10/24 The Creep Behind The Camera (2014) 3/5   Bio-pic/documentary on the man behind The Creeping Terror. He was a garbage human being. Interesting film, better than Creeping Terror anyway.

Scary Movie Challenge 2017: Part 3

10 more movies down in the challenge. Another horrible week of real world news to live through. I feel befuddled.


317 10/10 At Midnight I’ll Take Your Soul (1964) 3/5   The Coffin Joe myth starts here! Long whispered about, long desired by me, and I have to admit, it’s a bit of a let down. It’s not bad for what it is, more a case of not knowing what to expect. Coffin Joe the character is more of a prick than a macabre genius. The blasphemy I’m guessing plays better in 1960’s Brazil. That said, it’s fun and surprisingly graphic for the era so I’ll give it a three out of five.

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318 10/12 This Night I’ll Possess Your Corpse (1967) 4/5   This one was a huge improvement over the last. Coffin Joe still is looking to sire a son in order to achieve immortality. Joe’s main character trait is still mostly that of being a giant prick to everyone, but the film packs in more style and gimmick – including a genuinely brilliant colour sequence- to really put it over the top.

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319 10/12 Get Out (2017) 4/5   I loved this one, a perfect twist on paranoid thrillers. Others better versed than me can comment on a the racial politics. I’ll just say that if you took race out of the picture, it would still be damned fine. As it is, it’s fantastic.


320 10/13 Embodiment of Evil (2008) 3.5/5   40 years after the last picture, Coffin Joe is back and he is NOT messing around. Marins is back in the role and the director’s seat, and the character is still on his mission to have a son. Marins does not hold back though, amplifying the gore and ugliness like you would not expect. It works though, and I have to admit this ended up being a much stronger trilogy than I expected it to be.


321 10/13 Billy The Kid Versus Dracula (1966) 2.5/5   Exactly as advertised. Dracula is buzzing around the old west and ends up preying on Billy’s fiance. It’s ridiculous, John Carradine is awarded no favours as Dracula. It is “Fun-Bad” though, and we discover that while bullets won’t stop a vampire, a gun chucked to the face will drop one cold.


322 10/14 Waxwork (1988) 3.5/5   First time seeing this one since it came out and I know I enjoyed it a lot more than I did before. In my mind most of this era was garbage, but revisiting them I’m enjoying them a bit. There’s nothing really exceptional or scary, they’re just fun little movies. This one uses a wax museum as an excuse to use the exhibits as sketches of other horror tropes. It does it’s job and that’s all it needs to do.


323 10/14 Waxwork II: Lost In time (1992) 2.5/5   All the goodwill earned in the first film is lost on this one. Instead of playing with horror tropes, they attempt to spoof other films (In particular the Evil Dead series) and it makes for a terrible sequel to a film that was fun but no masterpiece in the first place. You’re in trouble when you cast Bruce Campbell is a small role in your comedic horror film and it brings no laughs.


324 10/14 Creepshow 2 (1987) 2.5/5   I’ve just never warmed to this one. It’s not terrible, it’s more a case of none of the stories being as interesting as those in the first one on top of what appears to be a significant budget cut so it doesn’t look that good either. First and last segments are fine for what they are, with THE RAFT being the weakest.


325 10/14 Kong: Skull Island (2017) 3.5/5   I had a little bit of trepidation going into this one after that last Godzilla movie that never wanted to show the monsters. Thankfully, they don’t mess around with this one and they get to the monster stuff quick. It makes for a fun picture and John C. Reilly is a gift to be treasured.


326 10/14 Dark Dreams (1971) 2.5/5   Young newlyweds get a flat tire and knock on the door of a witches coven in this early hardcore effort. Sadly nothing much happens. It manages to be both ambitious and not very good at the same time.

Scary Movie Challenge 2017 Part 2

I know I said I would post these every ten films and I’m over again. It was a long weekend, so it made sense to include a full day instead of half a day. It’s my blog, I do what I want!


304 10/07 Nightmare Honeymoon (1974) 2/5   A woman is assaulted on her honeymoon and her husband acts like a prick about it. This one looks like a vengeance thriller of the era, but it just plods along never really spooking or entertaining.


305 10/07 Kiss of the Tarantula (1976) 2/5   Another find from TCM Underground that is no great shakes. A young woman uses her beloved spiders to get even with those who would hurt her. Another one that isn’t really bad, just never gets really good despite adding in a little sleaze.


306 10/07 The Bad Seed (1956) 4/5   Really enjoyed this one. You know going in what to expect, so in lieu of surprises it’s more about watching things play out. And things do play out. Patty McCormack plays the most devious little shit ever seen on film, and it’s a heck of a lot of fun watching everyone twist around her. Despite knowing the premise, there are some surprises to be had and the film is surprisingly grim for the era. Worth checking out.


307 10/07 The Intrusion (1975) 3/5   Nasty hardcore feature about a wife assaulted by a home invader posing as a travelling salesman. This genre is sleazy enough without being hardcore so it really gets uncomfortable watching it. Which makes it a success.


308 10/08 Death Watch (1980) 3/5   Harvey Keitel stars as a reporter that has cameras implanted in his eyes so he can follow a woman as she goes through the stages of dying for reality TV in the near future. More Sci-Fi/Drama than the thriller it sounds like, but a pretty solid offering all the same that goes more into character examination than exploitation.


309 10/08 Alice Sweet Alice (1976) 3/5   This is one of those films that always kicked around the cheap bins so I always glossed over it despite the Brooke Shields being the draw. She’s barely in it as far as I can tell, and the whole thing is a pretty basic slasher that doesn’t offer up much.   


310 10/08 I Drink Your Blood (Theatrical Version) (1970) 3.5/5   The drive-in classic about satanic hippies infected by rabies is far better than it should be. I mean, it’s no great shakes, but it absolutely delivers on what it promises which is what makes these exploitation films a success. From limbs being hacked off to dead goats being dragged around, it’s not for everyone but for those of us that can enjoy a dumber, gorier Night Of The Living Dead ripoff, it’s pretty great.


311 10/08 The Swarm (1978) 4/5   First off, there is no such thing as an actually good killer bee movie. That said, this one is probably the best. A all star cast featuring Michael Cain and legends Henry Fonda, Richard Widmark, Olivia de Havilland among others, playing it straight and acting their asses off in a film that has billions of killer bees attacking the states, you have to respect it. It’s an Irwin Allen film, so things get absolutely bonkers by the end with the army lighting up everything with flame throwers. To fight killer bees. And it’s not the stupidest killer bee film since it doesn’t feature a scene where the bees plead to the United Nations for world peace. (That film would be the glorious The Bees.)

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312 10/09 I Eat Your Skin (1964) 2/5   This is the one that became notorious thanks to being billed with I Drink Your Blood, and I can just imagine how disappointed audiences where after viewing it. It’s an old school voodoo zombie picture with a scientist creating them as an after effect of his cancer research. Nothing exceptional at all.


313 10/09 Chopping Mall (1986) 3.5/5   In the realm of dopey 80’s horror films, you can do a lot worse than this one about a bunch of horny teens partying after hours in a mall. The new security robots go haywire and start attacking. This one is helped by its short running time, it gets to the goods quick and keep the energy going so you stay interested.


314 10/09 Blood Diner (1987) 4/5   A spiritual successor to Blood Feast, I’m rating this one a lot higher than I probably should. Two brothers grow up to follow their dead uncle’s wishes to resurrect the goddess Sheetar via a grand feast. I don’t typically like horror comedies like this, but they run absolutely wild with the dumb premise, pack it with gore and nudity and I managed to actually laugh out loud more than once at some of the jokes. It all ends up being fantastically entertaining.


315 10/09 The Driller Killer (1979) 4/5   First time watching the “Interpositive” cut, and I’m not expert enough to tell you what is added or missing. At any rate, this continues to be a favourite of mine. Abel Ferrara does not mess around, staring and playing the lead. Packed with grimy New York, from the punk music to the alleys, the whole thing simply works splendidly.


316 10/09 The Devil Rides Out (1968) 4/5   Incredibly strong Hammer offering with Christopher Lee starring as man schooled in the occult trying to save his friend from Satanic forces. Genuinely creepy and authentic feeling, even when things get spectacular. It’s great to see Lee in a hero role, and the whole thing is one of the more effective Hammer Horrors I’ve seen.

 

This bit from Blood Diner still has me laughing:

The greatest scene of all time.

A post shared by Ruz-El (@ruz_el) on

 

Movie A Day!: Kung Fu Scoundrels

I read this earlier today. Read it.

https://www.theguardian.com/global/2017/sep/17/choosing-to-be-on-your-own

This one is bigger than I was expecting. Wrapped up The Wire, which left me a little short to post when I usually do. Now it’s a long read. In a couple weeks I start the Scary Movie Challenge. there will be too many posts. Not that I have any idea if anyone actually subscribes to this.

Kung Fu, porno, and classic Hollywood. Pretty typical.


265 09/05 Whiplash (1974) 3/5   Pei-Pei Cheng is back this time capturing a gang of bandits and forcing them to show her where they found some items of her father. It’s a kung fu adventure flick in the mountains with a hidden treasure, played for laughs with a song about boners. It’s one of those awful films that end up being kind of unbelievable and likeable. Hard to recommend, but I’d be tempted to force it on friends.

266 09/08 Sunny (1979) 3.5/5   Candida Royalle takes the title role in this one about a young woman hired to influence a young man but sets out to get his money for herself. It’s classy adult fare from Shaun Costello who manages to slowly add in some sleazy aspects as it goes on to keep the Time’s Square crowd interested. It runs short, which means it never tests your patience and works better than most from the era.


267 09/09 The Wire Season 5 (2008) 4/5   The series wraps up with season, and it’s great. This one shifts focus once again, this time including the media in the tangled web of politics, police works and what not and how the least of anyone’s worries is the people the civil servants are supposed to serve. It also finds McNulty fully succumbing to his obsessions. It’s great stuff, and a perfect ending to the series. I give the whole series a 5/5. Highly recommended.


268 09/09 One-Armed Boxer (1972) 4/5   Jimmy Wang Yu writes, directs and stars in this one, about a boxer who’s master and group is pretty much wiped out by the evil Iron Claw Gang and the evil gangs hired martial arts masters of different disciplines. It’s near non-stop fights, and the whole gang war thing starts over a dudes pet finch. It’s shithouse bonkers, with the one-armed boxers training being the most bonkers of many bonkers moments. It makes for an absolute gem of a kung fu film that has everything you are looking for in an Golden Harvest oldie.    

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269 09/10 The Tattooed Dragon (1973) 2.5/5   This Kung Fu flick can best be described as “serviceable”. Jimmy Wang Yu is back, this time as the Tattooed Dragon, a Robin Hood like character who keeps the thugs at bay. It’s starts off strong, but then does a hard right dealing with a duck farmer and a town’s gambling problems that features far too little fighting to hold any interest. When Wang is kicking the shit out of folks, it’s great! There’s just not enough of it.


270 09/13 Beach Party (1963) 3/5   After all these years, I have finally seen a proper Frankie & Annette Beach Party movie. (I’m not counting the classic Back To The Beach as proper.) It wasn’t really worth it. A bunch of teens are hanging out at the beach, surfing, with an anthropologist studying their habits being the excuse for the whole thing. It’s not a good movie, but it is charming in it’s own way which never makes it super annoying or anything. Dick Dale is sadly wasted, but the self awareness that this film is pandering to teenagers keeps it going. It’s goofy enough that I’ll watch more of these.


271 09/13 Beach of the War Gods (1973) 3/5   Jimmy Wang Yu is back writing, directing and starring in this one about a Chinese town fighting to keep marauding Japanese at bay. For the most part it works, it’s a little draggy in the middle but the last third of non-stop bananas action makes up for it.


272 09/14 Alias Nick Beal (1949) 3/5   An interesting twist on a political corruption story with Thomas Mitchell taking the lead as a crime fighting D.A. that gets a push to being a Governor. Ray Milland is the pusher, and he may be the devil. Lots of noir touches in this one, but it I found dragged bit in the latter half despite how great the leads (and Audrey Totter in a showy support role) are.   


273 09/15 The Man Called Tiger (1973) 3/5   Jimmy Wang Yu is back in the final film in the set I have. This time he’s in a contemporary setting and playing a kind of cool “Steve McQueen” type, only he’s not up to the part like Bruce Lee was. It mostly drags until once again, things go bonkers in the last half with near nonstop fighting.


274 09/15 More Than Sisters (1979) 3/5   The second feature on the Shaun Costello disc that also featured Sunny, this one is the exact opposite. All the glossy style of Sunny is gone, replaced by an incredibly dark and seed psychological thriller that is closer to horror that porno usual gets. It makes for a nice surprise and speaks to Costello’s talent for using any budget to his advantage.

275 09/16 Farm Aid 2017 3.5/5   Spent the day watching this one. Margo Price continues to be a new favourite, but the real attraction for me is seeing what Neil Young is going to do. Young did a set with Promise of the Real and it was simply okay. Young didn’t seem to be into like he typically is. I’m hoping it’s road rust and not age. Willie Nelson wrapped the night up and it’s just a joy to see him out there.

276 09/16 Scoundrels (1982) 4/5   Since unexpectedly getting into porno chic thanks to the fiends at Vinegar Syndrome, Cecil Howard has been a name mentioned in the VS circles as one of the master of the genre. This is the first of his films that I have seen, and I have to say, they’re right. This one stars Ron Jeremy as a successful psychiatrist whose family is coming apart at the seams. Everyone knows Ron Jeremy, he’s a goof. In here he plays it pretty straight, and the film is quite serious in tone, and Jeremy is legit fantastic in this. Especially in the surreal clown bits. And it all works with the near constant sex scenes. A strong film that’s easy to recommend. The Blu-ray put out from Command Cinema with the help of Distribpix is a beauty. 

Movie A Day!: Wired Asian Action

Once again, I did not forget to post this or abandon the blog. I just flat out didn’t get much watch the week before last, so rather than post a 2 film blog, I held off. My blog my rules! So while the world burns, floods and possibly nuclear rains (if we have a nuclear war before I finish FALLOUT 4, I’m going to be pissed off. I’m really close!), here’s what I watch the past couple week. After the Vinegar Syndrome catch up, I’m back with subtitled foreign films to catch up with before the Scary Movie Challenge. “Subtitled Foreign Films” sounds fancier than “Yakuza/Kung Fu action films”.

Also impacting my movie numbers is my binge viewing of:


257 08/24 The Wire Season 3 (2004) 4.5/5   After the focus on the larger crime world in Season 2, Season 3 gets to what the series is really about: an indictment on the war on drugs. A west division major sets up a safe zone for the drug trade. It’s in the realm of fantasy, but damn if it doesn’t make for some thought provoking television. I’m not even getting into the stories of the cops and drug dealers that started in Season 1 are doing. It’s arguably the best season of the best crime show in television history.

258 08/25 More (1975) 2/5   Another low rent hardcore feature from Ralph Eli, this one manages to be more game to run a detective plot with Harry Reems investigating a murder and the widow basically fucking everyone involved. It’s so poorly made that it’s actually fun to watch, and has a stolen Led Zep soundtrack to boot. I can’t really recommend the triple feature that this is on, but it was kind of a fun watch regardless.

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259 08/26 The Boss’s Head (1975) 3/5   Second film in the New Battles Without Honor And Humanity series is more of the same. Bunta Sugawara is back, this time as a stray dog Yakuza that is fresh out of a seven year prison bit for doing a hit and getting caught up in Yakuza politics. It’s good for what it is, but failed to knock my socks off.


260 08/28 Last Days of the Boss (1976) 3.5/5   This one wraps up the New Battles Without Honor or Humanity series and I liked it best. It starts off sleazy before settling into one of the more action packed installments which helps it to stand out from the rest. Aside from the action, it’s the usual Yakuza intrigue. The New Battles trilogy of stand alone stories never reach the heights of the original, and end up being more of a tonal tribute. Good for what they are, but didn’t wow me.


261 08/30 The Killer (1989) 4.5/5   Revisited the film that put John Woo on the map and it holds up remarkably well. It’s corny as heck, but damn, those action scenes are still completely bonkers and it’s clear that it’s influence is still reverberating around THE RAID and JOHN WICK twenty plus years later. Chow Yun-Fat is the suavest mother fucker since Cary Grant and the only knock you can have against this film is that Woo followed it up with HARD BOILED which might be the greatest action film of all time.


262 09/01 Kung Fu Girl (1973) 2.5/5   When the DVD cover calls the film “Kung Fu Girl” and the film on the disc is called “None But The Brave” (imdb has it as “Tie Wa”), you know you may be in trouble. Ends up that this one wasn’t too bad. A country kung fu girl heads off to the city to confront the evil Japanese imperials that killed an adopted sister. It’s over long and the fights are clunky. What helps set it apart is the casting. Jackie Chan makes an unimpressive appearance in a small role early on, and Diamond Guy Jo Shishido plays the Japanese baddy which helps to make this one a little more interesting. Star Pei-Pei Cheng Manages to be both engaging and disappointing in that her kung fu is a little to dance-y/staged compared to other leading actresses like Angela Mao. So it all adds up to being mostly a miss.


263 09/02 Throat… 12 Years After (1984) 3/5   Gerard Damiano returns to Deep Throat, only not really. The tag line is “A Reflection NOT A Sequel”, only it has nothing to do with the original film. Which is probably a good thing since despite it’s fame, it’s actually pretty terrible. This one is basically an episodic film about a couple of couples figuring out their relationships. A great cast but it never really stands out as anything too special. (That said, the extra feature interviews on the Vinegar Syndrome disc make it worth picking up as they are more interesting than the feature.)


264 0/03 The Wire Season 4 (2006) 4.5/5   One of the joys of this series is wondering where it can go after the conclusion of a season. This one finds the focus shifting to the war on drugs impact on the school system. It’s the kind of thing I typically don’t like since it follow a group of kids. It’s handled so good, and with none of the fake emotional manipulation that these topics usually have. While this is going on, it the story continues to push forward with the political/police stories that are the base of the series. It might be the best season.