Movie A Day!: Salome Brain Damage

Only thing worse than the news is family thinking that all the horrible people are correct.

Salome Poster
420 11/06 Salome (1973) 2.5/5   Experimental short film from Clive Barker is just that. Didn’t make any sense but had some nice visuals.

421 11/07 The Forbidden (1978) 2.5/5   Another experimental short film from Clive Barker that is bigger on ideas and image than actually being fun to watch.

The Blue Sextet Poster
422 11/11 Blue Sextet (1971) 2.5/5   Directed by the man who brought us I Drink Your Blood, this one find a group of people meeting up to remember a friend who passed away, only to discover what a total bastard he was. It’s an ambitious softcore film that emphasizes plot but didn’t really hold my attention.

The Keepers Poster
423 11/11 The Keepers (2017) 3/5   A Netflix true crime series about the murder of a nun is actually a disturbing outing of sexual abuse in the Catholic Church. It’s easily two episodes too long, and a massive trigger warning to anyone who survived abuse. The death of a nun bit almost seems like a trick to get you to watch.


424 11/11 Kinky Tricks (1977) 3/5   Okay look, this is probably a one-day wonder as far as porno goes, but star Candida Royalle is a firecracker of personality and the short run-time helps to keep it fun. It also delivers “kinky tricks” and is generally lighthearted. For what it is, it’s pretty good, but no must see.

Star Wars: The Force Awakens Poster
425 11/12 Star Wars: The Force Awakens (2015) 2.5/5   I enjoyed this one more the second time but it still relies way too much on nostalgia for the past and what they have done with “The Force” is horrendous. It’s a shame since the new cast is great.

426 11/12 China Lust (1976) 1.5/5   Low rent porno quickie that barely has a plot and no real star power to make it stand out.

Next are a pair of short films from Emiliano Rocha Minter.

Inside Poster
427 11/13 Dentro (Inside) (2013) 2.5/5   A short film that manages to pack in a ton of style into its running time and has a good sense of dread as two people build a mysterious thing in the woods.

428 11/13 Videohome (2014) 3/5   This one feels more like a warm-up to images the director will explore in WE ARE THE FLESH, but manages to be impressive all the same.

The Window Poster
429 11/13 The Window (1949) 4/5   A real spooky film noir about a young boy who witnesses a murder only no one will believe him. The boy is Disney wunderkind Bobby Driscoll who manages to carry the film without ever being annoying. It makes what happened to him in later life all the more tragic. Everyone else is great as well and really makes this one worth checking out.

430 11/13 Listen To The Light: The Making of Brain Damage (2017) 3.5/5   Really well done documentary on the making of the film despite missing the directors input. Can be found on the recent Arrow Blu-ray.

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Scary Movie Challenge 2017 Part 2

I know I said I would post these every ten films and I’m over again. It was a long weekend, so it made sense to include a full day instead of half a day. It’s my blog, I do what I want!


304 10/07 Nightmare Honeymoon (1974) 2/5   A woman is assaulted on her honeymoon and her husband acts like a prick about it. This one looks like a vengeance thriller of the era, but it just plods along never really spooking or entertaining.


305 10/07 Kiss of the Tarantula (1976) 2/5   Another find from TCM Underground that is no great shakes. A young woman uses her beloved spiders to get even with those who would hurt her. Another one that isn’t really bad, just never gets really good despite adding in a little sleaze.


306 10/07 The Bad Seed (1956) 4/5   Really enjoyed this one. You know going in what to expect, so in lieu of surprises it’s more about watching things play out. And things do play out. Patty McCormack plays the most devious little shit ever seen on film, and it’s a heck of a lot of fun watching everyone twist around her. Despite knowing the premise, there are some surprises to be had and the film is surprisingly grim for the era. Worth checking out.


307 10/07 The Intrusion (1975) 3/5   Nasty hardcore feature about a wife assaulted by a home invader posing as a travelling salesman. This genre is sleazy enough without being hardcore so it really gets uncomfortable watching it. Which makes it a success.


308 10/08 Death Watch (1980) 3/5   Harvey Keitel stars as a reporter that has cameras implanted in his eyes so he can follow a woman as she goes through the stages of dying for reality TV in the near future. More Sci-Fi/Drama than the thriller it sounds like, but a pretty solid offering all the same that goes more into character examination than exploitation.


309 10/08 Alice Sweet Alice (1976) 3/5   This is one of those films that always kicked around the cheap bins so I always glossed over it despite the Brooke Shields being the draw. She’s barely in it as far as I can tell, and the whole thing is a pretty basic slasher that doesn’t offer up much.   


310 10/08 I Drink Your Blood (Theatrical Version) (1970) 3.5/5   The drive-in classic about satanic hippies infected by rabies is far better than it should be. I mean, it’s no great shakes, but it absolutely delivers on what it promises which is what makes these exploitation films a success. From limbs being hacked off to dead goats being dragged around, it’s not for everyone but for those of us that can enjoy a dumber, gorier Night Of The Living Dead ripoff, it’s pretty great.


311 10/08 The Swarm (1978) 4/5   First off, there is no such thing as an actually good killer bee movie. That said, this one is probably the best. A all star cast featuring Michael Cain and legends Henry Fonda, Richard Widmark, Olivia de Havilland among others, playing it straight and acting their asses off in a film that has billions of killer bees attacking the states, you have to respect it. It’s an Irwin Allen film, so things get absolutely bonkers by the end with the army lighting up everything with flame throwers. To fight killer bees. And it’s not the stupidest killer bee film since it doesn’t feature a scene where the bees plead to the United Nations for world peace. (That film would be the glorious The Bees.)

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312 10/09 I Eat Your Skin (1964) 2/5   This is the one that became notorious thanks to being billed with I Drink Your Blood, and I can just imagine how disappointed audiences where after viewing it. It’s an old school voodoo zombie picture with a scientist creating them as an after effect of his cancer research. Nothing exceptional at all.


313 10/09 Chopping Mall (1986) 3.5/5   In the realm of dopey 80’s horror films, you can do a lot worse than this one about a bunch of horny teens partying after hours in a mall. The new security robots go haywire and start attacking. This one is helped by its short running time, it gets to the goods quick and keep the energy going so you stay interested.


314 10/09 Blood Diner (1987) 4/5   A spiritual successor to Blood Feast, I’m rating this one a lot higher than I probably should. Two brothers grow up to follow their dead uncle’s wishes to resurrect the goddess Sheetar via a grand feast. I don’t typically like horror comedies like this, but they run absolutely wild with the dumb premise, pack it with gore and nudity and I managed to actually laugh out loud more than once at some of the jokes. It all ends up being fantastically entertaining.


315 10/09 The Driller Killer (1979) 4/5   First time watching the “Interpositive” cut, and I’m not expert enough to tell you what is added or missing. At any rate, this continues to be a favourite of mine. Abel Ferrara does not mess around, staring and playing the lead. Packed with grimy New York, from the punk music to the alleys, the whole thing simply works splendidly.


316 10/09 The Devil Rides Out (1968) 4/5   Incredibly strong Hammer offering with Christopher Lee starring as man schooled in the occult trying to save his friend from Satanic forces. Genuinely creepy and authentic feeling, even when things get spectacular. It’s great to see Lee in a hero role, and the whole thing is one of the more effective Hammer Horrors I’ve seen.

 

This bit from Blood Diner still has me laughing:

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The greatest scene of all time.

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