Scary Movie Challenge 2017: Part 7

Another chunk of films. Caught up on my Vinegar Syndrome releases.

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373 10/23 Trip With The Teacher (1975) 3/5   Tame sleaze-fest about bikers terrorizing an all-girl trip in the desert. I still enjoyed it though, and Zalman King was great as the biker leader.

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374 10/23 Demon Wind (1990) 3/5   This one has literally zero to do with farting. A group of friends head out to a farm to check up on a guy’s family and discover some demon stuff. Not the greatest film ever released by Vinegar Syndrome, and it’s takes a while to get going. Once it does though it redeems itself a bit with some decent practical make-up.

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375 10/23 Blood Beat (1983) 3/5   A family reunite for some Christmas hunting and encounter the spirit of a samurai. It plays like a weird knockoff of Evil Dead, only not as successful despite some arty touches.

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376 10/23 The Corpse Grinders (1971) 3/5   The Grindhouse classic holds up not bad though it’s much more tamer than the title would suggest. A cat food company is using human meat and it’s turning the cats into KILLERS! It’s ridiculous, but fun.

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377 10/23 Don’t Torture A Duckling (1972) 3.5/5   Pretty tight giallo from Lucio Fulci about child murders in a small Italian town. This one was less over the top than later Fulci, but you could see some of where the gore was going to go. A tight crime who done it, I have no complaints.

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378 10/23 A Woman’s Torment (1977) 3.5/5   A mentally disturbed young woman starts to lose control and submit to urges while left alone. It’s not the greatest horror film, but it is a pretty ambitious XXX one, all things considering. Roberta Findlay manages to keep things moving and build some characters in this one, and works better than most ambitious hardcore films do.

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379 10/24 Prime Evil (1988) 3.5/5   Ancient satanic priests causing trouble in our time. I think what sets this one apart from the typical ropey horror tropes is Roberta Findlay bringing a woman’s viewpoint to the characters. There’s still tits and whatever, but the characters feel richer than the usual, especially the women who are typically victim bait. It helps to keep this one interesting.

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380 10/24 Lurkers (1988) 2.5/5   A woman is haunted by her past in this one. Some edgy stuff, but not enough to set it apart. I found it plodding.

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381 10/24 The Creeping Terror (1964) 1.5/5   Sometimes a bad movie is simply a bad movie. The monster is terrible, but gloriously terrible that makes it a shame that it’s wasted in this completely inept film. There’s just a complete lack of fun or ambition, and the narrated plot (there’s barely any properly spoken dialogue) just plods along painfully.

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382 10/24 The Suspicious Death Of A Minor (1975) 3/5   This one was billed as a giallo but it’s really more of a straight up crime film. It’s okay, but there was too many bits played for humour that I think too away from the narrative. There are better Sergio Martino films to be found.

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383 10/24 The Creep Behind The Camera (2014) 3/5   Bio-pic/documentary on the man behind The Creeping Terror. He was a garbage human being. Interesting film, better than Creeping Terror anyway.

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Movie a Day! : 104-111- “Get Up Off Your Ass and Show Yourself!”

Right, time for a round up. Here are all the things I watched last week. It was a short week blog wise since I tend to start a new week with Monday, but I watched a whole bunch of films over the weekend seeing as to how a video game I’m trying to complete has gotten boring and I’m dragging my heels on it.

Here we go!

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104 05-02 The Making of Nashville (2014) 3.5/5
This is the feature length documentary found on the blu-ray of the previously mentioned “Nashville”. It’s good, with lots of neat stories though no real behind the scenes footage. Anyway, between, the film and the additional extras (the Robert Altman interviews are must see), I give this disc a 5/5. Criterion really know how to put out a movie.

105 05-02 Sadie (1980) 2.5/5
Back in February I watched a Rita Hayworth film called “Miss Sadie Thompson” in which she plays a former dance hall girl (prostitute) who gets mixed up with a missionary while stuck on an island on her way to Australia to start a new life. This is a porn version of the same story. Directed by porn legend, “Johnny Wadd” director Bob Chinn, who you will know as the basis of Burt Reynolds character in “Boogie Nights”. Anyway, the story actually works as a porn, and he cleverly updates the villain from being a missionary to being a ultra right wing senator bent on censorship and what not. Surprisingly, the film seems more intent on telling the story instead of the sex scenes, which are all over quickly and seem per functionary to meet distributor guidelines instead of driving the film. The problem of course is the shit porn acting and the incredibly cheap island set that is used that ends up making this look like a dirty high school production that doesn’t really work as a non-sex film or a “proper” porno that has a story as an excuse for the sex scenes. It’s probably this weird thing that makes it kind of interesting.

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106 05-03 The Great Gatsby (2013) 3/5
I am not a Baz Luhrmann devotee. While I liked his “Romeo + Juliet” , “Moulin Rouge!” was lost on me and I couldn’t bring myself to watch “Australia” (Mad Max is all the Australian history I need). All that said, this one was pretty good. The performances are all fine, and the story, I‘m guessing, is well told. I never read the novel. My only problem is in the execution. While “Rouge!” left me flat, it was a lush, colourful picture. This one is too, but it’s all CGI, and the type of CGI that screams “I AM CGI! LOOK AT ME! CGI!” and when films rely on digital effects like this in such an obvious way it draws me out of the picture. Much more than hearing Jay-Z on the soundtrack of a movie that takes place in the twenties. So it’s “The Pretty Good But Not All That Great Gatsby” in the end. The blu-ray has a trailer for the 1926 version, I want to see that one.

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107 05-03 The Seductress (1981) 3/5
This is the second film on the double feature PeekARama disc from Vinegar Syndrome that featured “Sadie”. Also directed by Bob Chinn, this is a more traditional porn. Basic plot is that of a woman who works with a guy in seducing men and filming them so that their wives can blackmail them for divorce. Ends up she’s a junkie (which means she’s unreliable), and figures out she can get even more money by blackmailing the wives into sleeping with other men for additional blackmailing. It’s all very convoluted. Way more convoluted than it should be. Still a cheap production, but it works better than “Sadie” did since it doesn’t rely on sophisticated staging that can’t be provided on a cheap set and the plot better serves the necessary inclusion of sex scenes.

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108 05-04 TNT Jackson (1974) 3.5/5
Cheap-o “Pam Grier” type knockoff about a woman who travels to China (The Philippines) to find her brother, only to discover he’s been killed by a drug gang. so she has to use her Kung-Fu skills to kick the shit out of everyone. It’s pretty damned great, with laughably corny fights, hilarious dialogue and unnecessary nudity. Add in some ridiculous gore, and this one is a fun watch. It should be noted that to my memory, not a single thing on that poster is represented in the movie other than Jeanne Bell herself.

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109 05-04 Firecracker (1981) 3.5/5
This is the third film of the same set with “TNT Jackson”, and “Too Hot to Handle”, which I reviewed last blog. I had low expectations, but it ended up being a lot of fun. Another film where a woman goes to the Philippines (actual Philippines, not pretend China/Chinatown Philippines), this time to find a missing sister, and has to use her Kung-Fu skills to kick the shit out of everyone. This one is by the same director as TNT, and features Vic Diaz in a larger supporting role than he usually gets. I should have started a tribute page to Vic Diaz, taking pictures of him in all the films shot in the Philippines that he ends up in. Anyway, this one is as corny as the last one, with the difference being that the lead actress is actually a pretty good martial artist. On par with a Cynthia Rothrock anyway, so the fights are actually pretty good.

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110 05-04 Used Cars (1980) 3/5
This was one of the very first VHS tapes dad brought home when we got our first VCR around 1983. I wasn’t allowed to watch it, though I do remember watching it for some reason. I hadn’t seen it since. Prior to making the pop culture hits with “Back to the Future” and “Who Framed Roger Rabbit”, Robert Zemeckis put out this raunch comedy. I’m guessing “National Lampoon’s Animal House” kicked off this trend of comedy, were guys are total guys and do wacky pranks while trying to get in girls pants. This one features Kurt Russell as a salesman for the titled Used Car lot, in battle with a rival car lot owner who’s trying to take over his land. As dated as it feels, it still offers some great laughs and the entire cast is pretty likeable as well. That said, it’s definitely a “Bro” type comedy. Still worth a watch for a chuckle. Plus it has Guy Caballero himself, Joe Flaherty in a supporting role.

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111 05-04 The Altar of Lust 2.5/5
I don’t even know where to begin with this one. The title makes it sound like a Satanic thing, but it’s not at all. The basic story is about a young woman (played by, no joke “Erotica Lantern”) who escapes from Sweden after being raped by her stepfather, and winds up in New York very sexually confused. This is all told via the device of her talking to her psychiatrist, so the sexual vignettes stream out from that. It’s absolutely dreadful production wise, in that no dialogue was recorded. It’s all dubbed and read in a monotone that has to be seen/heard to be believed. It’s so bad, that when the psychiatrist talks, they show the woman reacting, and vice versa so that you will never see a line of dialogue coming from a persons lips.

That said, it IS entertaining and interesting. The director is Roberta Findlay, who with her husband Michael made the notorious roughies known as “The Flesh Trilogy”. Here she wrote, filmed, produced and directed (and I think dubbed) the picture, so it’s interesting since it is from a woman’s point of view. Usually softcore stuff like this is very male centric. Also, this one is from the period where softcore would turn hardcore, and as the picture moves forward, the scenes get harder until eventually you see Harry Reems (a year before “Deep Throat” would make him a star) receive oral. So it’s a bizarre time capsule of the period, and of the filmmakers literally pushing the boundaries of censorship within the film, pre-porno chic. Which is why I’m giving it 2.5 out of 5 instead of a 1.5-2, since it really is laughably BAD bad.

 

So there it is, more movies than most watch in a month! It’s ridiculous that I have more to say on dumb movies like “The Altar of Lust” then most other things I enjoy. My pick of the week is “TNT Jackson.” I’m such a sucker for blacksploitation at this point that I’m probably considered racist. The movies are just so goofy, they’re irresistible damn it!