Movie A Day: Death Heat

The week began with literal murder threats on loved ones and ended with the heat making it impossible to sleep in a house designed to have winters not kill you. Here’s hoping you all had more fun than me.

A mixed bag. I’m on a documentary/bio-pic jag with diversions into classic films and porno. So pretty typical, I guess.


187 06/25 The Snake Pit (1948) 3.5/5  Olivia de Havilland stars in this one about a woman sent to a mental hospital with no recollection of how she got there. A doctor helps her piece together her story and it’s a little hokey. The main reason to watch this is de Havilland is absolutely amazing in it.

188 06/26 Bill Cosby: Fall of an American Icon (2017) 3/5   A good recap of his history of abuse. It’s horrible to listen to the stories, of course, but valuable and not as exploitative as it could have been.


189 06/26 Bettie Page Reveals All (2012) 4/5   A really well done documentary with Page (via voice over interview clips) telling her own story. There will never be a more iconic pin-up model and the doc does a great job of not only telling her story but packing in tons of pictures and footage. That said, the blu-ray disc is an abomination with one of the worst sound designs that I have ever heard. The music (which isn’t great to begins with) is mixed way too hot and often drowns out the people speaking, only to get even louder when they are not. I’m tempted to knock a star off the review but I’m guessing it’s a mix on the blu-ray and not on the film proper if viewed elsewhere. I’m hoping anyways, since it really is terrible.


190 06/27 Michael Jackson: Searching For Neverland (2017) 2/5   A made for TV biopic on the pop star’s final years as told by his bodyguards. It avoids all talk of child molestation and paints the bodyguards as saints. That’s really the problem with this one, it’s hard to root for Jackson to get back on his feet when you know he’s molested children, so fuck him and his money problems, right? Chad C. Coleman from The Wire is the main lead bodyguard and he’s great. Navi is shockingly, creepily good as Jackson, but it’s just not enough to make me care about a child molester.


191 06/28 In A Lonely Place (1950) 3.5/5   Bogart stars as a down on his luck screenwriter who gets wrapped up in a murder he may or may not have committed. Bogart is great in the role, getting to play a not as nice guy as he typically did at this point in his career and Gloria Grahame more than holds her own as the inspired love interest. It’s a good film but I didn’t find myself wrapped up in it.


192 06/29 Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2016) 3/5   This one was in the works just prior to both of the stars passing, so it’s a bittersweet affair that I wanted to like more. It shows their eccentric current life, but doesn’t go too deep in what brought them to this point. So if you go in not knowing too much about them, you’re going to be a little lost since they come off kooky. That said, what it does deliver, it delivers well.


193 06/29 I Always Said Yes: The Many Lives of Wakefield Poole (2013) 4/5   Really interesting documentary on dancer, choreographer, pornographer and chef Wakefield Poole. I know him from the porn, he’s arguably the greatest gay adult filmmaker of all time (with his “Bijou” easily one of the greatest adult films of all time.) It was interesting to see how close he was to the front lines of gay rights though, with numerous stories and encounters with Harvey Milk and other political heros. A really well done picture, and Poole seems like the sweetest man in the world despite having a bittersweet history.


194 06/30 The Times Of Harvey Milk (1984) 4/5   Great documentary on the first gay man to hold public office in California. I was familiar with him through Gus Van Sant’s film Milk, but it was great to see the real story. A bittersweet film considering how it all ends, you get a really great sense of who Harvey was and why it was such a tragedy.


195 06/30 Pleasure Maze (1986) 2.5/5   A rather workmanlike effort of an adult film about robot hookers and their testers which is all an excuse for 80’s futuristic costumes and run of the mill sex scenes one would expect of the era. The fantastic cast helps to elevate it, but it’s no classic.


196 07/01 Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau (2014) 4/5
Ends up the story behind the picture is as bonkers as rumoured. I’m not convinced that Stanley would of pulled the film off if he stayed on, but it is fun to think about. Sadly missing is Ron Perlman’s fantastic Brando story which can be found on Marc Maron’s podcast WTF. At any rate, this is one of the better documentaries on filmmaking and worth checking out.


197 07/01 Love & Mercy (2014) 3.5/5  Bio-pic on Beach Boy genius Brian Wilson uses the trick of casting Paul Dano as young 60’s Brian and John Cusack as 1980’s Brian trying to get his life together with the help of Dr. Eugene Landy. It sounds weird, but if you have ever seen a documentary on Brian, it makes sense. This one was well done, it goes pretty deep into both the music and Wilson’s troubles, though I could see a non-fan getting a little lost and wondering what the big deal is.

198 07/01 Lovers Lane (1986) 2.5/5   The second feature on the Peekarama disc from Vinegar Syndrome that featured Pleasure Maze is less inspired and even more workmanlike. Director Duck Dumont knows how to shoot, it’s too bad he doesn’t push himself in these two features. Then again, it could be the sign of competing with  SOV 80’s wall to wall porn. At any rate, the cast helps this one, but not enough to put it ahead of any other of its like.


199 07/02 A Band Called Death (2012) 4/5   Back in the early 70’s three black brothers were inspired to move on from their funk band and start a rock group. They called it DEATH, and they were punk as fuck before there was a proper name for punk. Not the cool New York punk either, but the edgy hardcore sounds that came out in the late 70’s early 80’s. Anyway, they were completely ignored, never got their record out and finally are getting their due. This documentary is really quite fantastic as despite their name, they are such positive people and seeing them finally get some of their due is wonderfully inspiring. It’s as much a family story as it is a music doc and really worth checking out.


200 07/02 Heat (1995) 4/5   Nice revisiting this one, my first time watching the “Director’s Definitive Edition”. One of the best heist crime movies ever made, I have to admit that Pacino is as scenery chewing in this one as he is in SCARFACE. All acting sins are forgiven with the incredible LA shootout sequence that is one of the most perfectly shot action scenes you will see. It all holds up just fine and the cast listing is absolutely bonkers.

 

Mobee a dai: Is This Real Life?

I meant to get back into the sleaze since I got a big Vinegar Syndrome package, but I’m hooked on documentary films! Plus a few other things…


176 06/18 Mommy Dead and Dearest (2017) 4/5   A true crime documentary. Best you go in knowing little. A young woman is charged with the murder of her mother. It’s more complicated and sad than you can imagine.


177 06/18 De Palma (2015) 4/5   This one is little more than the director sitting down and going through his filmography with the appropriate clips showing as needed, but holy mackerel, it ends up being one of the best documentaries on film making that I have seen. Mainly due to De Palma not being shy to mention and acknowledge complaints. There’s an honesty to it that’s largely missing from these things, especially since they typically end up as special features on DVDs as opposed to feature in their own right.


178 06/20 Better Call Saul Season 3 (2017) 4/5   The prequel to Breaking Bad continues to be possibly better than the series that spawned it. It’s fun, but also one of the most emotionally brutal shows I’ve seen. Season 4 should prove to be very interesting. The performances continue to be razor sharp, it’s one of the best show’s I’ve seen.


179 06/20 Jodorowsky’s Dune (2013) 3/5   Interesting documentary about Alejandro Jodorowsky’s attempt to adapt Dune into possible the greatest film ever back in the 70’s, only to have it fall apart after pre-production was done. It’s good, but the end result is of course, “Wow, that would have been some movie, huh?” which makes it a little overkill. That said, you can’t help but get caught up in Jodorowsky’s dream and film philosophy.

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180 06/21 Beware the Slenderman (2016) 2.5/5   True crime documentary about two 12 year old girls that attempted to kill one of their friends after becoming obsessed with the “Slenderman” urban legend. The tone of this one isn’t right. It’s a terrible crime based on some incredibly stupid internet folklore, a folklore that is never spoken of in the film as corny and stupid. You can’t look at a Slenderman youtube vid without thinking how goofy it is, so to treat it as an actual threat seems dishonest. The filmmakers also spin the wheels to pad the film. You could easily cut 30 minutes out and it would be a better, tighter film. The victim and the suspects deserve to have their story told in a better fashion.

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181 06/22 Electric Boogaloo: The Wild, Untamed Story of Cannon Films (2014) 4/5    In many ways, Cannon was the perfect studio of the 80’s. None of their films were very good, but all of them were pretty awesome if you were a kid with a hunger for goofy action movies and what not. I have fond memories of many of the trashy films profiled here and the telling of the story behind them is pretty much perfect with no one pretending that they were cranking out amazing art. Well worth checking out.


182 06/23 Menendez: Blood Brothers (2017) 2.5/5   Lifetime takes a crack at a true crime biopic with Courtney Love of all people playing the mom. It’s not terrible, it is sleazy which makes it fun. It’s just not executed very well.


183 06/23 Never Sleep Alone (1983) 2.5/5   A not bad crime hardcore about a swinger couple in an open marriage that gets infected by jealousy. It’s not bad, it just kind of runs out of steam despite Joanna Storm stealing the film.


184 06/24 Bagboy (2015) 3.5/5   Dr. Steve Brule takes a stab at a sitcom comedy and it ends up being one of the greatest sitcoms ever produced.  


185 06/25 The Last Laugh (2016) 3.5/5   Can the holocaust be funny? The answer is no, but this doc ends up going deeper and with the help of tons of comedians really gets into joke structure and what makes something funny. It’s also great that Mel Brooks appears as ground zero for breaking all the rules.

186 06/25 Austin City Limits: Iggy Pop (2016) 4/5   My only issue is it’s edited down to an hour long episode. It’s great seeing Iggy with a band that can play anything.   

I keep thinking about that Dune documentary, and Jodorowsky’s thought that civilization is based on stories from the Bible, The Koran, The Life of Buddha, why not a movie? Why can’t a movie transform people?

Mooooveee a day!: Immortal Epic

Thin week this week, film fans. Been going through the extras in that Twin Peaks boxset and catching up on other things, but if you read to the end you will find an absolutely fantastic documentary series that recently aired on PBS/BBC4.


171 06/12 The Immortal Story (1968) 3/5   This one was Orson Welle’s final completed fiction film, and his first in colour. Technically it’s perfect like all his films. It starts strong but I found the story wandered a bit halfway through.


172 06/14 Twin Peaks: The Missing Pieces (2014) 3.5/5   A collection of deleted scenes edited by Lynch is pretty interesting stuff and a great compliment to the main film. That said, this isn’t a film in it’s own right. It fleshes out some ideas but the main draw is that it catches up with a bunch of the cast from the TV series that didn’t make it into the film. If you’re a fan of the film and series, it’s worth a watch.


173 06/15 A Slice of Lynch (2007) 3/5   This one finds Lynch sitting round table with actors Madchen Amick, Kyle MacLachlan and producer John Wentworth as they discuss all things Twin Peaks. It’s fun and interesting, but also slightly awkward. I would have preferred solo interviews.

174 06/16 Return To Twin Peaks (2007) 2.5/5   Another short found in the complete mystery boxset is about the fan convention. It is what it is.


175 06/17 American Epic (2017) 4/5   This is a four part series documenting the birth of American Music. In the 20’s, record recording left the big cities and went rural, and by focusing on artist as diverse as The Carter Family and Charlie Patton, the story is told. Part four features Jack White and T-Bone Burnett bringing in artists to record sides on the only surviving machine. It’s fantastic stuff, but I am biased since I have loved this music since discovering The Anthology of American Folk Music 20 or so years ago.

Movie A Day!: Valley of the Sabrina

It’s that time of year! Spring has sprung, the air is warm, the sun is out, and I want to burn my life down and walk the earth! Is it just me getting this way every damned year? It makes no sense. The struggle never ends.

It did lead to one of the strongest weeks of films I’ve had in a while.


121 04/30 Valley of the Dolls (1967) 3/5   This one is considered a camp classic but it’s not all that campy and plays it pretty straight as a melodrama. I think it’s rep comes from the Russ Meyer follow up that has nothing to do with this picture. A trio of women, a singer, an actress and a secretary that ends up a model get a taste of fame and fortune, and all the pitfalls that come with it. The book was considered pretty scandalous, the movie is pretty chaste. My main interest was this was the other big picture aside from The Fearless Vampire Killers that Sharon Tate was in, and she is pretty great as the actress that never does break it big. The real star though is Patty Duke as the merciless pill’d up singer. She steals every scene that she’s in, balancing being adorable and miserable at the same time. All in all, it’s not a terrible affair if you can sit through a soapy melodrama.


122 04/30 Beneath the Valley of the Dolls (1970) 4/5   Nudie cutie maverick Russ Meyer signs on for this one, his first major studio picture. Meyer’s ditches everything to do with the original film, it starts with a warning that it is not a sequel, and turns it into the story of an all girl rock band trio seeking fame and fortune. The sex and drugs are cranked up to turn this one into an exploitation classic. Everyone in the picture is overacting, the plot (written with Roger Ebert!) is bonkers, the music is great, the editing is hyper, the pace is lightning, it’s all a glorious assault on the senses and makes you wish Meyer’s always had a big budget for his big titty films. Recommended.


123 05/01 Primary (1960) 3/5   An interesting documentary on the primary race between Hubert Humphrey and John F. Kennedy, shot in the cinema verite style. It’s weird to watch now, Humphrey doing the old school stumping, walking the streets, handing out cards, giving speeches to small rooms while JFK only appears in large halls, packed tight with crowds, being swarmed as he leaves to his car. You can see the old world dying and being left to a media fuelled future..


124 05/01 Six Men Getting Sick (1966) 3.5/5
125 05/01 The Alphabet (1968) 4/5
126 05/01 The Grandmother (1970) 3/5
127 05/02 The Amputee (1974) 3.5/5
128 05/02 The Cowboy and the Frenchman (1988) 3.5/5
A series of short films from David Lynch. I wont get into specifics, they are all pretty good with The Alphabet hinting at nightmares to come and The Cowboy and the Frenchman (featuring both Harry Dean Stanton and Jack Nance!)being one of the funnier things Lynch has done. They’re all worth checking out, ranging in length from 1 to 30 minutes.


129 05/03 Adventures On The New Frontier (1960) 3.5/5   A follow up to the documentary Primary spends a day with JFK in the oval office. It’s another fly on the wall affair with little comment on the action and it’s actually fascinating to watch. Part of that is due to modern times and trying to imagine current President Trump in oval office, doing what JFK is. Another interesting fact about these is both D.A. Pennebaker and the Maysles Brothers worked on these films and it really shows the form that Pennebaker would use on his definitive documentary on Bob Dylan Don’t Look Back.


130 05/03 Eraserhead (1977) 5/5   David Lynch’s debut feature still holds all of it’s power. A true masterpiece, I find it impossible to watch without feeling like a hand is on my heart, slowly squeezing it. The Criterion Collection Blu-ray is a must own with the film looking gorgeous, all the extras from the DVD ported over, and featuring most of the short films I watched earlier this week.


131 05/04 Crisis (1963) 4/5
132 05/04 Faces of November (1964) 3/5
The first of the final two documentaries in the Drew Associates set on JFK finds Jack and Robert Kennedy dealing with a crisis. The crisis is that Alabama Governor George Wallace is going to physically black the doors on campus so that the first two black students will be unable to register. It’s pretty incredible to witness this today. That this was ever a thing is simply gross, but too see just how badly wrong on the side of history Wallace was, and how convinced he was that it was his moral obligation to both blacks and whites to keep them separate is fascinating and infuriating since it’s still a thing 60 fucking years later.

Faces of November is a silent montage of the mourners visiting JFK at rest after the assassination. It’s sombre to say the least.

It’s impossible to watch this set and not realize just how completely fallen into the shit we are as far as politics goes. I’m not just talking about the United States. I give the set a 4.5/5, it’s pretty near a must see.


133 05/04 Eraserhead Stories (2001) 4/5   This is a feature length doc on the making of the film that is little more than David Lynch telling stories into a microphone with some clips and pictures being shown as appropriate. It has no right being as entertaining as it is, and it’s all due to Lynch himself. The man is just so excited and in love with movies, he’s irresistible to watch. I wish I was as full of wonder about mundane things like inky lights and pie as this man.


134 05/05 Blood Simple (1984) 4/5   The Coen brothers debut with a classic neo noir about Texas infidelity. It’s remarkably accomplished and manages to balance tension and be hilarious at the same time since everyone in the picture comes off as incredibly stupid as opposed to criminal masterminds playing each other. Francis McDormand and M. Emmet Walsh are both fantastic in this and the final shots always make me laugh out loud. Recommended.


135 05/06 Sabrina (1954) 4/5   Audrey Hepburn stars in this one as a chauffeur’s daughter who’s torn between wealthy brothers William Holden and Humphrey Bogart. Hepburn is fantastic and adorable in the lead but the real winner here is Billy Wilder’s clever script and direction that holds a lot of truths that remain relevant today.

See? Not a bad week at all, eh?

This is a gentle reminder that I continue to update the Letterboxd site with my horrid past. Just finished my 2008 Scary Movie Challenge list which can be found here.  If anyone reads this has also set up a letterboxd, feel free to leave a link in the comments and I will be sure to follow. Not to be self serving and I know it’s hard to tell, but I actually spend a bit of time on this. Any sharing and whatnot is appreciated, but not expected.

That’s it, remember to love yourselves.

Movie A Day 2017! 20-27: Clever Lemmy

After a year of no exercise, I did one part of my old regime yesterday and now I can hardly walk. Isn’t this stuff supposed to make you feel better? Why is it always misery to work out? I wish I had the bug that sees people looking forward to getting up at 6am to go for a run. I have always found exercise a chore. Even gym class in school was something to endure so you could do something fun like watch a movie or listen to music. I’m going to try to stick with it. I have to improve. Based on the news week we just had the future is going to see us needing to shit in holes and figuring out how to turn furniture into weapons. I’m not ready.

Here’s what I watched last week.


020 01/22 A Clever Dummy (1917) 3/5   Ben Turpin stars in this one as a janitor trying to impress a lady so he pretends to be an experimental mechanical man made for the vaudeville circuit. This one was pretty good, most notable for allowing Turpin to shine in the lead. Turpin portrays a robot brilliantly in this one (more accurately he’s a clockwork man) and it ends with a great chase. Worth checking out since most people are probably like me and mostly know Turpin as an extra in other people’s films, if they know of him at all.


021 01/22 Doug Stanhope: Beer Hall Putsch (2013) 4/5   Stanhope isn’t for everyone, but he is for me. Dark, cynical stand up on here that resonates with some truth when it’s not being silly. If you’re a fan you’ll love it. If not, there are better starting points. (Before Turning The Gun On Himself from 2012 would get my vote.)


01/22 Dr. Mario (1990) NES 2.5/5   Once Tetris became all the rage everyone and their dog started putting out puzzle games to capitalize. This was one of Nintendo’s entries. Dr. Mario chucks pills into a jar of viruses and you have to match up the colours to make them disappear. I suck at it so I’m rating it low. It’s actually a fun and novel challenge, I’m being a miserable prick about it.


022 01/22 Hearts and Flowers (1919) 3/5   Another comedy with Fred Sterling chasing after Louise Fazenda after thinking she’s going to get an inheritance. What sets this one apart is a sequence where Sterling’s jilted girl dresses as a man and goes for Louise herself. A fun play on gender that was a bit surprising.


023 01/23 Gilmore Girls Season 3 (2003) 4/5   Another season of my girls! This one finds Rory stressed with graduation, figuring out college and boy trouble out her ass. Dean and Jess come to a head in a fantastic brawl that sadly did not result in both of their deaths. Lorelai bounced back from Max by dating a coffee shop entrepreneur who might be the limpest dick yet to cross her boyfriend-path. The highlight of the season again goes to Lane and her pursuit of rock stardom and a non-Korean boyfriend under her oppressive mothers regime. This season also hosted one of the finest episodes of the series; They Shoot Gilmores, Don’t They? Which sees Lorelai rope Rory into a endurance dance contest in an attempt to dethrone Kirk as champion. It’s brilliant and like the episode of Dean and Jess’s fight really shows how great the writing on this could be by incorporating 3 plots lines into one show and making them all work. It’s tight stuff and makes it worth watching.


024 01/24 Down on the Farm (1920) 3/5   Ambitious slapstick with the usual formula of a guy pursuing a girl in the hopes of a payoff. Mack Sennett seemed to really love that one. The real joy in this film though is in the farm dog that does some genuinely clever tricks like fill a bucket of feed and then take it to some pigs, and later saves a toddler from falling in a river. If it wasn’t for that dog I would have rated it lower. I really hope they didn’t beat that dog to teach it those tricks.

025 01/26 Don’t Weaken! (1920) 3/5   A newly rich barkeep hosts a boxing match to give a fresh dance teacher the once over. Pretty typical slapstick for the era, this one give Fred Sterling a chance to do some great physical work but aside from that there’s not much elevating this one from the norm.


026 01/28 Marc Maron: Thinky Pain (2013) 4/5   Maron’s podcast is so good that it’s easy to forget how great a stand up comedian he is. This one was great. All of his stand up is great. Deep neurosis on display, I really have to watch his TV series.


027 01/29 Lemmy (2010) 4/5   Documentary on the metal legend does a good job of showing the man behind the myth. I found it kinda sad. Off the road Lemmy comes off as mostly lonely, knocking around LA with not much purpose. Put a bass guitar in his hand and he’s one of the Gods. Worth checking out if you have any interest.

I’m never going to finish the Mack Sennett silent film set I’m going through. It’s taking me a minimum 2 nights to watch a 20 minute film. I watch them when I go to bed. It could be the most exciting film ever, but the pleasant soundtracks on these films put me to sleep. It’s really screwing up my viewings! So expect more next time.

Movie A Day! 141-151: Sprout Wings Super Soul Brother!

So much for getting the blog under control. This one looks longer than it is, but it’s still pretty long. I watched some double feature stuff that hit around the five film marks and didn’t want to split them into two blogs. So you get a little extra and I’ll try to get this thing back to the fives next time.


141 04-27 Supersoul Brother (1978) 2.5/5
“Wild Man” Steve takes a page from Rudy Ray Moore’s DOLEMITE playbook and tries to make a his own blaxploitaton action comedy. He fails in almost every regard. Steve plays a wino who gets picked up by a couple of thieves to be injected with a super serum so he can be used to rob a jewel safe. It’s dirt cheap, the acting is atrocious, but it does have it’s charms as both a spoof on THE SIX MILLION DOLLAR MAN (the original title, and the one on the print on Vinegar Syndrome’s DVD is THE SIX THOUSAND DOLLAR NIGGER) and for the gusto of Wildman himself who tries his darn-dist to spin straw into gold and fails pretty much completely. A hell of a time capsule, and as the first in Vinegar Syndromes collaboration with the American Genre Film Archive, it’s going to be fun to see what they bring out next.


142 4-28 A Life In Dirty Movies (2013) 3.5/5
A pretty good documentary on Joe Sarno, one of the first and best of the sexploitation filmmakers at the dawn of the genre. This one mostly deals with Sarno at the end of his life trying to get one last film financed. I would of preferred more of an overview since I can only imagine some of the stories he has, but what we do have in here is still interesting. Having people like John Waters, Jamie Gillis and Annie Sprinkle on hand to discuss Sarno and his work also helps to keep the film moving. Now we need someone to tackle restoring Sarno’s surviving films.


143 4-30 Garlic Is As Good As Ten Mothers (1980) 3/5
Les Blank skips the profiles of people and goes straight to food and music with this one. It’s a history of garlic, showing many of the ways it is prepared as well as the folklore. Some of the fanatics come off a bit hippie dippy and crackers, but it is a fun watch. Since it’s literally about the food, this one is missing the heart found in his other pictures.


144 05-01 When Taekwondo Strikes (1973) 3/5
A pretty good chop socky feature starring Angela Mao about Koreans revolting against Japanese rule. Lots of different styles of martial arts are in view, and it also features Jhoon Rhee, known as the father of American Taekwondo. So there’s lots of fun to be had in this one.


145 05-02 Little Miss Innocence (1973) 2.5/5
146 05-02 Teenage Seductress (1975) 2.5/5
This is a pair of softcore features from Chris Warfield that Vinegar Syndrome put out in their DRIVE-IN COLLECTION. The first features a pair of hippie girls who shack up and torture an older music executive when he picks them up hitchhiking in LA. It’s the most porn-y of the two since they emotionally abuse him with constant sex, and it’s as sleazy as it sounds. TEENAGE though downplays the sex to be more messed up dramatically as it features a woman who is out to find her father that skipped out when she was born, in order to sleep with him and try to ruin his life that way. Did I mention it was messed up? Anyway, the pair are actually pretty decent watches since they play more serious than the usual goofy that is sexploitation, and are looking great in these DVD restorations.


147 05-02 Escape From New York (1981) 3.5/5
John Carpenter’s cult classic features a breakout role for Kurt Russell who stars as Snake Plissken who in the future dystopia of 1997 has to retrieve the President of the United States who has crashed into the prison island of Manhattan. It makes zero sense, but Carpenter and Russell totally pull it off. I don’t love this one as much as others, but I have no knocks against it, it delivers and the cast featuring genre legends like Lee Van Cleef and Isaac Hayes doesn’t hurt either.


148 05-02 Champagne For Breakfast (1980) 3.5/5
Chris Warfield again, this time with a later porno chic effort that manages to work. The script, about a guy who plays gay in order to get a job as a chauffeur/bodyguard to a young woman who has recently become vice president of an ad agency, genuinely works on it’s own both dramatically and as a comedy. The actors, featuring stars like Leslie Bovee, John Leslie and Kay Parker all have the chops to pull it off, they could of cut the sex out and still had a decent late seventies comedy. A short comedy though since ther is a ton of sex in this one, which makes the story working aspect of it all the more unusual. Typical of everything they put out, the Vinegar Syndromes presentation is top notch.


149 05-03 Sprout Wings And Fly (1983) 4/5
150 05-03 Julie: Old Time Tales of the Blue Ridge (1991) 4/5
151 05-03 My Old Fiddle: A Visit with Tommy Jarrell in the Blue Ridge (1995) 4/5
Another trio of documentaries from Les Blank. SPROUT features fiddle player Tommy Jarrell, in his eighties when it was shot, telling stories of life in the Blue Ridge mountains (nearly all of them about whisky and death), and playing a ton of amazing fiddle songs. It’s a brilliant piece of work, and Jarrell is one hell of a storyteller. This Les Blank blu-ray set just never fails to please. JULIE was shot at the same time, and is a short film featuring Tommy’s older sister telling stories and singing a couple of songs, while MY OLD FIDDLE is more of Tommy playing and talking. As a whole, they are not only a entertaining films, but a record of a lost time.

See? It wasn’t so long and at least the movies were varied eh?

Movie A Day! 126-130 : Little Blank Safe

I ended up going to Record Store Day (Listen Records in Edmonton are wonderful hosts for such an event) and I got the four records I was hoping for, but I think this might be my last one. I can’t handle standing in line for over an hour anymore. It’s a young man’s game I guess, and at some point you should be beyond it right? How old do I need to get before I feel like a responsible adult?


126 04-17 God Respect’s Us When We Work, But Loves Us When We Dance (1968) 3/5
127 04-17 Spend It All (1972) 4/5
128 04-17A Well Spent Life (1972) 3.5/5 Another trio of documentaries from Les Blank, and all pretty amazing in their own way. GOD is a look at the first “Love-In” in San Francisco on Easter Sunday, 1967. If you have ever seen a documentary on the Summer Of Love, you have seen clips from this one. It is what it is, but mostly it’s hilarious as a time capsule. My only knock on this one is no live audio was recorded, it would have been neat to hear the music the bands that are shown were playing that was causing the crowd to freak out. SPEND captures the Cajun lifestyle in a small town in Louisiana with no comment, just shots of people doing what they do, fishing, eating, dancing, telling stories. It’s an amazing look at a lifestyle that was, I’m guessing, on the cusp of vanishing. You feel like you know more about life after watching it, which is some pretty brilliant film making. WELL SPENT LIFE catches up with Mance Lipscomb, a legendary folk blues guitarist who is seen briefly in the Lightnin’ Hopkins documentary. It’s mostly Mance, now more of a sharecrop farmer than a blues legend, talking about what he’s learned about life and how to live it. Some great stories, amazing songs, and leaves you thinking maybe the simple life is the better one. This Les Blank set is a hell of a document on America so far, in that it deals with people and their lives without comment,outside of politics and all the other stuff that tends to be part of documentaries these days. There’s no point being made, you are more of a witness, left to make up your own mind. I’m loving this Criterion Collection set, and still have two blu-rays to go.


129 04-18 SAFE (1995) 3.5/5
Julianne Moore is fantastic in this one as a woman dealing with “environmental illness” that is debilitating her. Director Todd Haynes plays the cards close to his chest, you’re never sure if it illness is real or a psychological block to her current, empty life. It loses a bit of steam in the second half, but not enough to kill the movie and Moore’s performance should keep you interested. The recent Criterion Collection blu-ray is a pretty much perfect presentation that features a cool chat between Moore and Haynes.


130 04-18 Little Sisters (1972) 3/5
Alex deRenzy’s second shot at a narrative film plays like a hardcore John Waters picture.  A protective mum living in the woods with her two daughters has to go on a search after the two are kidnapped by a pirate gang “The Dykes”. It plays more like an underground film than a porno, though it is explicit with nearly constant group rapes scenes that are done so over the top and gleefully shot that it really plays like the early John Waters (who shot hardcore in PINK FLAMINGOS) films like DESPERATE LIVING where it’s hard to be offended despite what you’re witnessing. For a second feature, deRenzy is already showing the chops that would seal his position as a leading porn auteur, and this one really shows the blurry lines of the era were it seemed like hardcore was going to break into the mainstream. The stolen soundtrack featuring Pink Floyd and Santana is fun too. Vinegar Syndrome presents this one uncut for the first time since it’s release, and though POWDER BURNS is a bit of a bust, this PEEKARAMA set presents a key piece of history in it’s own way.

Time to finish up laundry and maybe head outside for some yard clean-up after the never ending winter we get. I guess that’s being an adult. It sucks. I got music to listen too, books to read, movies to watch, games to play.

Movie A Day! 121-125: Lightnin’ Vermeer Burns

It’s late and I need to go to bed. So not much of an intro this post. It’s a Thursday night, the wind is trying to bring in the rain. Saturday is Record Store Day, a typical day of panic for me but this year I’m not feeling it. I’ll probably go, but I’m not sure I’m going to line up before the store opens in an obsessed fever. I’ll see how I feel on the day.

Another weird mix, but I feel a documentary film jag coming on, so that should balance the odd porno review that typically sully the blog and keeps readers away.


121 04-12 The 2015 MTV Movie Awards (2015) 3/5
A bunch of people I never heard of from movies I haven’t seen won some awards I don’t care about. It was hosted by Amy Schumer, and she’s the best and as good a reason to watch anything.


122 04-15 Powder Burns (1971) 2/5
Vinegar Syndrome dug deep on their latest Peekarma release of Alex deRenzy films. This one, billed as a “Meta-Western”, was so rare I think it was once disputed to exist at all. Anyway, I believe this one is future porn auteur deRenzy’s first attempt at a narrative film after concentrating on documentaries and loops. It’s a total mess. It want’s to be a wonky Russ Meyer romp, but it never get’s going with the amateur acting and what not. Plus it does go hardcore right at the end, so it was never going to play like a Russ Meyers film. Which is too bad, because despite the heavy print damage, the thing is actually made really good. Some of the shots of the cowboys out on their horses look really good and the idea isn’t a bad one, it just never quite works despite how much you might wish it did.


123 04-15 Tim’s Vermeer (2013) 4/5
Such a simple premise for a documentary. Johannes Vermeer was one of the Dutch Masters and known for painting photo realistic paintings. Penn & Teller’s inventor friend Tim is interested in figuring out how he did it. To say Tim is mildly obsessed is being polite, but he’s just the right amount of bonkers to be pleasant to watch on his journey to see if he can replicate the techniques, with no background in oil painting. It makes for a great documentary that reminded me of the smaller pictures that Errol Morris made focusing on individuals. The biggest surprise is that there are no tricks, with Penn & Teller attached, it’s directed by Teller, I kept expecting an Orson Welle’s type hoax to pop up and thankfully it never does. Good stuff, and worth your time.


124 04-16 The Blues Accordin’ To Lightnin’ Hopkins (1969) 4/5
125 04-16 The Suns Going to Shine (1969) 3.5
This is a pair of documentary short films by Les Blank featuring blues legend Lightnin’ Hopkins. They’re quite brilliant. The first is the main film, and mostly captures Hopkins in his hometown in Texas playing the blues and capturing the community around him. It’s spellbinding. There’s a long sequence where Hopkins “explains the blues” via a song he’s making up on the spot. You wish the movie was three hours long, the less than 40 minute running time isn’t long enough. THE SUNS GOING TO SHINE is a second film made at the same time (probably an outtake), detailing the story of Hopkins leaving home at the age of eight to escape the cotton fields to become a musician. This is part of the Criterion Collection’s LES BLANK: ALWAYS FOR PLEASURE, so there are actually a couple more little shorts included on Hopkins, and it’s STILL NOT ENOUGH! (Also, watch the movie LOUIE BLUIE while you’re at it.)

One of the weird things that struck me watching Lightnin’ Hopkins tonight is the realization that the form of country blues he played is pretty much a dead form now. Anyone playing like that now would probably be labeled a poseur, and as far as a Black cultural thing, Hip Hop has taken it’s place as a form of speaking of the current Black experience. What Chuck D called “The News” for Black America. It makes one appreciate films like this even more. It’s truly a record of what is now lost. I’m sure there are people paying tribute to this music, but that seems different than creating it. Watching Hopkins play, the music flows out of him, the art being as effortless as breathing. A sign of the time and the years he put into it’s craft, art isn’t effortless to anyone if they care about it. Not a tribute of what others did, but the only music he is capable of creating. It’s a blessing that Blank was able to capture a piece of it. Hopkins didn’t want to do the film, Blank won him over finally over a card game. Hopkins made up a song about beating Blank at cards as a joke. Natural brilliance that can’t be helped.

Off to bed.

Movie A Day! 111-120: Beyond The Massacre Gun

As I write this the twitter-verse is a buzz with shock that Madonna would kiss Drake. Not because it’s a puzzle as to why anyone would kiss Drake, but because she’s apparently too old to be doing such things. I hate.


111 04-05 Louis Theroux: By Reason of Insanity (2 Episodes) 4/5
The latest documentary series from Theroux continues his look at the American prison system, this time specifically spending time in a mental institution treating people who couldn’t face trial due to being found mentally unfit to stand trial. It’s one of his tougher documentaries due to the mixed up morality. The crimes are nearly all truly awful, but you feel both repelled by, and sad for the people who committed them. So another great documentary series by Theroux. For those not familiar with Theroux, this is no goofy expose. Instead Theroux simply talks to people to hear what they have to say. It’s a brilliant approach that served him well in the goofy series, and works amazingly well now that’s he’s looking at more serious subjects.


112 04-05 Mark of the Times (2015) 3/5
This is a feature length special feature to be found on the MARK OF THE DEVIL disc put out by Arrow Video. It’s a pretty typical talking heads style doc, looking at the new wave of British horror in the seventies. I’m a horror fan, and a bit of a rube when it comes to this genre, so the doc was both interesting in subject matter and annoying in that I want to watch all the movies featured. The curse continues!


113 04-06 Better Call Saul (2014) (10 Episodes) 4/5
The sequel series to BREAKING BAD might actually be better than the series that spawned it. This one catches up with Saul after the events of the BB finale, then shoots us into the past where we see him pre-Saul, as hustler “Slippin’” Jimmy, attempting to turn his life around. It’s deadly good, being both hilarious and heartbreaking as well. Bob Odenkirk is putting in the performance of his as Jimmy/Saul, Jonathan Banks is back as Mike and stealing every scene he’s in, as will as being featured in what might be one of the great episodes of television, ever. Most surprising, Michael McKean (David St. Hubbins of SPINAL TAP) is also doing brilliant work and Jimmys mental breakdown suffering brother Chuck. I can not wait for season two to kick off.


114 04-07 Massacre Gun (1967) 3/5
The third release from ARROW VIDEO to arrive is a Yakuza picture. I don’t know enough about the genre to tell you how it compares to others. It’s a pretty decent gangster picture though. A hitman is forced to kill a girl he loves and all hell breaks loose. This one has a deliberate tone instead of the hyper action you would think would be in it based on the title, but it is a good one.


115 04-09 Louis Theroux: Transgender Children (2015) 4/5
Another special by Theroux, this one explores gender identity in children. It was fascinating, though sad to watch in that it seemed confusing to all involved. Theroux is typically great though in presenting. Worth a watch.


116 04-09 On Cinema At The Cinema Season 6 (2015) 4/5
As Decker comes to a close, so does the series that spawned it. The final episode was bittersweet due to the bit in the finale that has seen Gregg Turkington absent from Twitter to the time of this posting. A brilliant bit of comedy to be sure, I’m curious to see where they take it all next season since the joke seems to continue.


117 04-09 The Beyond (1981) 4/5
A second watch of Fulci’s Italian horror classic via Grindhouse Releasing recent blu-ray had me liking it even more. Basic plot is a woman takes over and starts to refurbish a hotel that has been built on one of the seven doors of hell. It plays like a nightmare with David Lynch style dream logic. If you’re looking for a normal narrative, there isn’t one to find here. If you’re want a gory fever dream, this is your picture.


118 04-10 Going Clear: Scientology And The Prison Of Belief (2015) 4/5
Been waiting for this documentary and it didn’t disappoint. I already knew some of the strangeness to be found, and this one does a really good job of laying it all out in perspective. It’s the type of film where you hope some real world change happens because of it.


119 04-10 Sensual Fire (1979) 2.5/5
This is the second Tobalina film to be found on Vinegar Syndromes Peekarama disc with last blogs THREE RIPENING CHERRIES. It’s the better film in that it has more plot. Jamie Gillis plays a pervo lusting after his girlfriends daughter and seeking help in dealing with it. The main problem is typical to Tobalina in that the editing and pacing kills what could have been a decent picture compared to all his shitty orgy pictures.


120 04-10 Godzilla (2014) 2/5
Finally sat down to this one and it was a piece of shit. You have one job, and one job only when you make a Godzilla movie and that is to have it packed with monster fights. Three quarters of this one is aftermath of monster fights, and when you finally do get to see the monsters fight, it’s it the dark so it’s still mostly hidden. So fuck this movie, and fuck Gareth Edwards whose other film, MONSTERS, also had no monsters or fighting for most of the duration.

Bit long this one huh? Been in the fog a bit with poor time management. I’ll try to get it back down to 5 titles a post.

Movie A Day! 041-45: Deceptive Practice

A real mixed bag in this post. Regional sleaze, bikers, magic, and two very different noirs. Movies are fun guys!


041 02-01 Murder on the Emerald Sea (1973) 3/5
Vinegar Syndrome do it again, digging out a previously thought lost film, this time presented on an extremely limited edition DVD. Someone is killing the winners of the “Artists & Models” ball on the fancy cruise ship Emerald Seas, so a detective gets rooked into going undercover in drag to solve the mystery. This one might be one of the campiest films I’ve seen in a long time, and while it’s certainly cheap and goofy, it was pretty funny. Plus they somehow got Henny “Take my wife, please!” Youngman and Johnny “Tarzan” Weissmuller to cameo in it. Maybe if you’re lucky, VS will stream it on there streaming application when it goes live, see last blog for details.


042 02-02 Deceptive Practice: The Mysteries and Mentors of Ricky Jay (2012) 4/5
Ricky Jay is arguably the best card magician living today. Most will probably recognize him from his acting career in such films as BOOGIE NIGHTS and the TV series DEADWOOD. I’m a huge fan, and as such I really enjoyed this documentary. It follows his path and career in magic. He’s cagey about personal details, says he left his family when he was seventeen but never explains the details. Instead he goes into the lives and experiences with the magicians he learned from. Lots of great clips, card tricks that will melt your brain in ways that flashy magicians like David Copperfield and even my beloved Penn & Teller never do. So it gets a recommend from me both as a look at Ricky Jay, and as a history of card magic.


043 02-05 The Stranger (1946) 4/5
Orson Welles directs this one, playing a Nazi war criminal hiding in a small American town, with with war crimes special agent Edward G. Robinson hot on his heels. This one is a top notch noir and Welles’ direction is stunning. Even basic set-ups are dazzling in composition. Add in a dead on cast (Loretta Young more than holds her own as Welles’ unknowing wife) and a tight script and this is one hell of a film. The only problem with it is that it slipped into public domain, so it’s tricky to find a copy that does the cinematography justice. The version I watched was shit transfer wise, but it’s such a damned fine film that you can look past it. I’ll have to track down a better copy.


044 02-06 Scarlet Street (1945) 4/5
Edward G Robinson is at his meekest in this noir directed by the great Fritz Lang. He plays a schlubby, lovesick clerk who runs into a girl one night, and ends up getting manipulated in typical Femme Fatale fashion. Lang pulls no punched, the film is desperate from the start and the fall seems never ending. One of the more emotionally brutal noirs you’ll see.


045 02-07 Angels From Hell (1968) 3/5
Pretty much a lost genre now, the biker picture. This one was quite fun though. A guy comes back to town, gets his bike gang back together and start hell raising all over town. It’s funny that they try to portray the gang sympathetically as people who just want to their own thing without hassle from society, man, a be free! The problem is, they’re a bunch of assholes. so you never really feel sorry for the guy as he tries to keep his gang together and what not. Still fun though.

It was interesting watching these. Edward G. Robinson was considered a leading man. I couldn’t imagine someone looking like he does being a leading man these days. Times sure have changed, we’re much more superficial right? I think the closest actor we have to him would be Paul Giamatti, who is about hundred times better looking, but rarely gets leading parts despite being amazing in everything he does.

A friendly reminder, it would be cool if you could kick some bucks to the Vinegar Syndrome crowdfunder I talked about last time since they are in their final week.

https://www.indiegogo.com/projects/vinegarsyndrome-tv-instant-digital-exploitation/