Movie A Day 2017! 20-27: Clever Lemmy

After a year of no exercise, I did one part of my old regime yesterday and now I can hardly walk. Isn’t this stuff supposed to make you feel better? Why is it always misery to work out? I wish I had the bug that sees people looking forward to getting up at 6am to go for a run. I have always found exercise a chore. Even gym class in school was something to endure so you could do something fun like watch a movie or listen to music. I’m going to try to stick with it. I have to improve. Based on the news week we just had the future is going to see us needing to shit in holes and figuring out how to turn furniture into weapons. I’m not ready.

Here’s what I watched last week.


020 01/22 A Clever Dummy (1917) 3/5   Ben Turpin stars in this one as a janitor trying to impress a lady so he pretends to be an experimental mechanical man made for the vaudeville circuit. This one was pretty good, most notable for allowing Turpin to shine in the lead. Turpin portrays a robot brilliantly in this one (more accurately he’s a clockwork man) and it ends with a great chase. Worth checking out since most people are probably like me and mostly know Turpin as an extra in other people’s films, if they know of him at all.


021 01/22 Doug Stanhope: Beer Hall Putsch (2013) 4/5   Stanhope isn’t for everyone, but he is for me. Dark, cynical stand up on here that resonates with some truth when it’s not being silly. If you’re a fan you’ll love it. If not, there are better starting points. (Before Turning The Gun On Himself from 2012 would get my vote.)


01/22 Dr. Mario (1990) NES 2.5/5   Once Tetris became all the rage everyone and their dog started putting out puzzle games to capitalize. This was one of Nintendo’s entries. Dr. Mario chucks pills into a jar of viruses and you have to match up the colours to make them disappear. I suck at it so I’m rating it low. It’s actually a fun and novel challenge, I’m being a miserable prick about it.


022 01/22 Hearts and Flowers (1919) 3/5   Another comedy with Fred Sterling chasing after Louise Fazenda after thinking she’s going to get an inheritance. What sets this one apart is a sequence where Sterling’s jilted girl dresses as a man and goes for Louise herself. A fun play on gender that was a bit surprising.


023 01/23 Gilmore Girls Season 3 (2003) 4/5   Another season of my girls! This one finds Rory stressed with graduation, figuring out college and boy trouble out her ass. Dean and Jess come to a head in a fantastic brawl that sadly did not result in both of their deaths. Lorelai bounced back from Max by dating a coffee shop entrepreneur who might be the limpest dick yet to cross her boyfriend-path. The highlight of the season again goes to Lane and her pursuit of rock stardom and a non-Korean boyfriend under her oppressive mothers regime. This season also hosted one of the finest episodes of the series; They Shoot Gilmores, Don’t They? Which sees Lorelai rope Rory into a endurance dance contest in an attempt to dethrone Kirk as champion. It’s brilliant and like the episode of Dean and Jess’s fight really shows how great the writing on this could be by incorporating 3 plots lines into one show and making them all work. It’s tight stuff and makes it worth watching.


024 01/24 Down on the Farm (1920) 3/5   Ambitious slapstick with the usual formula of a guy pursuing a girl in the hopes of a payoff. Mack Sennett seemed to really love that one. The real joy in this film though is in the farm dog that does some genuinely clever tricks like fill a bucket of feed and then take it to some pigs, and later saves a toddler from falling in a river. If it wasn’t for that dog I would have rated it lower. I really hope they didn’t beat that dog to teach it those tricks.

025 01/26 Don’t Weaken! (1920) 3/5   A newly rich barkeep hosts a boxing match to give a fresh dance teacher the once over. Pretty typical slapstick for the era, this one give Fred Sterling a chance to do some great physical work but aside from that there’s not much elevating this one from the norm.


026 01/28 Marc Maron: Thinky Pain (2013) 4/5   Maron’s podcast is so good that it’s easy to forget how great a stand up comedian he is. This one was great. All of his stand up is great. Deep neurosis on display, I really have to watch his TV series.


027 01/29 Lemmy (2010) 4/5   Documentary on the metal legend does a good job of showing the man behind the myth. I found it kinda sad. Off the road Lemmy comes off as mostly lonely, knocking around LA with not much purpose. Put a bass guitar in his hand and he’s one of the Gods. Worth checking out if you have any interest.

I’m never going to finish the Mack Sennett silent film set I’m going through. It’s taking me a minimum 2 nights to watch a 20 minute film. I watch them when I go to bed. It could be the most exciting film ever, but the pleasant soundtracks on these films put me to sleep. It’s really screwing up my viewings! So expect more next time.

Movie A Day! 141-151: Sprout Wings Super Soul Brother!

So much for getting the blog under control. This one looks longer than it is, but it’s still pretty long. I watched some double feature stuff that hit around the five film marks and didn’t want to split them into two blogs. So you get a little extra and I’ll try to get this thing back to the fives next time.


141 04-27 Supersoul Brother (1978) 2.5/5
“Wild Man” Steve takes a page from Rudy Ray Moore’s DOLEMITE playbook and tries to make a his own blaxploitaton action comedy. He fails in almost every regard. Steve plays a wino who gets picked up by a couple of thieves to be injected with a super serum so he can be used to rob a jewel safe. It’s dirt cheap, the acting is atrocious, but it does have it’s charms as both a spoof on THE SIX MILLION DOLLAR MAN (the original title, and the one on the print on Vinegar Syndrome’s DVD is THE SIX THOUSAND DOLLAR NIGGER) and for the gusto of Wildman himself who tries his darn-dist to spin straw into gold and fails pretty much completely. A hell of a time capsule, and as the first in Vinegar Syndromes collaboration with the American Genre Film Archive, it’s going to be fun to see what they bring out next.


142 4-28 A Life In Dirty Movies (2013) 3.5/5
A pretty good documentary on Joe Sarno, one of the first and best of the sexploitation filmmakers at the dawn of the genre. This one mostly deals with Sarno at the end of his life trying to get one last film financed. I would of preferred more of an overview since I can only imagine some of the stories he has, but what we do have in here is still interesting. Having people like John Waters, Jamie Gillis and Annie Sprinkle on hand to discuss Sarno and his work also helps to keep the film moving. Now we need someone to tackle restoring Sarno’s surviving films.


143 4-30 Garlic Is As Good As Ten Mothers (1980) 3/5
Les Blank skips the profiles of people and goes straight to food and music with this one. It’s a history of garlic, showing many of the ways it is prepared as well as the folklore. Some of the fanatics come off a bit hippie dippy and crackers, but it is a fun watch. Since it’s literally about the food, this one is missing the heart found in his other pictures.


144 05-01 When Taekwondo Strikes (1973) 3/5
A pretty good chop socky feature starring Angela Mao about Koreans revolting against Japanese rule. Lots of different styles of martial arts are in view, and it also features Jhoon Rhee, known as the father of American Taekwondo. So there’s lots of fun to be had in this one.


145 05-02 Little Miss Innocence (1973) 2.5/5
146 05-02 Teenage Seductress (1975) 2.5/5
This is a pair of softcore features from Chris Warfield that Vinegar Syndrome put out in their DRIVE-IN COLLECTION. The first features a pair of hippie girls who shack up and torture an older music executive when he picks them up hitchhiking in LA. It’s the most porn-y of the two since they emotionally abuse him with constant sex, and it’s as sleazy as it sounds. TEENAGE though downplays the sex to be more messed up dramatically as it features a woman who is out to find her father that skipped out when she was born, in order to sleep with him and try to ruin his life that way. Did I mention it was messed up? Anyway, the pair are actually pretty decent watches since they play more serious than the usual goofy that is sexploitation, and are looking great in these DVD restorations.


147 05-02 Escape From New York (1981) 3.5/5
John Carpenter’s cult classic features a breakout role for Kurt Russell who stars as Snake Plissken who in the future dystopia of 1997 has to retrieve the President of the United States who has crashed into the prison island of Manhattan. It makes zero sense, but Carpenter and Russell totally pull it off. I don’t love this one as much as others, but I have no knocks against it, it delivers and the cast featuring genre legends like Lee Van Cleef and Isaac Hayes doesn’t hurt either.


148 05-02 Champagne For Breakfast (1980) 3.5/5
Chris Warfield again, this time with a later porno chic effort that manages to work. The script, about a guy who plays gay in order to get a job as a chauffeur/bodyguard to a young woman who has recently become vice president of an ad agency, genuinely works on it’s own both dramatically and as a comedy. The actors, featuring stars like Leslie Bovee, John Leslie and Kay Parker all have the chops to pull it off, they could of cut the sex out and still had a decent late seventies comedy. A short comedy though since ther is a ton of sex in this one, which makes the story working aspect of it all the more unusual. Typical of everything they put out, the Vinegar Syndromes presentation is top notch.


149 05-03 Sprout Wings And Fly (1983) 4/5
150 05-03 Julie: Old Time Tales of the Blue Ridge (1991) 4/5
151 05-03 My Old Fiddle: A Visit with Tommy Jarrell in the Blue Ridge (1995) 4/5
Another trio of documentaries from Les Blank. SPROUT features fiddle player Tommy Jarrell, in his eighties when it was shot, telling stories of life in the Blue Ridge mountains (nearly all of them about whisky and death), and playing a ton of amazing fiddle songs. It’s a brilliant piece of work, and Jarrell is one hell of a storyteller. This Les Blank blu-ray set just never fails to please. JULIE was shot at the same time, and is a short film featuring Tommy’s older sister telling stories and singing a couple of songs, while MY OLD FIDDLE is more of Tommy playing and talking. As a whole, they are not only a entertaining films, but a record of a lost time.

See? It wasn’t so long and at least the movies were varied eh?

Movie A Day! 126-130 : Little Blank Safe

I ended up going to Record Store Day (Listen Records in Edmonton are wonderful hosts for such an event) and I got the four records I was hoping for, but I think this might be my last one. I can’t handle standing in line for over an hour anymore. It’s a young man’s game I guess, and at some point you should be beyond it right? How old do I need to get before I feel like a responsible adult?


126 04-17 God Respect’s Us When We Work, But Loves Us When We Dance (1968) 3/5
127 04-17 Spend It All (1972) 4/5
128 04-17A Well Spent Life (1972) 3.5/5 Another trio of documentaries from Les Blank, and all pretty amazing in their own way. GOD is a look at the first “Love-In” in San Francisco on Easter Sunday, 1967. If you have ever seen a documentary on the Summer Of Love, you have seen clips from this one. It is what it is, but mostly it’s hilarious as a time capsule. My only knock on this one is no live audio was recorded, it would have been neat to hear the music the bands that are shown were playing that was causing the crowd to freak out. SPEND captures the Cajun lifestyle in a small town in Louisiana with no comment, just shots of people doing what they do, fishing, eating, dancing, telling stories. It’s an amazing look at a lifestyle that was, I’m guessing, on the cusp of vanishing. You feel like you know more about life after watching it, which is some pretty brilliant film making. WELL SPENT LIFE catches up with Mance Lipscomb, a legendary folk blues guitarist who is seen briefly in the Lightnin’ Hopkins documentary. It’s mostly Mance, now more of a sharecrop farmer than a blues legend, talking about what he’s learned about life and how to live it. Some great stories, amazing songs, and leaves you thinking maybe the simple life is the better one. This Les Blank set is a hell of a document on America so far, in that it deals with people and their lives without comment,outside of politics and all the other stuff that tends to be part of documentaries these days. There’s no point being made, you are more of a witness, left to make up your own mind. I’m loving this Criterion Collection set, and still have two blu-rays to go.


129 04-18 SAFE (1995) 3.5/5
Julianne Moore is fantastic in this one as a woman dealing with “environmental illness” that is debilitating her. Director Todd Haynes plays the cards close to his chest, you’re never sure if it illness is real or a psychological block to her current, empty life. It loses a bit of steam in the second half, but not enough to kill the movie and Moore’s performance should keep you interested. The recent Criterion Collection blu-ray is a pretty much perfect presentation that features a cool chat between Moore and Haynes.


130 04-18 Little Sisters (1972) 3/5
Alex deRenzy’s second shot at a narrative film plays like a hardcore John Waters picture.  A protective mum living in the woods with her two daughters has to go on a search after the two are kidnapped by a pirate gang “The Dykes”. It plays more like an underground film than a porno, though it is explicit with nearly constant group rapes scenes that are done so over the top and gleefully shot that it really plays like the early John Waters (who shot hardcore in PINK FLAMINGOS) films like DESPERATE LIVING where it’s hard to be offended despite what you’re witnessing. For a second feature, deRenzy is already showing the chops that would seal his position as a leading porn auteur, and this one really shows the blurry lines of the era were it seemed like hardcore was going to break into the mainstream. The stolen soundtrack featuring Pink Floyd and Santana is fun too. Vinegar Syndrome presents this one uncut for the first time since it’s release, and though POWDER BURNS is a bit of a bust, this PEEKARAMA set presents a key piece of history in it’s own way.

Time to finish up laundry and maybe head outside for some yard clean-up after the never ending winter we get. I guess that’s being an adult. It sucks. I got music to listen too, books to read, movies to watch, games to play.

Movie A Day! 121-125: Lightnin’ Vermeer Burns

It’s late and I need to go to bed. So not much of an intro this post. It’s a Thursday night, the wind is trying to bring in the rain. Saturday is Record Store Day, a typical day of panic for me but this year I’m not feeling it. I’ll probably go, but I’m not sure I’m going to line up before the store opens in an obsessed fever. I’ll see how I feel on the day.

Another weird mix, but I feel a documentary film jag coming on, so that should balance the odd porno review that typically sully the blog and keeps readers away.


121 04-12 The 2015 MTV Movie Awards (2015) 3/5
A bunch of people I never heard of from movies I haven’t seen won some awards I don’t care about. It was hosted by Amy Schumer, and she’s the best and as good a reason to watch anything.


122 04-15 Powder Burns (1971) 2/5
Vinegar Syndrome dug deep on their latest Peekarma release of Alex deRenzy films. This one, billed as a “Meta-Western”, was so rare I think it was once disputed to exist at all. Anyway, I believe this one is future porn auteur deRenzy’s first attempt at a narrative film after concentrating on documentaries and loops. It’s a total mess. It want’s to be a wonky Russ Meyer romp, but it never get’s going with the amateur acting and what not. Plus it does go hardcore right at the end, so it was never going to play like a Russ Meyers film. Which is too bad, because despite the heavy print damage, the thing is actually made really good. Some of the shots of the cowboys out on their horses look really good and the idea isn’t a bad one, it just never quite works despite how much you might wish it did.


123 04-15 Tim’s Vermeer (2013) 4/5
Such a simple premise for a documentary. Johannes Vermeer was one of the Dutch Masters and known for painting photo realistic paintings. Penn & Teller’s inventor friend Tim is interested in figuring out how he did it. To say Tim is mildly obsessed is being polite, but he’s just the right amount of bonkers to be pleasant to watch on his journey to see if he can replicate the techniques, with no background in oil painting. It makes for a great documentary that reminded me of the smaller pictures that Errol Morris made focusing on individuals. The biggest surprise is that there are no tricks, with Penn & Teller attached, it’s directed by Teller, I kept expecting an Orson Welle’s type hoax to pop up and thankfully it never does. Good stuff, and worth your time.


124 04-16 The Blues Accordin’ To Lightnin’ Hopkins (1969) 4/5
125 04-16 The Suns Going to Shine (1969) 3.5
This is a pair of documentary short films by Les Blank featuring blues legend Lightnin’ Hopkins. They’re quite brilliant. The first is the main film, and mostly captures Hopkins in his hometown in Texas playing the blues and capturing the community around him. It’s spellbinding. There’s a long sequence where Hopkins “explains the blues” via a song he’s making up on the spot. You wish the movie was three hours long, the less than 40 minute running time isn’t long enough. THE SUNS GOING TO SHINE is a second film made at the same time (probably an outtake), detailing the story of Hopkins leaving home at the age of eight to escape the cotton fields to become a musician. This is part of the Criterion Collection’s LES BLANK: ALWAYS FOR PLEASURE, so there are actually a couple more little shorts included on Hopkins, and it’s STILL NOT ENOUGH! (Also, watch the movie LOUIE BLUIE while you’re at it.)

One of the weird things that struck me watching Lightnin’ Hopkins tonight is the realization that the form of country blues he played is pretty much a dead form now. Anyone playing like that now would probably be labeled a poseur, and as far as a Black cultural thing, Hip Hop has taken it’s place as a form of speaking of the current Black experience. What Chuck D called “The News” for Black America. It makes one appreciate films like this even more. It’s truly a record of what is now lost. I’m sure there are people paying tribute to this music, but that seems different than creating it. Watching Hopkins play, the music flows out of him, the art being as effortless as breathing. A sign of the time and the years he put into it’s craft, art isn’t effortless to anyone if they care about it. Not a tribute of what others did, but the only music he is capable of creating. It’s a blessing that Blank was able to capture a piece of it. Hopkins didn’t want to do the film, Blank won him over finally over a card game. Hopkins made up a song about beating Blank at cards as a joke. Natural brilliance that can’t be helped.

Off to bed.

Movie A Day! 111-120: Beyond The Massacre Gun

As I write this the twitter-verse is a buzz with shock that Madonna would kiss Drake. Not because it’s a puzzle as to why anyone would kiss Drake, but because she’s apparently too old to be doing such things. I hate.


111 04-05 Louis Theroux: By Reason of Insanity (2 Episodes) 4/5
The latest documentary series from Theroux continues his look at the American prison system, this time specifically spending time in a mental institution treating people who couldn’t face trial due to being found mentally unfit to stand trial. It’s one of his tougher documentaries due to the mixed up morality. The crimes are nearly all truly awful, but you feel both repelled by, and sad for the people who committed them. So another great documentary series by Theroux. For those not familiar with Theroux, this is no goofy expose. Instead Theroux simply talks to people to hear what they have to say. It’s a brilliant approach that served him well in the goofy series, and works amazingly well now that’s he’s looking at more serious subjects.


112 04-05 Mark of the Times (2015) 3/5
This is a feature length special feature to be found on the MARK OF THE DEVIL disc put out by Arrow Video. It’s a pretty typical talking heads style doc, looking at the new wave of British horror in the seventies. I’m a horror fan, and a bit of a rube when it comes to this genre, so the doc was both interesting in subject matter and annoying in that I want to watch all the movies featured. The curse continues!


113 04-06 Better Call Saul (2014) (10 Episodes) 4/5
The sequel series to BREAKING BAD might actually be better than the series that spawned it. This one catches up with Saul after the events of the BB finale, then shoots us into the past where we see him pre-Saul, as hustler “Slippin’” Jimmy, attempting to turn his life around. It’s deadly good, being both hilarious and heartbreaking as well. Bob Odenkirk is putting in the performance of his as Jimmy/Saul, Jonathan Banks is back as Mike and stealing every scene he’s in, as will as being featured in what might be one of the great episodes of television, ever. Most surprising, Michael McKean (David St. Hubbins of SPINAL TAP) is also doing brilliant work and Jimmys mental breakdown suffering brother Chuck. I can not wait for season two to kick off.


114 04-07 Massacre Gun (1967) 3/5
The third release from ARROW VIDEO to arrive is a Yakuza picture. I don’t know enough about the genre to tell you how it compares to others. It’s a pretty decent gangster picture though. A hitman is forced to kill a girl he loves and all hell breaks loose. This one has a deliberate tone instead of the hyper action you would think would be in it based on the title, but it is a good one.


115 04-09 Louis Theroux: Transgender Children (2015) 4/5
Another special by Theroux, this one explores gender identity in children. It was fascinating, though sad to watch in that it seemed confusing to all involved. Theroux is typically great though in presenting. Worth a watch.


116 04-09 On Cinema At The Cinema Season 6 (2015) 4/5
As Decker comes to a close, so does the series that spawned it. The final episode was bittersweet due to the bit in the finale that has seen Gregg Turkington absent from Twitter to the time of this posting. A brilliant bit of comedy to be sure, I’m curious to see where they take it all next season since the joke seems to continue.


117 04-09 The Beyond (1981) 4/5
A second watch of Fulci’s Italian horror classic via Grindhouse Releasing recent blu-ray had me liking it even more. Basic plot is a woman takes over and starts to refurbish a hotel that has been built on one of the seven doors of hell. It plays like a nightmare with David Lynch style dream logic. If you’re looking for a normal narrative, there isn’t one to find here. If you’re want a gory fever dream, this is your picture.


118 04-10 Going Clear: Scientology And The Prison Of Belief (2015) 4/5
Been waiting for this documentary and it didn’t disappoint. I already knew some of the strangeness to be found, and this one does a really good job of laying it all out in perspective. It’s the type of film where you hope some real world change happens because of it.


119 04-10 Sensual Fire (1979) 2.5/5
This is the second Tobalina film to be found on Vinegar Syndromes Peekarama disc with last blogs THREE RIPENING CHERRIES. It’s the better film in that it has more plot. Jamie Gillis plays a pervo lusting after his girlfriends daughter and seeking help in dealing with it. The main problem is typical to Tobalina in that the editing and pacing kills what could have been a decent picture compared to all his shitty orgy pictures.


120 04-10 Godzilla (2014) 2/5
Finally sat down to this one and it was a piece of shit. You have one job, and one job only when you make a Godzilla movie and that is to have it packed with monster fights. Three quarters of this one is aftermath of monster fights, and when you finally do get to see the monsters fight, it’s it the dark so it’s still mostly hidden. So fuck this movie, and fuck Gareth Edwards whose other film, MONSTERS, also had no monsters or fighting for most of the duration.

Bit long this one huh? Been in the fog a bit with poor time management. I’ll try to get it back down to 5 titles a post.

Movie A Day! 041-45: Deceptive Practice

A real mixed bag in this post. Regional sleaze, bikers, magic, and two very different noirs. Movies are fun guys!


041 02-01 Murder on the Emerald Sea (1973) 3/5
Vinegar Syndrome do it again, digging out a previously thought lost film, this time presented on an extremely limited edition DVD. Someone is killing the winners of the “Artists & Models” ball on the fancy cruise ship Emerald Seas, so a detective gets rooked into going undercover in drag to solve the mystery. This one might be one of the campiest films I’ve seen in a long time, and while it’s certainly cheap and goofy, it was pretty funny. Plus they somehow got Henny “Take my wife, please!” Youngman and Johnny “Tarzan” Weissmuller to cameo in it. Maybe if you’re lucky, VS will stream it on there streaming application when it goes live, see last blog for details.


042 02-02 Deceptive Practice: The Mysteries and Mentors of Ricky Jay (2012) 4/5
Ricky Jay is arguably the best card magician living today. Most will probably recognize him from his acting career in such films as BOOGIE NIGHTS and the TV series DEADWOOD. I’m a huge fan, and as such I really enjoyed this documentary. It follows his path and career in magic. He’s cagey about personal details, says he left his family when he was seventeen but never explains the details. Instead he goes into the lives and experiences with the magicians he learned from. Lots of great clips, card tricks that will melt your brain in ways that flashy magicians like David Copperfield and even my beloved Penn & Teller never do. So it gets a recommend from me both as a look at Ricky Jay, and as a history of card magic.


043 02-05 The Stranger (1946) 4/5
Orson Welles directs this one, playing a Nazi war criminal hiding in a small American town, with with war crimes special agent Edward G. Robinson hot on his heels. This one is a top notch noir and Welles’ direction is stunning. Even basic set-ups are dazzling in composition. Add in a dead on cast (Loretta Young more than holds her own as Welles’ unknowing wife) and a tight script and this is one hell of a film. The only problem with it is that it slipped into public domain, so it’s tricky to find a copy that does the cinematography justice. The version I watched was shit transfer wise, but it’s such a damned fine film that you can look past it. I’ll have to track down a better copy.


044 02-06 Scarlet Street (1945) 4/5
Edward G Robinson is at his meekest in this noir directed by the great Fritz Lang. He plays a schlubby, lovesick clerk who runs into a girl one night, and ends up getting manipulated in typical Femme Fatale fashion. Lang pulls no punched, the film is desperate from the start and the fall seems never ending. One of the more emotionally brutal noirs you’ll see.


045 02-07 Angels From Hell (1968) 3/5
Pretty much a lost genre now, the biker picture. This one was quite fun though. A guy comes back to town, gets his bike gang back together and start hell raising all over town. It’s funny that they try to portray the gang sympathetically as people who just want to their own thing without hassle from society, man, a be free! The problem is, they’re a bunch of assholes. so you never really feel sorry for the guy as he tries to keep his gang together and what not. Still fun though.

It was interesting watching these. Edward G. Robinson was considered a leading man. I couldn’t imagine someone looking like he does being a leading man these days. Times sure have changed, we’re much more superficial right? I think the closest actor we have to him would be Paul Giamatti, who is about hundred times better looking, but rarely gets leading parts despite being amazing in everything he does.

A friendly reminder, it would be cool if you could kick some bucks to the Vinegar Syndrome crowdfunder I talked about last time since they are in their final week.

https://www.indiegogo.com/projects/vinegarsyndrome-tv-instant-digital-exploitation/

Movie A Day!: 347-354 – November is Here

It’s finally November! You know what that means? No more horror films! Okay, there’s still horror films, but it’s mixed with the usual Samurai and porno. Yay!

347 11-01 Samaritan Zatoichi (1968) 3.5/5

The 19th film in the series is as good as the rest of them. Fantastic cinematography, style and music help make the same old plot work. That and the kickass sword play of course.

348 11-01 Wanda Whips Wall Street (1981) 3.5/5
I rarely revisit porn films, but Distripix re-released this one in it’s proper widescreen format and colour corrected and what not, so I gave it a shot. It was worth it since this one is a hell of a lot of fun. Veronica Hart (BOOGIE NIGHTS) stars as the title character, who moves to the big city and sleeps her way through a stock brokerage firm in a bid to take it over. Legends Jamie Gillis and a startlingly young and handsome Ron Jeremy are investigators brought in to stop her. It sounds like a typical porn plot, but director Larry Revine really mines it for comedy, sometimes at the expense of the actual porn. It manages to be legitimately funny and I was constantly reminded of the pre-code films from Hollywood’s golden age that has similar plots. Hell, Barbara Stanwyck pretty much owes her career to playing similar roles, it’s crazy that it took a film from the tale end of the “Porno Chic” era to mine such a natural genre honestly and not just exploitatively.

349 11-02 Man-Made Monster (1941) 3.5/5
This one is basically a Frankenstein retread, with Lon Chaney Jr. as the title monster. Chaney plays a man who seems to have an immunity to electricity, so a crazy scientist uses him to experiment on, zapping him so full of electricity he gets a death touch. It’s actually pretty good, and the movie is stolen completely by the pet dog that is best buds with Chaney prior to the experiments. That damned dog will break your heart, and it’s rare that a universal movie not named BRIDE OF FRANKENSTEIN breaks your heart.

350 11-03 Horror Island (1941) 2.5/5
This one is about a couple of schmucks who get involved with a treasure map and the search for pirate gold. They end up on a haunted island and there’s some shenanigans with a creep trying to stop them. It’s all played for yuks, and the mystery element is a bit shit so it never really works. Certainly a lesser film in the Universal Horror cycle. Let’s forget all about it and the fact that I hit another milestone type number, film 350, with another crappy movie.

351 10-07 Hearts & Minds (1974) 4/5
This one is a documentary on the Vietnam war, kind of. Instead of dealing with just the facts of the war, it deals more about how it came to happen and how it affected culture both in America and Vietnam. Made when the war was going and produced by the same house that put out “Easy Rider”, it’s obviously anti-war, but it’s never preachy or hippy dippy. Instead, it’s confrontational and quite shocking at times seeing some of the uncensored footage. It all adds up to being “good”, in the way that “Shoah” is good, but not really a great time. If that makes sense.

352 10-08 Jerry Lee Lewis – Live in Austin TX (1983) 4/5
This is an hour long performance recorded for “Austin City Limits” and captures Lewis at the top of his game. The Killer was always the guy from Sun Records that kind of got kicked around, compared to his label mates Johnny Cash and Elvis Presley. It’s a shame, since he really is an insanely great entertainer, and you could argue that he is the definitive honky-tonk musician, effortlessly going from country to rock to gospel. Bonus is watching him play the piano, where he shows a dexterity up their with the best of the stride players.

353 10-08 I Love Lucy: The Complete Third Season (1953) 4/5
Not much to say other than this was another fun season. They kept the baby in the background, which is a good thing since forcing baby jokes into a sitcom that doesn’t require it is never a good thing. The high point is a 2 part storyline featuring Tennessee Ernie Ford as a lost cousin visiting the Ricardos. Ford is deadly funny as a stereotypical bumpkin, and his appearance really kicked the gang into overdrive.

354 10-08 Deep Inside Annie Sprinkle (1981) 3/5
I was kind of disappointed by this one, and I think it’s due to high expectations. It’s a title I had heard lots about, Sprinkle went from porn star to activist to feminist performance art, and all on her terms. This was the first film that she directed (co-directed really, with legend Joe Sarno), and while it’s kind of cute, it’s basically just a wall to wall sex film. Which is fine, but I expected more since she produced and wrote it. Which is stupid since it was made before all the above activism, performance art, etc. Anyway, it’s not terrible, I just expected it to be more.

There it is. Week one done. I hit a milestone, film 350, and it was crap. Since the horror challenge I’ve been binging on Walking Dead, Doctor Who, Agents of SHIELD, all those dumb tv shows that had the nerve to start while I was watching horror movies.I’m holding off on starting Gotham and Constantine. Constantine is probably going to be canceled so I’ll probably skip it entirely. Gotham I might get to once I catch up on SHIELD. The Flash can fuck off since I’m yet to watch Arrow, and I just can’t seem to get excited to watch Arrow.

Speaking of the scary movie challenge, I won it! I had the most watched, beat the next guy by 5 titles, due to him watching a bunch of TV horror that counts as less. So I get a bunch more movies to watch! Huzzah! See, there are actual rewards to watching all the movies, not just 3 weeks of diarrhea!

Dare to live your dreams people!