Movie A Day!: Vinegar Syndromed

I was hoping to post this last night but getting back to work and having to work in the warehouse really laid me out. So I’m a day late. One day this blog might get back to it’s regular weekly posts. I know you are all worrying about it. Welcome, let’s have a look.

As promised last blog, I spent my staycation catching up on Vinegar Syndrome smut and sleaze. So it’s a mixed bag for those of you who hate this stuff. For those with a taste for the bad, it’s a real treasure trove.


247 08/11 A Touch of Genie (1974) 3.5/5   One of sexploitation legend Joe Sarno’s early hardcore efforts ends up being something that porno rarely is: adorable. It’s a skid-row version of I Dream Of Genie as seen through the eyes of Woody Allan with tons of Jewish humour and a self awareness to the porn industry at the time it was made. To the point where the humour ends up overshadowing the hardcore. A fun little film that won’t be for everyone but for fans of the genre is a bit of fresh air.


248 08/12 Matinee Idol (1984) 3.5/5   This one finds exploitation legend David F. Friedman writing a story about the trials and tribulations of producing adult films. It’s got a great cast but what sets it apart from standard hardcore fair is there’s a sense of fun to this that’s more in tone with the softcore features he used to make. The story comes first, and it mostly works.


249 08/14 My Chauffeur (1986) 2.5/5   It’s the 80’s and sex-romp comedies are still all the rage! Only this one isn’t really a sex-romp, it doesn’t seem to quite know what it is. A hip Valley Girl type gets the call to be a chauffeur and really sticks it to the patriarchy of old men at the Chauffeur club. Each job is an excuse for wacky shenanigans. There’s boobs. Penn & Teller get a chance to do some business that never really works. None of it really works. Maybe I’m too fussy. Or I’m jealous that she’s all hot over the rich jock asshole. 


250 08/14 Afternoon Delights (1980) 3.5/5   Early hardcore feature from Shaun Costello about a group of guys at poker night sharing stories about their ex-wives. It’s all an excuse for vignettes, but what elevates it from the usual is the vignettes are wonderfully sleazy and there’s a bitter-sweetness to the scripting. It doesn’t hurt that the cast is packed with all stars.


251 08/15 Snapshot (1979) 3/5   A nice little suspense thriller from Australia finds a young hairdresser swept up into the modelling world all while being stalked. It’s never knocks your socks off, but isn’t a bad film to spend your time with and a not bad example of a more straight film from the Ozploitation scene.


252 08/15 The Wire Season 2 (2003) 4/5   The second season picks up where the first left off with the unit in tatters and a new focus: corruption on the docks. The expansion of scope while continuing the story started in season 1 is really striking and well done. The politics are maddening and will change your worldview. It really is the best crime show in the history of television


253 08/16 Slave of Pleasure (1978) 4/5   This one is a sleazy gem of a film about a private eye investigating the disappearance of a housewife that got swept up by white slavers. It’s the kind of cheap, grimy hardcore that scared everyone back in the day, and it’s entertaining as hell since they really go for it. It doesn’t hurt that it has legendary sleazeballs like Jamie Gillis in it.


254 08/18 My Master My Love (1975) 2/5   Sometimes low rent sleaze is simply sleaze, which is the case here. Darby Lloyd Rains stars as a Mistress who’s business is interrupted by the arrival of her little brother. Aside from an appearance of Annie Sprinkle there’s nothing much of note to this one and it manages to be a bit of a chore.


255 08/19 Teenage Masseuse (1975) 2.5/5   From the same filmmaker as My Master My Love and just as cheap and low rent. I give it half a star more mainly due to Bobby Astyr being so hilariously over the top as the abusing dominant. The story works better too, a bored housewife gets swept up into a massage parlour. It’s good for what it is but nothing to recommend.


256 08/21 Red Roses of Passion (1966) 4/5   Vinegar Syndrome’s Sexploitation series kicks off with this Joe Sarno stunner. A woman relies on a psychic who is more witch priestess than flim-flam to get back at her stuffy relatives that she lives with. It plays more like a nightmare than a sex film, with that odd feeling more associated with David Lynch as opposed to David Friedman. It plays very strange, and if this is setting the tone of this series, it’s going to be a real knockout.

There it is. Back to normal for me and my movie watching. I’m going back to the subtitled films. Try to clear the docks since October is coming, and you know what that means.

Movie A Day!: New Cops & Doberman Battles

No, I did not forget to post this on Sunday August 6th. As you will see, I had not much to post. Instead of watching a film an evening we’ve decided to run with THE WIRE. It’s my second go through the series and it’s nice to see it as rewarding as it was the first time. Maybe more so. So aside from it I have only watch a couple more Yakuza films. there should be more, but I put these on when I go to bed and I find that subtitles put me to sleep. It’s really annoying!

As a result, there are only four titles. I was going to wait until I had ten, but I’m starting staycation tonight, and plan to take a pause on the foreign films and catch up with my Vinegar Syndrome subscription. As such the next blog will mostly be old porno and another season of The Wire, you have been warned.


242 08/02 Cops Vs. Thugs (1975) 3/5   Kinji Fukasaku does another Yakuza picture. This one has the same feel as his epic Battles Without Honor Or Humanity series, only I found it not as interesting despite a neat story. A cop and yakuza gangsters are friends, and their roles blur as Yakuza gangs start fighting. Bunta Sugawara was good in the lead, as always, the film just never connected with me. Maybe due to thinking the title mean cop/yakuza fights as opposed to comparing the two similarities? That said, you could do worse.


243 08/04 Vinegar Syndrome Spring Catalogue of Film (2017) 4/5   This one is a trailer compilation of every single Vinegar Syndrome release from the start of the company until the end of May (I think May). Spanning three DVDs, one with all the non-porn, 2 DVD’s of porn trailers, I have to admit it was fun reliving all these releases. For films were trailers are not available, VS has cut their own and it’s really interesting to see their take on hardcore titles that push elements other than sex, as opposed to the period trailers which are all sex. Anyways, it’s a fun set and cheap if you’re curious about the house of VS.


243 08/07 The Wire Season 1 (2002) 4/5   It would be easy to drone on and on about how good this series is, as everybody does. This is my second go round and it’s crazy how good it holds up, in fact, it’s even better on the second watch since there is so much going on in the episodes. It really is one of the all time crime greats.


244 08/07 Doberman Cop (1977) 2.5/5   The great Sonny Chiba stars in this manga adaptation directed by Kinji Fukasaku, the man behind the acclaimed Battles Without Honor Or Humanity series. It has a convoluted plot about a Yakuza gangster trying to create a pop-idol while a serial killer is on the loose and Chiba is a tough bumpkin detective from the sticks looking for a girl who ran away from her town. None of it really works, especially the humour.


245 08/11 New Battles Without Honor Or Humanity (1974) 3/5   I have mixed feelings with this one. It’s not a bad film so much as it is a retread of things already dealt with in the initial series, only featuring actors recast that had appeared in previous installments. Bunta Sugawara is great in this in the new yet similar role as a yakuza trying to find his place after a prison stint. Chipmunk-cheeked Jo Shishido has a fun bit that’s practically a cameo as a syphilis suffering ex-killer, and aside from that it’s business as usual. The nice thing is this is  a stand alone film so no prior knowledge of the previous films is required.

That’s it, I’ll be back in a week or so with possibly a monster sized staycation post.

Movie A Day: Straight Sugar Pierce

Sick with summer cold this week. Got bad enough that I missed a day of work. Still have it. I feel like this phlegm-y mess is my life now. As a result, lots of movies were watched. I finished up my “True-Life Adventures” jag and started catching up on my Vinegar Syndrome back log. So the sleaze is back, dear readers.


212 07/09 Straight Outta Compton (2015) 3.5/5   The story of NWA is a great story to tell. The performances are great, especially Ice Cube’s kid who plays his dad. I watched the extended director’s cut and it goes on a bit too long frankly, with NWA’s story actually being done before the halfway mark which leaves all the solo stuff which is great for Ice Cube and Dr. Dre, but also means that MC Ren and DJ Yella practically disappear. Still, it’s well done and nails the culture of the era and how stupid the rap business can be. Once again I feel like I would have rather watched a documentary.


213 07/09 Johnny Belinda (1948) 3.5/5   Jane Wyman stars as a deaf/mute girl who is getting help from a town doctor, only there’s a darkness to Cape Breton small time life. Wyman does a great job, and the unsavory subject matter is handled will in this one. It’s best described as a “woman’s picture” from the era, but it plays almost like a film noir.


214 07/10 Detour (1945) 4/5   An essential noir title that I finally got around to watching. A piano player decides to hitchhike from New York to Los Angeles, and gets into the wrong car. It’s a lean number that just completely works and this guy gets hammered maybe the hardest by the wrong set of circumstances and the wrong woman. Essential viewing.


215 07/10 The Hearse (1980) 2.5/5  A woman recovering from a breakdown decides to move into her aunt’s country house and discovers a satanic history and things that go bump in the night. It never really gelled for me and poor Joseph Cotton deserved better movies that this.


216 07/12 Malibu High (1979) 3/5   From the looks of it, this is one of those dopey titty High School comedies that were so popular. It’s not. It’s actually a rather messed up film about a girl who gets dumped and gleefully enters into a prostitution racket. It’s sort of played for laughs, but nothing lands and despite the pacing/cheapness issues it has, it actually works as a low budget neo-noir.


217 07/12 Red Mob (1993) 2.5/5   Russia takes a stab at 80’s style action spectacle and it ends up a total mess. The plot makes zero sense. Something about an ex KGB trying to reconcile with his son and getting mixed up in some other KGB… I have no idea. The action gets bonkers in the second half and the last third is a helicopter chase that seems to last 5 days. It’s more a curiosity than it is “good”, but I have to admit, Sergey Veksler as “Nick” has some serious action chops. To bad he couldn’t transition to western made films.


218 07/12  Journey Into Fear (1942) 3.5/5   The last film Orson Welles delivered to RKO, it’s directed by Norm Foster but Welles’ hand is all over it. Joseph Cotton (who is great in this and carries the film) is an arms dealer in Turkey who gets mixed up in some Nazi intrigue. It’s lean and sharp, but not as good as Welles’ other noir pictures.


219 07/14 Jackie (2016) 3/5   What makes this one interesting is also the problem. The film tells Jackie Kennedy’s story of the days of the assassination. As an assassination nut, it’s interesting and actually something that tends be glossed over. So it’s interesting in that regard, but it also relegates her story to that of “grieving widow” and I’m sure she had a lot more going on than that. It’s a shame since everyone is so good in it.


220 07/14 Sweet Sugar (1972) 4/5   I may be a little biased on this one. Way back in the VHS days dad brought this one home and we watched it late on a Friday night. My intro to the sleazy Women In Prison genre, and at around 12 years old I probably shouldn’t of watched it. It left a mark since it’s so bonkers. Hooker Sugar gets roped into working in a sugarcane plantation run by “Doctor John”, a nut who uses the women for strange experiments. Add in voodoo and this one really is one of the better examples of the genre. It doesn’t hurt that lead Phyllis Davis can carry the film with both her beauty and brawn.


221 07/15 Nurse Sherri (1978) 2.5/5   This one mixes up Satanic possession with the nurse genre and ends up being a real mess despite attempting to be ambitious on no budget. It never works. There’s an alternate cut that puts the sex first over the horror that is supposed to be better, I may check it out at some point.


222 07/15 Mildred Pierce (1945) 4/5   Joan Crawford revitalized her career for the first of many times with this one. She plays a mother that would do anything for her child. It sounds like a melodrama, but it plays like a noir and a dark one at that. Crawford is fantastic, the script is razor sharp and consummate pro director Michael Curtiz nails it. Recommended.

 

Movie A Day: Death Heat

The week began with literal murder threats on loved ones and ended with the heat making it impossible to sleep in a house designed to have winters not kill you. Here’s hoping you all had more fun than me.

A mixed bag. I’m on a documentary/bio-pic jag with diversions into classic films and porno. So pretty typical, I guess.


187 06/25 The Snake Pit (1948) 3.5/5  Olivia de Havilland stars in this one about a woman sent to a mental hospital with no recollection of how she got there. A doctor helps her piece together her story and it’s a little hokey. The main reason to watch this is de Havilland is absolutely amazing in it.

188 06/26 Bill Cosby: Fall of an American Icon (2017) 3/5   A good recap of his history of abuse. It’s horrible to listen to the stories, of course, but valuable and not as exploitative as it could have been.


189 06/26 Bettie Page Reveals All (2012) 4/5   A really well done documentary with Page (via voice over interview clips) telling her own story. There will never be a more iconic pin-up model and the doc does a great job of not only telling her story but packing in tons of pictures and footage. That said, the blu-ray disc is an abomination with one of the worst sound designs that I have ever heard. The music (which isn’t great to begins with) is mixed way too hot and often drowns out the people speaking, only to get even louder when they are not. I’m tempted to knock a star off the review but I’m guessing it’s a mix on the blu-ray and not on the film proper if viewed elsewhere. I’m hoping anyways, since it really is terrible.


190 06/27 Michael Jackson: Searching For Neverland (2017) 2/5   A made for TV biopic on the pop star’s final years as told by his bodyguards. It avoids all talk of child molestation and paints the bodyguards as saints. That’s really the problem with this one, it’s hard to root for Jackson to get back on his feet when you know he’s molested children, so fuck him and his money problems, right? Chad C. Coleman from The Wire is the main lead bodyguard and he’s great. Navi is shockingly, creepily good as Jackson, but it’s just not enough to make me care about a child molester.


191 06/28 In A Lonely Place (1950) 3.5/5   Bogart stars as a down on his luck screenwriter who gets wrapped up in a murder he may or may not have committed. Bogart is great in the role, getting to play a not as nice guy as he typically did at this point in his career and Gloria Grahame more than holds her own as the inspired love interest. It’s a good film but I didn’t find myself wrapped up in it.


192 06/29 Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2016) 3/5   This one was in the works just prior to both of the stars passing, so it’s a bittersweet affair that I wanted to like more. It shows their eccentric current life, but doesn’t go too deep in what brought them to this point. So if you go in not knowing too much about them, you’re going to be a little lost since they come off kooky. That said, what it does deliver, it delivers well.


193 06/29 I Always Said Yes: The Many Lives of Wakefield Poole (2013) 4/5   Really interesting documentary on dancer, choreographer, pornographer and chef Wakefield Poole. I know him from the porn, he’s arguably the greatest gay adult filmmaker of all time (with his “Bijou” easily one of the greatest adult films of all time.) It was interesting to see how close he was to the front lines of gay rights though, with numerous stories and encounters with Harvey Milk and other political heros. A really well done picture, and Poole seems like the sweetest man in the world despite having a bittersweet history.


194 06/30 The Times Of Harvey Milk (1984) 4/5   Great documentary on the first gay man to hold public office in California. I was familiar with him through Gus Van Sant’s film Milk, but it was great to see the real story. A bittersweet film considering how it all ends, you get a really great sense of who Harvey was and why it was such a tragedy.


195 06/30 Pleasure Maze (1986) 2.5/5   A rather workmanlike effort of an adult film about robot hookers and their testers which is all an excuse for 80’s futuristic costumes and run of the mill sex scenes one would expect of the era. The fantastic cast helps to elevate it, but it’s no classic.


196 07/01 Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau (2014) 4/5
Ends up the story behind the picture is as bonkers as rumoured. I’m not convinced that Stanley would of pulled the film off if he stayed on, but it is fun to think about. Sadly missing is Ron Perlman’s fantastic Brando story which can be found on Marc Maron’s podcast WTF. At any rate, this is one of the better documentaries on filmmaking and worth checking out.


197 07/01 Love & Mercy (2014) 3.5/5  Bio-pic on Beach Boy genius Brian Wilson uses the trick of casting Paul Dano as young 60’s Brian and John Cusack as 1980’s Brian trying to get his life together with the help of Dr. Eugene Landy. It sounds weird, but if you have ever seen a documentary on Brian, it makes sense. This one was well done, it goes pretty deep into both the music and Wilson’s troubles, though I could see a non-fan getting a little lost and wondering what the big deal is.

198 07/01 Lovers Lane (1986) 2.5/5   The second feature on the Peekarama disc from Vinegar Syndrome that featured Pleasure Maze is less inspired and even more workmanlike. Director Duck Dumont knows how to shoot, it’s too bad he doesn’t push himself in these two features. Then again, it could be the sign of competing with  SOV 80’s wall to wall porn. At any rate, the cast helps this one, but not enough to put it ahead of any other of its like.


199 07/02 A Band Called Death (2012) 4/5   Back in the early 70’s three black brothers were inspired to move on from their funk band and start a rock group. They called it DEATH, and they were punk as fuck before there was a proper name for punk. Not the cool New York punk either, but the edgy hardcore sounds that came out in the late 70’s early 80’s. Anyway, they were completely ignored, never got their record out and finally are getting their due. This documentary is really quite fantastic as despite their name, they are such positive people and seeing them finally get some of their due is wonderfully inspiring. It’s as much a family story as it is a music doc and really worth checking out.


200 07/02 Heat (1995) 4/5   Nice revisiting this one, my first time watching the “Director’s Definitive Edition”. One of the best heist crime movies ever made, I have to admit that Pacino is as scenery chewing in this one as he is in SCARFACE. All acting sins are forgiven with the incredible LA shootout sequence that is one of the most perfectly shot action scenes you will see. It all holds up just fine and the cast listing is absolutely bonkers.

 

Mobee a dai: Is This Real Life?

I meant to get back into the sleaze since I got a big Vinegar Syndrome package, but I’m hooked on documentary films! Plus a few other things…


176 06/18 Mommy Dead and Dearest (2017) 4/5   A true crime documentary. Best you go in knowing little. A young woman is charged with the murder of her mother. It’s more complicated and sad than you can imagine.


177 06/18 De Palma (2015) 4/5   This one is little more than the director sitting down and going through his filmography with the appropriate clips showing as needed, but holy mackerel, it ends up being one of the best documentaries on film making that I have seen. Mainly due to De Palma not being shy to mention and acknowledge complaints. There’s an honesty to it that’s largely missing from these things, especially since they typically end up as special features on DVDs as opposed to feature in their own right.


178 06/20 Better Call Saul Season 3 (2017) 4/5   The prequel to Breaking Bad continues to be possibly better than the series that spawned it. It’s fun, but also one of the most emotionally brutal shows I’ve seen. Season 4 should prove to be very interesting. The performances continue to be razor sharp, it’s one of the best show’s I’ve seen.


179 06/20 Jodorowsky’s Dune (2013) 3/5   Interesting documentary about Alejandro Jodorowsky’s attempt to adapt Dune into possible the greatest film ever back in the 70’s, only to have it fall apart after pre-production was done. It’s good, but the end result is of course, “Wow, that would have been some movie, huh?” which makes it a little overkill. That said, you can’t help but get caught up in Jodorowsky’s dream and film philosophy.

Image result for beware the slenderman poster
180 06/21 Beware the Slenderman (2016) 2.5/5   True crime documentary about two 12 year old girls that attempted to kill one of their friends after becoming obsessed with the “Slenderman” urban legend. The tone of this one isn’t right. It’s a terrible crime based on some incredibly stupid internet folklore, a folklore that is never spoken of in the film as corny and stupid. You can’t look at a Slenderman youtube vid without thinking how goofy it is, so to treat it as an actual threat seems dishonest. The filmmakers also spin the wheels to pad the film. You could easily cut 30 minutes out and it would be a better, tighter film. The victim and the suspects deserve to have their story told in a better fashion.

Image result for electric boogaloo 2014
181 06/22 Electric Boogaloo: The Wild, Untamed Story of Cannon Films (2014) 4/5    In many ways, Cannon was the perfect studio of the 80’s. None of their films were very good, but all of them were pretty awesome if you were a kid with a hunger for goofy action movies and what not. I have fond memories of many of the trashy films profiled here and the telling of the story behind them is pretty much perfect with no one pretending that they were cranking out amazing art. Well worth checking out.


182 06/23 Menendez: Blood Brothers (2017) 2.5/5   Lifetime takes a crack at a true crime biopic with Courtney Love of all people playing the mom. It’s not terrible, it is sleazy which makes it fun. It’s just not executed very well.


183 06/23 Never Sleep Alone (1983) 2.5/5   A not bad crime hardcore about a swinger couple in an open marriage that gets infected by jealousy. It’s not bad, it just kind of runs out of steam despite Joanna Storm stealing the film.


184 06/24 Bagboy (2015) 3.5/5   Dr. Steve Brule takes a stab at a sitcom comedy and it ends up being one of the greatest sitcoms ever produced.  


185 06/25 The Last Laugh (2016) 3.5/5   Can the holocaust be funny? The answer is no, but this doc ends up going deeper and with the help of tons of comedians really gets into joke structure and what makes something funny. It’s also great that Mel Brooks appears as ground zero for breaking all the rules.

186 06/25 Austin City Limits: Iggy Pop (2016) 4/5   My only issue is it’s edited down to an hour long episode. It’s great seeing Iggy with a band that can play anything.   

I keep thinking about that Dune documentary, and Jodorowsky’s thought that civilization is based on stories from the Bible, The Koran, The Life of Buddha, why not a movie? Why can’t a movie transform people?

Movie a Day!: Twin Outrageous

I’m still going hard at updating Letterboxd with my old movie lists. I’m currently entering 2014. What I wasn’t expecting was being able to track my dads illness though it. We would typically watch a movie each evening, and I can tell based on the movies watched in a week when he was in hospital. He passed in 2014, and anyway, it’s kind of weirdly emotional reliving it through my obsession with tracking movies. I like how Letterboxd works, I like how it tracks. When I catch up to this blog I might just continue on Letterboxd and drop this. It’s not like I’m selling clicks or have illusions that this is meaningful to others.

I continue to watch Criterion’s, and have started Twin Peaks as well.


154 05/22 Twin Peaks (Pilot) (1990) 4/5   Yeah, I’m late re-watching Twin Peaks prior to the relaunch. Revisiting this one after all these years was a bit of an eye opener. I was always a fan, but I found that this hit more emotionally than it did before. The hysterics are still funny, but an awkward funny since they kind of ring true in how messy they are. Anyway, it sets up things perfectly and doesn’t feel dated at all. The look and tone is beautiful and Lynch just completely nails the world. Looking forward to the rest of it.


155 05/23 In The Realm Of The Senses (1976) 3.5/5   This one follows the story of a former prostitute that starts an affair with a fellow that gets more and more obsessed. An art-house hit and notorious for it’s explicit hardcore sex, it’s a pretty good film but despite the hand wringing in the essay included to distinguish this one from regular pornography, I don’t think it’s quite as cut and dry. Like the best hardcore films, this is a story that can only really be told with explicit sex, and I don’t think it should get a pass as a “serious film” just because it doesn’t titillate the viewer the way a similar film like The Devil In Miss Jones might. At any rate, it’s very good, if not feeling a little long, and it’s challenging of Japanese politics (I don’t think it’s been shown uncensored their to this day) is noteworthy.


156 05/25 Beauty And The Beast (1946) 4/5   Finally got around to watching the French classic and it did not disappoint. Superior to the Disney version in every way, it is completely enchanting and the special effects hold up wonderfully. A magical, dreamy experience, I really loved it.


157 05/26 Twin Peaks Season 1 (1990) 4/5   This is my 4th re-watch, and I’m impressed by how well it holds up. I remember when it first aired and it seemed so strange. Knowing where things end up and having seen Fire Walk With Me, watching it now, it’s still weird but surprisingly tragic too. The hysterics seem more real and ugly. It’s more hard to follow due to the massive cast and relationships compared to the Black Lodge weirdness and dancing dwarfs. Binge-watching this one is really the only way to view and appreciate it.


158 05/27 Repo Man (1984) 4/5   Seems weird that this one is part of my Criterion Collection binge that I’ve been doing this month, but here we are. It’s not held up as the the cult classic it used to be these days, but it still is pretty great. It’s punk heart and bonkers plot all work, and the soundtrack is to die for. One of the best of the 80’s and I’m surprised someone hasn’t tried to remake it.


159 05/27 That’s Outrageous (1983) 3.5/5   F.J. Lincoln directs this one in which Jamie Gillis is obsessed with getting two French sisters in bed. It’s a typical dopey plot for porn, but Lincoln treats it more dramatically than what is typically found, and it doesn’t hurt that much of it was shot in Paris. It all adds up to being better than average for the genre in the early 80’s.

That’s it.

Movie A Day!: The Red, Mad, Mad World

I’m a day late posting this thing this week. Sorry film fans, it’s a long weekend up here in the Great White North and it ends up that there is a never ending amount of plants and crap that need to be dug up, dug in, and replaced. I like the sun and outdoors, I’m not great at bending over so this weekend has been more chore than joy.  Here’s all the movies I watched up to this very moment since I finished the last one this morning.


145 05/15 The Red House (1947) 3.5/5   Edward G. Robinson stars in this one as the patriarch of an out of the way farm who absolutely does not want you mucking about in his woods and going near the Red House. The whole film is about what terrors may lie in those woods, and aside from some pacing issues it manages to be pretty tense stuff that fills you with a sense of doom and dread. Part country noir, part horror film, it’s certainly worth a look.


146 05/16 The Night Porter (1974) 3/5   I’ve been hearing a lot about this one for ages so it was nice to finally give it a look. Dirk Bogarde is The Night Porter, working in a hotel when he recognizes customer Charlotte Rampling as the women from the concentration camp he was abusing while working there during the war. It’s interesting and well done, but at the end of the day it’s really just an arty, serious take on “Love Camp 7” and all the other Naziploitation that was out at the time, just elevated with some fine direction from Liliana Cavani and the performances. It’s well done if not a little slow.


147 05/18 Monkey Kingdom (2015) 4/5   Disneynature hits it out of the park again with this one following a pack of macaque monkeys, centring on “Mya” and her journey from the lower class life. I knew monkeys had Alpha Males that ran the pack, but I had no idea it was a proper class system that dictated who could eat what. It was pretty bonkers and made the film even more interesting than it would of been since Monkeys are hilarious. Oh, and Tina Fey does a great job with the narration too.


148 05/19 O Brother, Where Art Thou? (2000) 4.5/5   The Coen brothers take on Homer’s Odyssey and it couldn’t be better. Setting it during the great depression and filling it with folk music is a stroke of genius. George Clooney is perfect in the lead, the comedy rings true and the film flies by. I love this movie and it’s soundtrack. Highly recommended.


149 05/20 Walk The Line (2005) 4/5   Bio-pic on the life of Johnny Cash tracks his story from childhood to his success with the “Live At Folsom Prison” album, but it’s really the love story of Johnny and June Carter falling in love. Joaquin Phoenix does as great job as Cash, and Reese Witherspoon is a whirlwind as June. They also sing the songs and are flat out great despite nobody being able to truly mimic Cash’s voice. Get past that and this one is a real winner.


150 05/20 Pussycat Ranch (1971) 2.5/5   Star power can’t elevate this one above being pretty standard adult fare for the era. Billy the Kid needs a hideout and Mama needs cash for the ranch so they team up and turn it into a brothel. It’s played for laughs, and it mostly works, it’s just not that interesting.

151 05/21 Breakfast At Tiffany’s (1961) 3.5/5   I’ve been avoiding this one. The poster art and pictures of Audrey Hepburn and that stupid long cigarette holder bugged me, and I knew Mickey Rooney portrayed a horrible Asian stereotype. Ends up that this one was a pretty enjoyable romantic comedy. Hepburn and George Peppard are enjoyable as the leads and the only issue I had is it felt a little long. That said, there is no possible excuse for Rooney. That this kind of portrayal of a Japanese man was once considered even remotely acceptable is horrendous.


152 05/21 Here Comes The Bride (1978) 2/5   The second feature on the Vinegar Syndrome’s Peekarama disc is also by John Christopher and is even more unexceptional than Pussycat Ranch. This one finds a couple celebrating their wedding anniversary and the wife remembering all the guys she was with while pretending to be a virgin to her husband. It’s draggy and if not for legendary star Samantha Fox it wouldn’t have gotten even 2 stars.


153 05/22 It’s a Mad, Mad, Mad, Mad World (Extended Edition) (1963) 4/5   First time watching the roadshow version and I enjoyed the film even more. Most of the footage that was cut from the Roadshow to the general release is lost, so the fact that they were able to restore it to this level is remarkable. That said, it is a bit of a mess with photo’s and subtitles subbing in for some of the lost footage. I didn’t find it as distracting as I expected to find it and on a whole it’s really improved the flow of the movie. It’s truly “kitchen sink” film, completely jam packed with jokes and cameos, it’s well worth checking out regardless of the version you can get your hands on.

 

There it is.