Movie A Day!: Vinegar Syndromed

I was hoping to post this last night but getting back to work and having to work in the warehouse really laid me out. So I’m a day late. One day this blog might get back to it’s regular weekly posts. I know you are all worrying about it. Welcome, let’s have a look.

As promised last blog, I spent my staycation catching up on Vinegar Syndrome smut and sleaze. So it’s a mixed bag for those of you who hate this stuff. For those with a taste for the bad, it’s a real treasure trove.


247 08/11 A Touch of Genie (1974) 3.5/5   One of sexploitation legend Joe Sarno’s early hardcore efforts ends up being something that porno rarely is: adorable. It’s a skid-row version of I Dream Of Genie as seen through the eyes of Woody Allan with tons of Jewish humour and a self awareness to the porn industry at the time it was made. To the point where the humour ends up overshadowing the hardcore. A fun little film that won’t be for everyone but for fans of the genre is a bit of fresh air.


248 08/12 Matinee Idol (1984) 3.5/5   This one finds exploitation legend David F. Friedman writing a story about the trials and tribulations of producing adult films. It’s got a great cast but what sets it apart from standard hardcore fair is there’s a sense of fun to this that’s more in tone with the softcore features he used to make. The story comes first, and it mostly works.


249 08/14 My Chauffeur (1986) 2.5/5   It’s the 80’s and sex-romp comedies are still all the rage! Only this one isn’t really a sex-romp, it doesn’t seem to quite know what it is. A hip Valley Girl type gets the call to be a chauffeur and really sticks it to the patriarchy of old men at the Chauffeur club. Each job is an excuse for wacky shenanigans. There’s boobs. Penn & Teller get a chance to do some business that never really works. None of it really works. Maybe I’m too fussy. Or I’m jealous that she’s all hot over the rich jock asshole. 


250 08/14 Afternoon Delights (1980) 3.5/5   Early hardcore feature from Shaun Costello about a group of guys at poker night sharing stories about their ex-wives. It’s all an excuse for vignettes, but what elevates it from the usual is the vignettes are wonderfully sleazy and there’s a bitter-sweetness to the scripting. It doesn’t hurt that the cast is packed with all stars.


251 08/15 Snapshot (1979) 3/5   A nice little suspense thriller from Australia finds a young hairdresser swept up into the modelling world all while being stalked. It’s never knocks your socks off, but isn’t a bad film to spend your time with and a not bad example of a more straight film from the Ozploitation scene.


252 08/15 The Wire Season 2 (2003) 4/5   The second season picks up where the first left off with the unit in tatters and a new focus: corruption on the docks. The expansion of scope while continuing the story started in season 1 is really striking and well done. The politics are maddening and will change your worldview. It really is the best crime show in the history of television


253 08/16 Slave of Pleasure (1978) 4/5   This one is a sleazy gem of a film about a private eye investigating the disappearance of a housewife that got swept up by white slavers. It’s the kind of cheap, grimy hardcore that scared everyone back in the day, and it’s entertaining as hell since they really go for it. It doesn’t hurt that it has legendary sleazeballs like Jamie Gillis in it.


254 08/18 My Master My Love (1975) 2/5   Sometimes low rent sleaze is simply sleaze, which is the case here. Darby Lloyd Rains stars as a Mistress who’s business is interrupted by the arrival of her little brother. Aside from an appearance of Annie Sprinkle there’s nothing much of note to this one and it manages to be a bit of a chore.


255 08/19 Teenage Masseuse (1975) 2.5/5   From the same filmmaker as My Master My Love and just as cheap and low rent. I give it half a star more mainly due to Bobby Astyr being so hilariously over the top as the abusing dominant. The story works better too, a bored housewife gets swept up into a massage parlour. It’s good for what it is but nothing to recommend.


256 08/21 Red Roses of Passion (1966) 4/5   Vinegar Syndrome’s Sexploitation series kicks off with this Joe Sarno stunner. A woman relies on a psychic who is more witch priestess than flim-flam to get back at her stuffy relatives that she lives with. It plays more like a nightmare than a sex film, with that odd feeling more associated with David Lynch as opposed to David Friedman. It plays very strange, and if this is setting the tone of this series, it’s going to be a real knockout.

There it is. Back to normal for me and my movie watching. I’m going back to the subtitled films. Try to clear the docks since October is coming, and you know what that means.

Movie A Day!: New Cops & Doberman Battles

No, I did not forget to post this on Sunday August 6th. As you will see, I had not much to post. Instead of watching a film an evening we’ve decided to run with THE WIRE. It’s my second go through the series and it’s nice to see it as rewarding as it was the first time. Maybe more so. So aside from it I have only watch a couple more Yakuza films. there should be more, but I put these on when I go to bed and I find that subtitles put me to sleep. It’s really annoying!

As a result, there are only four titles. I was going to wait until I had ten, but I’m starting staycation tonight, and plan to take a pause on the foreign films and catch up with my Vinegar Syndrome subscription. As such the next blog will mostly be old porno and another season of The Wire, you have been warned.


242 08/02 Cops Vs. Thugs (1975) 3/5   Kinji Fukasaku does another Yakuza picture. This one has the same feel as his epic Battles Without Honor Or Humanity series, only I found it not as interesting despite a neat story. A cop and yakuza gangsters are friends, and their roles blur as Yakuza gangs start fighting. Bunta Sugawara was good in the lead, as always, the film just never connected with me. Maybe due to thinking the title mean cop/yakuza fights as opposed to comparing the two similarities? That said, you could do worse.


243 08/04 Vinegar Syndrome Spring Catalogue of Film (2017) 4/5   This one is a trailer compilation of every single Vinegar Syndrome release from the start of the company until the end of May (I think May). Spanning three DVDs, one with all the non-porn, 2 DVD’s of porn trailers, I have to admit it was fun reliving all these releases. For films were trailers are not available, VS has cut their own and it’s really interesting to see their take on hardcore titles that push elements other than sex, as opposed to the period trailers which are all sex. Anyways, it’s a fun set and cheap if you’re curious about the house of VS.


243 08/07 The Wire Season 1 (2002) 4/5   It would be easy to drone on and on about how good this series is, as everybody does. This is my second go round and it’s crazy how good it holds up, in fact, it’s even better on the second watch since there is so much going on in the episodes. It really is one of the all time crime greats.


244 08/07 Doberman Cop (1977) 2.5/5   The great Sonny Chiba stars in this manga adaptation directed by Kinji Fukasaku, the man behind the acclaimed Battles Without Honor Or Humanity series. It has a convoluted plot about a Yakuza gangster trying to create a pop-idol while a serial killer is on the loose and Chiba is a tough bumpkin detective from the sticks looking for a girl who ran away from her town. None of it really works, especially the humour.


245 08/11 New Battles Without Honor Or Humanity (1974) 3/5   I have mixed feelings with this one. It’s not a bad film so much as it is a retread of things already dealt with in the initial series, only featuring actors recast that had appeared in previous installments. Bunta Sugawara is great in this in the new yet similar role as a yakuza trying to find his place after a prison stint. Chipmunk-cheeked Jo Shishido has a fun bit that’s practically a cameo as a syphilis suffering ex-killer, and aside from that it’s business as usual. The nice thing is this is  a stand alone film so no prior knowledge of the previous films is required.

That’s it, I’ll be back in a week or so with possibly a monster sized staycation post.

Movie A Day: DOA Hara-Kiri

So the last week completely got away from me which is why this is so late in posting. I’m rushing this one, expect more spelling and grammar mistakes than usual.

I went on a Asian film kick aside from the usual noir films, I think this is going to continue for a bit so you’ve been warned on what to expect in the coming weeks.


232 07/23 High Wall (1947) 3/5   A man comes back from the war and believes he has killed his wife in this noir. A psychological thriller with Robert Taylor as the damaged soldier and Audrey Totter as the psychologist treating him to see if he’s fit to stand trial, this one is pretty good though I found the pacing a bit off.


233 07/25 Ghost of Dragstrip Hollow (1959) 2/5   I can’t believe I watched this one a second time. It’s not a good movie, basically a low rent teen picture with bad rock ‘n’ roll and the only interesting bit is the reuse of monsters from other AIP pictures. And the the tall in glasses, who I shall ever love.


234 07/25 Dead Or Alive (1999) 3.5/5   Takashi Miike’s yakuza cult hit starts off with one of the most glorious pre-credit sequences of sex and violence you’ll ever see. IT never really settles down either. This one features a Chinese gang and a Japanese cop both after the same Yakuza group. I have to admit, I found it a bit confusing, which I’m chalking up more to my horrid and exhausting work week as opposed to a problem with the film. Well worth checking out since it’s absolutely bonkers.


235 07/26 The Naked City (1948) 3/5   A really tight police procedural noir directed by the great Jules Dassin goes DEEP into investigating a murder of a girl. Like most noir, it’s best to go in cold. I found this one a little off, maybe partly to shooting on location in New York working against it instead of for it making for some dodgy sound design? That said, it is damned fine.


236 07/27 Dead Or Alive 2: Birds (2000) 3.5/5   This one features the stars of the previous film playing mostly different roles. Two hitman get end up on the same job and the film turns into a nostalgic look at family and youth. Which conflicts with the Yakuza stuff, and they grow wings… and I have to admit I was a bit lost with this one too but I liked it.


237 07/28 He Ran All The Way (1951) 3.5/5   Super tight noir starring John Garfield as a payroll robber where everything went pear shaped so he’s holed up with a family waiting for the heat to cool down. Garfield is outstanding in this one as a sweaty, paranoid mess and Shelly Winters holds her own as the wounded girl who gets sucked into caring for him. This one pretty much defines noir tropes and is recommended. Also worth noting, both Garfield and writer Dalton Trumbo were blacklisted in Hollywood at the time, being investigated by HUAC for communism. This would be Garfields last picture, he would die from a heart attack afterwards, his life in shambles from the investigation. History is fun!


238 07/29 Suicide Squad (Extended Edition) (2016) 3/5   Finally caught up with this one. It’s not a bad as everyone was letting on. I mean, it’s not a classic but as far as these superhero things go these days, they’re all pretty much the same. This one managed to take itself a bit serious and be goofy at the same time. The soundtrack didn’t help. The producers also realized the only interesting thing early on, so it’s basically a Harley Quinn movie and Margot Robbie steals the picture. That said, it’s still a bit of a plodding mess, but not a total disaster. This is the only version I watched so I can’t compare it to the theatrical though I’m guessing some weird plot things are do to stuff being added. Who cares, superheros fuck shit up. That’s all that really needs to happen.


239 07/29 Dead Or Alive 3: Final (2002) 3.5/5   The stars of the first two films return in this one, and the series goes back to being a bit bonkers like the first one. This one takes place in the future and deals with Replicants. The type of Replicants you would find in Blade Runner. It’s all a bit cheeky, but it works and ends up being a pretty strong film in its own right. It’s interesting the Miike has done two trilogies now that share cast but not narrative. Good stuff.


240 07/30 Star Trek Original Series Season 2 (1968) 4/5   I’ve been watching this one off and on for three years now so I don’t have any deep thoughts to hit you with. It’s a great season, with many iconic episodes like Amok Time. Mirror Mirror, The Trouble With Tribbles, the only real downer ep was the season finale Assignment:Earth which is actually a backdoor pilot and not very interesting. Otherwise the series holds up just fine and is worth a watch.


241 07/30 Hara-Kiri: Death of a Samurai (2011) 4/5   After watching two trilogies of Takashi Miike, I figured I might as will give this one a go too since it’s been on my shelf. You would think that someone who is so modern and genre defying with Yakuza pictures would be out of step with a period drama but you would be wrong. Miike dials everything back in this one, a story of a Samurai who arrives at an influential house to commit suicide, and it makes for a scathing look at Japanese caste system and history while focusing on more familiar themes like an outsiders family. Great stuff.

Lets take a moment to be thankful for that tall nerdy girl with the glasses, whomever she may be. I hope she had a fulfilled life, as I do you.

Movie A Day: Secrets Of The Triad Women Ups

Moving into the third week of Summer Cold and now trying not to spiral into depression over it. It’s been tough, I’m covering the warehouse at work, it’s tough when you can’t breath. Anyway, movies!

223 07/16 Secrets from Another Place: Creating Twin Peaks (2007) 3.5/5   A really well done documentary on the making of the TV series. Talks to pretty near everyone that should have been in it, with the exception of David Lynch which isn’t much of a surprise.


224 07/17 The Two Mrs. Carrolls (1947) 4/5   Humphrey Bogart stars as an painter who may be poisoning his wives for inspiration. Bogart is fantastic in this one, and Barbara Stanwyck more than holds her own opposite him. She plays an absolutely lovely woman, which only seems strange when you’ve seen her in dozens of pre-code films playing gloriously manipulative bitches. Man, I love Stanwyck. Anyway, this one is pretty great and worth your time.  


225 07/18 Hail The Conquering Hero (1944) 4/5   Preston Sturges nails another movie. This one about a small town boy who flunks out of the Marines, but ends up being hailed a hero against his will upon his return. Every joke lands, the political commentary is razor sharp and holds up, star Eddie Bracken is perfect in the bewildered lead and I fell in love with Ella Rains. What more can you ask for in a movie?


226 07/18 Shinjuku Triad Society (1995) 4/5   You might think an early Takashi Miike Yakuza picture would be a bit run of the mill and you would be wrong. Really wrong. This one is as bonkers as his more well known films, only playing with Yakuza tropes. Basic plot is the old standard where a cop’s brother has started working with a gang specializing in organ harvesting. There’s more than that going on. The first in a trilogy, I’m hoping the others are as good.


227 07/19 The Clock (1945) 2.5/5   Judy Garland gets a serious non-musical role in this one, starring as a secretary in New York who stumbles into soldier on leave before shipping out. It’s basically like the Before Sunrise series, with the two wandering around falling in love except it’s pretty near charmless and there’s too many bits. A milk delivery scene goes on way too long. I found Robert Walker as the soldier annoying and none of it really worked for me.


228 07/19 Rainy Dog (1997) 3.5/5   The second film in the Black Triad Trilogy has no narrative connections to the first film. This one deals with a Japanese hitman stranded in Taiwan who discovers that he has a child. There is zero sentimentality to this one, it’s got a really bitter feel to it and while not as gleefully bonkers as the first film, this one manages to stick with you.


229 07/21 The Women (1939) 3/5   The most striking thing about this film should be that there are zero men featured in it. I don’t believe you see a single male the whole time, you certainly never hear them. That said, the most striking thing ends up being the shocking array of mysterious hats the leads all wear. The other striking thing is Joan Crawford is almost a bit role but she manages to steal the entire film. Which is saying something considering the strong cast. (I’m also still in love with Paulette Goddard.)


230 07/21 Ley Lines (1999) 3.5/5   Final film in Takashi Miike’s Black Triad Trilogy is another stand alone film, this time dealing with a group of Chinese/Japanese youths in Japan going to Tokyo in an attempt to get some money to leave the country. It’s interesting that the real theme of the trilogy isn’t Yakuza/Triad warfare or gang stories as it is about people stuck in a place they don’t feel like they belong. It makes for three distinct films exploring similar aspects as opposed to traditional film series. They all work in their own way.


231 07/22 The Seven-Ups (1973) 3.5/5   A sort of unofficial sequel to the The French Connection, this one sees Roy Scheider leading a police task force with a license to pretty much break the law in order to catch criminals. It plays it pretty straight and ends up being better than the actual sequel to The French Connection. A good crime plot and a spectacular car chase in the middle make it worth checking out.

 

That’s all I got this week.

Movie A Day: Straight Sugar Pierce

Sick with summer cold this week. Got bad enough that I missed a day of work. Still have it. I feel like this phlegm-y mess is my life now. As a result, lots of movies were watched. I finished up my “True-Life Adventures” jag and started catching up on my Vinegar Syndrome back log. So the sleaze is back, dear readers.


212 07/09 Straight Outta Compton (2015) 3.5/5   The story of NWA is a great story to tell. The performances are great, especially Ice Cube’s kid who plays his dad. I watched the extended director’s cut and it goes on a bit too long frankly, with NWA’s story actually being done before the halfway mark which leaves all the solo stuff which is great for Ice Cube and Dr. Dre, but also means that MC Ren and DJ Yella practically disappear. Still, it’s well done and nails the culture of the era and how stupid the rap business can be. Once again I feel like I would have rather watched a documentary.


213 07/09 Johnny Belinda (1948) 3.5/5   Jane Wyman stars as a deaf/mute girl who is getting help from a town doctor, only there’s a darkness to Cape Breton small time life. Wyman does a great job, and the unsavory subject matter is handled will in this one. It’s best described as a “woman’s picture” from the era, but it plays almost like a film noir.


214 07/10 Detour (1945) 4/5   An essential noir title that I finally got around to watching. A piano player decides to hitchhike from New York to Los Angeles, and gets into the wrong car. It’s a lean number that just completely works and this guy gets hammered maybe the hardest by the wrong set of circumstances and the wrong woman. Essential viewing.


215 07/10 The Hearse (1980) 2.5/5  A woman recovering from a breakdown decides to move into her aunt’s country house and discovers a satanic history and things that go bump in the night. It never really gelled for me and poor Joseph Cotton deserved better movies that this.


216 07/12 Malibu High (1979) 3/5   From the looks of it, this is one of those dopey titty High School comedies that were so popular. It’s not. It’s actually a rather messed up film about a girl who gets dumped and gleefully enters into a prostitution racket. It’s sort of played for laughs, but nothing lands and despite the pacing/cheapness issues it has, it actually works as a low budget neo-noir.


217 07/12 Red Mob (1993) 2.5/5   Russia takes a stab at 80’s style action spectacle and it ends up a total mess. The plot makes zero sense. Something about an ex KGB trying to reconcile with his son and getting mixed up in some other KGB… I have no idea. The action gets bonkers in the second half and the last third is a helicopter chase that seems to last 5 days. It’s more a curiosity than it is “good”, but I have to admit, Sergey Veksler as “Nick” has some serious action chops. To bad he couldn’t transition to western made films.


218 07/12  Journey Into Fear (1942) 3.5/5   The last film Orson Welles delivered to RKO, it’s directed by Norm Foster but Welles’ hand is all over it. Joseph Cotton (who is great in this and carries the film) is an arms dealer in Turkey who gets mixed up in some Nazi intrigue. It’s lean and sharp, but not as good as Welles’ other noir pictures.


219 07/14 Jackie (2016) 3/5   What makes this one interesting is also the problem. The film tells Jackie Kennedy’s story of the days of the assassination. As an assassination nut, it’s interesting and actually something that tends be glossed over. So it’s interesting in that regard, but it also relegates her story to that of “grieving widow” and I’m sure she had a lot more going on than that. It’s a shame since everyone is so good in it.


220 07/14 Sweet Sugar (1972) 4/5   I may be a little biased on this one. Way back in the VHS days dad brought this one home and we watched it late on a Friday night. My intro to the sleazy Women In Prison genre, and at around 12 years old I probably shouldn’t of watched it. It left a mark since it’s so bonkers. Hooker Sugar gets roped into working in a sugarcane plantation run by “Doctor John”, a nut who uses the women for strange experiments. Add in voodoo and this one really is one of the better examples of the genre. It doesn’t hurt that lead Phyllis Davis can carry the film with both her beauty and brawn.


221 07/15 Nurse Sherri (1978) 2.5/5   This one mixes up Satanic possession with the nurse genre and ends up being a real mess despite attempting to be ambitious on no budget. It never works. There’s an alternate cut that puts the sex first over the horror that is supposed to be better, I may check it out at some point.


222 07/15 Mildred Pierce (1945) 4/5   Joan Crawford revitalized her career for the first of many times with this one. She plays a mother that would do anything for her child. It sounds like a melodrama, but it plays like a noir and a dark one at that. Crawford is fantastic, the script is razor sharp and consummate pro director Michael Curtiz nails it. Recommended.

 

Movie A Day!: Decline of Baby Strange

The heatwave has locked in and I’m coming down with a summer cold. Cursed! Here’s what I watched last week. Nearly done with the documentary/bio-pics and I had a rare outing to a first run movie!!


201 07/03 Sea Dog’s Tale (1926) 3/5 Billy Bevan takes the lead in this one as a Englishman who gets hoodwinked to a island to marry a native girl. It’s got some fun bits if you can get past the racial stereotypes and black face.

202 07/03 Hoboken To Hollywood (1926) 3.5/5 Billy Bevan’s gets has to pack up the family and move cross country to LA on a job transfer and gets into all types of shenanigans. Lots of good bits, this one works really well and sees Billy play a bit of a prick that separates him from most of the other comedians of the time.


203 07/03 The Decline of Western Civilization (1981) 4/5   Thanks to Shout Factory I was finally able to get my mits on this one. Since it was impossible to find in my neck of the woods. It was worth the wait. A fascinating look at the LA punk scene and featuring a pre-Henry Rollins Black Flag and The Germs which features future Foo Fighter Pat Smear. Some bands come off more sincere than others but almost all of them are kids so it’s hard to tell really. At any rate, it’s a crucial document.


204 07/03 The Decline Of Western Civilization Part 2: The Metal Years (1988) 4/5   This one is the polar opposite of the first one. All the punk attitude is gone and everything is sex, drugs and Rock ‘N’ Roll. The old guard like Aerosmith, Lemmy, and Alice Cooper seem to shoot pretty straight while the new bands like Faster Pussycat come off as complete imbeciles. When this one came it, it was pretty hot stuff as I was into the scene. Watching it now, it’s hilariously bone-headed and the sincere explanations for the glam make up is cringe-worthy. Another must see documentary.


205 07/04 Baby Driver (2017) 4/5   The best of the (I think) two action musicals I have seen.  It completely delivers on the premise of a wheel-man fueled by tunes. Everyone in it is pitch perfect and despite a rather contrived ending the film is such a joy I can forgive it. Edgar Wright just simply knows how to make great movies and this one is no different.


206 07/05 The Great McGinty (1940) 3.5/5   A hobo gets swept up into politics thanks to a gangster’s scheme to throw city and state bucks into real estate. SOUND FAMILIAR?!?!? This one from Preston Sturges has some biting commentary on politics and great performances but didn’t reach the heights of his other work for me.


207 07/06 The Lost Weekend (1945) 3.5/5   Billy Wilder takes a hard look at alcoholism in this one with Ray Milland starring as a writer whose life is ruined by the booze. It plays like a film noir except drink is the dame that brings ruin to the main character. It’s good, but even at the worst depths Milland seems to mostly have a handle on things due to his natural charm, despite going all out.


208 07/07 Jimi Hendrix: Hear My Train A Comin’ (2013) 4/5   A fantastic documentary on Hendrix that covers all the bases as well as showing tons of clips of him performing. Not much else to say, if you’re interested in Hendrix, this is the one for you.


209 07/07 The Decline of Western Civilization Part III (1998) 4/5   Spheeris is back, 10 years after Part II to reexamine the LA music scene but instead delves into the lives of the Gutterpunks, homeless punk rock kids that basically escaped their abusive homes. It might be the best film of the series. It never judges or tries to manipulate you, it simply depicts their lives and lets them speak for themselves. This series of films is essential stuff.


210 07/08 Doctor Strange (2016) 3/5   Finally got around to watching this one and it’s simply okay. These Marvel films have all settled into their groove so there’s not much to say. Doctor Strange is a prick, gets humbled, finds his true power and quips the whole time like every other Marvel superhero. Some great visuals that were frankly used better in Inception, and some okay fight scenes. Nothing else to say.


211 07/09 Hit So Hard (2011) 4/5   A really great documentary about Hole drummer Patty Schemel who struggled with addiction. They get everyone from the band, including Courtney Love, back to tell her story, and Patty taped everything so there’s tons of great footage of Hole on the road and performing back in the 90’s. Add in a mini-history/commentary on other women drummers through history and it all adds up to being great.

 

When the worst film you have seen is Doctor Strange, it’s not a bad week.

Movie A Day: Death Heat

The week began with literal murder threats on loved ones and ended with the heat making it impossible to sleep in a house designed to have winters not kill you. Here’s hoping you all had more fun than me.

A mixed bag. I’m on a documentary/bio-pic jag with diversions into classic films and porno. So pretty typical, I guess.


187 06/25 The Snake Pit (1948) 3.5/5  Olivia de Havilland stars in this one about a woman sent to a mental hospital with no recollection of how she got there. A doctor helps her piece together her story and it’s a little hokey. The main reason to watch this is de Havilland is absolutely amazing in it.

188 06/26 Bill Cosby: Fall of an American Icon (2017) 3/5   A good recap of his history of abuse. It’s horrible to listen to the stories, of course, but valuable and not as exploitative as it could have been.


189 06/26 Bettie Page Reveals All (2012) 4/5   A really well done documentary with Page (via voice over interview clips) telling her own story. There will never be a more iconic pin-up model and the doc does a great job of not only telling her story but packing in tons of pictures and footage. That said, the blu-ray disc is an abomination with one of the worst sound designs that I have ever heard. The music (which isn’t great to begins with) is mixed way too hot and often drowns out the people speaking, only to get even louder when they are not. I’m tempted to knock a star off the review but I’m guessing it’s a mix on the blu-ray and not on the film proper if viewed elsewhere. I’m hoping anyways, since it really is terrible.


190 06/27 Michael Jackson: Searching For Neverland (2017) 2/5   A made for TV biopic on the pop star’s final years as told by his bodyguards. It avoids all talk of child molestation and paints the bodyguards as saints. That’s really the problem with this one, it’s hard to root for Jackson to get back on his feet when you know he’s molested children, so fuck him and his money problems, right? Chad C. Coleman from The Wire is the main lead bodyguard and he’s great. Navi is shockingly, creepily good as Jackson, but it’s just not enough to make me care about a child molester.


191 06/28 In A Lonely Place (1950) 3.5/5   Bogart stars as a down on his luck screenwriter who gets wrapped up in a murder he may or may not have committed. Bogart is great in the role, getting to play a not as nice guy as he typically did at this point in his career and Gloria Grahame more than holds her own as the inspired love interest. It’s a good film but I didn’t find myself wrapped up in it.


192 06/29 Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2016) 3/5   This one was in the works just prior to both of the stars passing, so it’s a bittersweet affair that I wanted to like more. It shows their eccentric current life, but doesn’t go too deep in what brought them to this point. So if you go in not knowing too much about them, you’re going to be a little lost since they come off kooky. That said, what it does deliver, it delivers well.


193 06/29 I Always Said Yes: The Many Lives of Wakefield Poole (2013) 4/5   Really interesting documentary on dancer, choreographer, pornographer and chef Wakefield Poole. I know him from the porn, he’s arguably the greatest gay adult filmmaker of all time (with his “Bijou” easily one of the greatest adult films of all time.) It was interesting to see how close he was to the front lines of gay rights though, with numerous stories and encounters with Harvey Milk and other political heros. A really well done picture, and Poole seems like the sweetest man in the world despite having a bittersweet history.


194 06/30 The Times Of Harvey Milk (1984) 4/5   Great documentary on the first gay man to hold public office in California. I was familiar with him through Gus Van Sant’s film Milk, but it was great to see the real story. A bittersweet film considering how it all ends, you get a really great sense of who Harvey was and why it was such a tragedy.


195 06/30 Pleasure Maze (1986) 2.5/5   A rather workmanlike effort of an adult film about robot hookers and their testers which is all an excuse for 80’s futuristic costumes and run of the mill sex scenes one would expect of the era. The fantastic cast helps to elevate it, but it’s no classic.


196 07/01 Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau (2014) 4/5
Ends up the story behind the picture is as bonkers as rumoured. I’m not convinced that Stanley would of pulled the film off if he stayed on, but it is fun to think about. Sadly missing is Ron Perlman’s fantastic Brando story which can be found on Marc Maron’s podcast WTF. At any rate, this is one of the better documentaries on filmmaking and worth checking out.


197 07/01 Love & Mercy (2014) 3.5/5  Bio-pic on Beach Boy genius Brian Wilson uses the trick of casting Paul Dano as young 60’s Brian and John Cusack as 1980’s Brian trying to get his life together with the help of Dr. Eugene Landy. It sounds weird, but if you have ever seen a documentary on Brian, it makes sense. This one was well done, it goes pretty deep into both the music and Wilson’s troubles, though I could see a non-fan getting a little lost and wondering what the big deal is.

198 07/01 Lovers Lane (1986) 2.5/5   The second feature on the Peekarama disc from Vinegar Syndrome that featured Pleasure Maze is less inspired and even more workmanlike. Director Duck Dumont knows how to shoot, it’s too bad he doesn’t push himself in these two features. Then again, it could be the sign of competing with  SOV 80’s wall to wall porn. At any rate, the cast helps this one, but not enough to put it ahead of any other of its like.


199 07/02 A Band Called Death (2012) 4/5   Back in the early 70’s three black brothers were inspired to move on from their funk band and start a rock group. They called it DEATH, and they were punk as fuck before there was a proper name for punk. Not the cool New York punk either, but the edgy hardcore sounds that came out in the late 70’s early 80’s. Anyway, they were completely ignored, never got their record out and finally are getting their due. This documentary is really quite fantastic as despite their name, they are such positive people and seeing them finally get some of their due is wonderfully inspiring. It’s as much a family story as it is a music doc and really worth checking out.


200 07/02 Heat (1995) 4/5   Nice revisiting this one, my first time watching the “Director’s Definitive Edition”. One of the best heist crime movies ever made, I have to admit that Pacino is as scenery chewing in this one as he is in SCARFACE. All acting sins are forgiven with the incredible LA shootout sequence that is one of the most perfectly shot action scenes you will see. It all holds up just fine and the cast listing is absolutely bonkers.