Movie A Day! 369-376 – Grumpy Old Man

Here we are with the round-up! And it’s a month end one as well, hence I’m late posting it! Boy, November flew by. I got in a few movies, which is surprising since this was a busy weekend. It was Black Friday, which is an American Armageddon like event for shopping. We don’t really do it here in Canada, but the local record shops do participate in the Record Store Day event with exclusive releases. So this weekend has been a lot of record listening in my house. I also got notice that my PONO player will arrive early this week, so I have a feeling that movies will take a little slide this week too. Let’s look at what I watched, and be prepared for a bit of a bitch over the first one.

369 11-23 The American Music Awards, The Country Music Awards, The Hollywood Film Awards (2014) 1/5

I didn’t watch all of these on the one day, but over the past couple weeks. Part of looking after an older parent is you get to watch stuff that you normally wouldn’t watch. The Hollywood Film Awards has to be the biggest pile of back slapping bullshit I’ve ever seen. The winners know they won, so one of their friends gives an admiring speech and they accept the award. Ridiculous. The CMA’s was just god awful. Modern country music continues to sound like shitty hair metal power ballads from the 80’s and I hate it. The AMA’s were pretty much just as bad aside from a some good performances by Taylor Swift and some girl band I never did catch the name of, Crystal Head? I don’t know, but the rest of the acts were the shits. Give me my old garbage over this new garbage that features Lil Wayne honking like a duck with something caught in it’s throat.

370 11-24 Zatoichi Goes To Fire Festival (1970) 4.5/5
Film 21 in the series and holy shit did it not disappoint! Zatoichi is labeled to be killed by a blind Yakuza boss, and the battles of wits and swords is fantastic! There hasn’t been a single dog film yet in this collections, and this one was one of the best.

371 11-25 The Ghost of Frankenstein (1942) 3/5
This one is simply good enough. Bela Lugosi is back as Ygor, and he finds Frankenstein’s other son to get the monster going again. The current Frankenstein has figured out brain transplants so things get goofy. Lon Chaney Jr. gets a crack at playing the monster and he does a great job, as does Bela. It’s all just a bit too goofy in comparison to the previous films.

372 11-27 Two Rode Together (1961) 3.5/5
This is the last film in the John Ford Columbia Pictures Collection put out by TCM, and the only one in the set that is a western. Starring James Stewart as a total asshole marshal/bounty hunter who is hired up by Richard Widmark’s army to make a deal with some evil Indians to trade back kidnapped kids. Ford supposedly hated this one, and Leonard Maltin shits on it a bit in the extra features, but I’ve seen worse. Stewart and Widmark are both great in it which helps make up for the scripts shortcomings, like the annalistic racism that it’s riddled with. It’s definitely the ugly brother to Ford’s masterpiece “The Searchers” which deals with similar themes. In the end, it’s a Ford western, if you’re a fan, it’s worth checking out.

The Goonies Movie Poster

373 11-28 The Goonies (1985) 2.5/5
Re-watched this one for the first time since seeing it in the theaters back when I was 11 years old or so. Yeash. I didn’t care for it then, and I just don’t care for it now. This ones considered a bit of a classic these days, so I was hoping to be surprised. Nope. The kids are all great, especially Sean Astin and Josh Brolin. My problem is I have no tolerance for eight kids all yelling wisecracks at and over each other for two hours. If you don’t mind the racket, there’s lots to like in this one.

374 11-28 Pretty Peaches (1978) 4/5
After Vinegar Syndrome released Pretty Peaches 2 & 3 earlier this year, I figured this one would continue to go unreleased. Low and behold, they put it out as a limited edition blu-ray with a regular DVD coming next year. Looking fantastic, it was great to see the one that spawned the sequels. While the sequels felt more like loop carriers, this one feels like a proper film with a genuinely funny story that is still packed with sex. Desiree Cousteau makes her debut in this one as Peaches, and she is perfect as the pouting and perturbed amnesiac constantly being taken advantage of in every way possible. The rest of the cast is just as good, and this one makes it clear that prior to the video era, de Ranzy was up there with Henri Paris as far as being able to make quality films that happened to be porn. This Vinegar Syndrome blu also includes clips from the only known filmed interview with de Renzy, on top of a movie looking better on disc than most mainstream films from the same era. If you like the idea of a Russ Meyer movie done hardcore, this one is the one for you.

375 11-29 F For Fake (1975) 4/5
More of an essay than a documentary, this is Orson Welles looking at Elmyr de Hory, the worlds most notorious art forger who was biographed by Clifford Irving. While in production, it was discovered that Irving forged the infamous Howard Hughes Autobiography. Welles himself is a famous fake, responsible for the War of the Worlds hoax, so it’s a film about fakes, made by a fake. It’s a whirlwind of theory, editing, all solidly in Welles hands, and it breaks your heart that Welles never had a chance to have this much control on his films since it is a wonder to behold. Cheeky, funny, interesting, and all Welles, it’s highly recommended.

376 11-30 Invisible Agent (1942) 3/5

This one finds Griffins grandson trying to avoid his grandfathers horrible legacy of invisibility only to get swept up in world war two after nazi agents track him down and try to brace him for the formula. It’s straight up WW2 propaganda, but it mostly works and is a lot of fun, especially Peter Lorre playing a Japanese agent after being typecast from his Mr. Motto role. Oh yeah, it’s pretty racist and of it’s time to.

Not a bad week, or month really. No horrible films watched, aside from those dumb awards shows. Let’s look at the final numbers.

30 Watched,  22 First Timers,  0 Theaters

Actually nailed a movie a day! I think this is the first month. Still nothing at the theaters. I just have little desire to bother going. That said, I really need to see Interstellar in the IMAX.

Let’s see how I did last year:

31 Watched, 22 First Timers, 2 Theater

Look at that, one more watched and the same amount of new films! That’s never happened. This is creepy, let’s move on.

Best of the month is: F For Fake, Pretty Peaches, all the Zatoichi films I watched and Wreck-It Ralph.

No worst of the month, other than the award shows. And maybe The Goonies though it’s really not a bad movie, just too annoying with the kids.

That’s it for now, thanks, as always for reading.

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Movie A Day!: 364-368 – Not Quite A Movie A Day

Not a big week of movie watching this past one. I’ve been catching up on shows I fell behind on with the horror challenge, as well as had some evenings blown out.

Of course, the big movie news this past week was that it ends up that Bill Cosby is a horrible, serial rapist. I always find these things conflicting. I, like most people, grew up with Cosby, both with his stand-up and his TV shows like Fat Albert, that magic pen educational thing, The Cosby Show. God damn it Bill, why did you have to be a monster? I nearly bought the complete Fat Albert a while back, and part of me still want’s to re-watch them, but I don’t want to give him my money. Kind of like how I always planned to watch all of Woody Allen’s films, and now will probably steal copies rather than buy the discs, if I bother to even do that. Not that I’m so morally high minded, I’m still picking up Roman Polanski discs. Does the weakness of the creators invalidate their art? I don’t know. I’m not the only hypocrite though, that fucking monster Mike Tyson continues to get movie roles, and now a cartoon series on Adult Swim. Why is he given a pass?

I hate this decade. It seems like for the past few years, every week has some new horror happening. The movies have mostly gone to shit too.

364 11-16 Doctor Who (2005) Season 8 (10 Episodes) 3.5/5
As some of you know, I was blogging recaps of these, so you know I was really enjoying them at the start. The first few episodes were pretty solid, and Peter Capaldi as the new Doctor is doing a great job. My issues were with baggage from the old series. Clara is awful, and the romantic stuff with here is equally awful. There was a few episodes, especially “Kill the Moon” that just weren’t as good as they could of been, and it was largely due to Clara being a dead-faced side kick, and the producers constantly bringing in kids for the Doctor to deal with. Too many fucking kids, frankly. Thankfully the two part finale rights most of the wrongs, so I’m still in for next season. Plus they prick-teased a Christmas special with Nick Frost as Santa Claus, so that’s a must watch.

365 11-16 The Wolf Man (1941) 5/5
Lon Chaney Jr. gets his starring role, creating the title monster on the Universal Horror classic. This one is really pretty great, even if Chaney Jr. is a bit miscast as Larry Talbot, returning to his home town to reconcile with his old man, the great Claude Rains. Once he gets werewolf-ed though, it gets great, and Chaney is great as the Wolf Man. This one has it all, Bela Lugosi as a gypsy, cool Wolf Man make up, foggy moors. On top of that, pretty much everything you know about werewolf’s comes from this movie. I can’t recommend it highly enough.

366 11-17 D.O.A. (1950) 3.5/5
I finally got around to seeing this one after seeing the remake from the late 80’s with Dennis Quaid and Meg Ryan. I liked that one, and I liked this one. Edmond O’Brien is in the lead as the man who is poisoned and has 48 hours to find his killer. It’s good stuff, I just wish this one wasn’t public domain since the copy in the admittedly cheap DVD set I got is the pits and barely watchable.

367 11-22 The Last Hurrah (1958) 4/5
This one stars the great Spencer Tracy as a long running mayor looking for re-election. Since it’s 1958, the old ways of politics are fading away as television and photogenic candidates are becoming important. There’s some nice commentary in this one, as well as bits that get a little over melodramatic, as is often the case when director John Ford deals with Irish leads. That said, it never wanders or annoys, and the support cast featuring many John Ford regulars (and Basil Rathbone, who almost steals the picture) is top notch.

368 11-22 Purely Physical (1982) 2/5
This is the first film in yet another PeekARama collection from Vinegar Syndrome. This set features two films from Chris Warfield, a director I never heard from. The basic plot is a woman takes a job working the desk of a motels night shift so she write about the patrons. That’s it for plot, the film is basically loops and never all that interesting.

That’s it for this round-up. Next week I should hopefully get some more movies in. I can;t believe I didn’t get a Zatoichi in! I have to get them wrapped up, I just received a massive Bruce Lee set so I can re-watch all of his films. As a bonus I got a four film collection of Jimmy Wang films. No idea what those will be like.

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Movie A Day! : 248-255 “Sister!”

Right, lot’s of things going on in the ol’ bunker this week. So much that it’s a bit of a jam. Typically I post this MOVIE A DAY! blog on Monday, and I have started posting STAR WHO on Wednesday. Well Wednesday is the first day of October, which means I should post a month end wrap up of the Movie A Day blog on Wednesday.  I DON’T KNOW WHAT TO DO!! I can’t post two blogs in one day! Also, every October I participate in a “Scary Movie Challenge” in which I aim to watch as many horror type films as I can. So count this as a warning that there is going to be a bunch more posts happening around here for the month of October. It’s going to get crazy! Hope you like scary movies!

Here’s what I watched last week.

248 09-22 Days of Wine and Roses (1958) 4/5
This is another live play from TV’s golden age. It stars Cliff Robertson (CHARLY) and Piper Laurie (TWIN PEAKS) as an alcoholic couple trying to survive. It’s preachy and pro-alcoholics anonymous, but it’s also startlingly brutal and uncomfortable to sit through. Robertson and Laurie absolutely nail their roles, and that it was performed live on television just adds to the energy. Director John Frankenheimer by this point has mastered live TV, and the episode is pretty much flawless technically. This is the last show in the Criterion Collections THE GOLDEN AGE OF TELEVISION set, and I can’t recommend it highly enough.

249 09-25 Gideon’s Day (1958) 4/5
This one stars the great Jack Hawkins (BRIDGE ON THE RIVER KWAI) as Gideon, inspector for Scotland Yard. Considered to be a “B” picture for director John Ford, and a throwaway, it’s a hell of a film. The plot is dizzying in all it’s threads, with a sex murder, payroll theft and police corruption all playing for Gideon’s time, not to mention trying to wrap it all up in time to bring home some salmon for dinner before seeing his daughter play violin in concert. So there’s a hell of a lot going on, and Ford keeps it all moving while still adding some of the touches he’s known for with the family dynamic and humour. So for a throwaway, it ends up being one of my favourites of his. Sure, it’s no THE SEARCHERS, but it’s far from forgettable.

250 09-26 12 Years A Slave (2013) 3.5/5
It wasn’t planned, but for film number 250 I ended up watching last years best picture winner! It’s good. The movie I mean. I liked it. Steve McQueen makes good movies. The one’s I’ve seen anyway, like HUNGER. This one was good too. Performances were all top notch, and it was certainly deserving of all it’s awards. I didn’t love it though. The problem I have with it, and with films like it that deal with subjects like slavery or the holocaust or other equally horrible issues is that they concentrate on being sad. You’re constantly seeing awful things, and practically being told “isn’t it awful? Isn’t it sad how awful people were?” And it is awful and sad that people were like that and that it happened. And that’s MY problem with the film. It’s sad that it happened, but absolutely infuriating that it’s STILL happening in parts of the world, and the inherent racism that existed to allow it to happen is still a huge problem in western culture. Films like 12 YEARS A SLAVE ignore that, and I think that’s why I prefer films like DJANGO UNCHAINED which deals with the anger and rage of prejudice in a cathartic way. Wait, you didn’t think Tarantino’s DJANGO was a period picture about slavery, did you?

251 09-26 A Clockwork Blue (1972) 2/5
So based on the title you would think this is a dirty version of A CLOCKWORK ORANGE. And like me you would be WRONG! It has nothing at all to do with Kubrick’s film, and it’s a shame since it would of been a thousand times better. This one is about two horrendous racial stereotypes, one black, one Jewish, arriving in heaven. The black one, using a watermelon television, is able to spy on the Jewish guys great great great grandson or whatever and mess with his life. The grandson gets his hand on a time travelling watch, and that finally sets the stage for a bunch of comedic softcore vignettes. The humour all falls completely flat, and while the women are great looking (including adult legend Rene Bond), which is surprising based on the cheepnis of this, it’s all played like a shitty Russ Meyers film and just annoys you. So it’s basically a racist, piss-poor Russ Meyer knock off that’s not really worth seeing. I watched the limited edition blu-ray by Vinegar Syndrome that features the hardcore version, and a minute or so of harcore inserts doesn’t help the film at all.

252 09-27 The Monuments Men (2014) 3/5
George Clooney’s latest is typically solid. A great cast featuring Matt Damon, Bill Murray, John Goodman and others all show up and do some good work. The plot, about a group of art experts tasked to help save works of art during WW2 is both a true story and a good one for a film. It was fun to watch, I don’t know why I didn’t like it more. There’s something awkward about it. It’s kind of “hip” like the OCEANS 11 series, and at the same time it tries to be emotionally heavy like a more serious war or Oscar bait film. Huh, I guess I do know why I didn’t like it more after all! It feels like a film “done by the numbers” so even though it’s a first time viewing, it felt over familiar. I’d rather watch a proper documentary on the real Monuments Men instead.

253 09-27 The Undergraduate (1971) 1.5/5
This is one of those early hardcore porn films that’s disguised as an educational picture as a way to skirt obscenity laws. A class of university students are taking an essay test on sex and you get to watch their answers in weirdly cut porn vignettes. The narration is weird enough to kind of be entertaining, but at just over an hour even the weirdest bits (like the Professor advising the students to read Penthouse Magazine) aren’t enough to hold your interest. I picked it up since Ed Wood Jr. (GLEN OR GLENDA) has a writing credit on it, but you would never know it from watching since all his crappy but awesome trademarks are absent.

254 09-28 Ward Sex (1971) 1/5

This one is one of two or three additional films included on the THE UNDERGRADUATE dvd and it’s just completely artless porno garbage that barely qualifies as a smoker. The disc is put out by Alpha Blue Archives. I found out after the fact that they are basically bootleggers, and that quality shows on this disc. Thankfully I only bought this one and one other Ed Wood Jr. disc so they won’t ever see anymore of my money.

255 09-28 Ms.45 (1981) 4.5/5
Abel Ferrara’s cult film keeps getting better every time I watch it. It’s total sleaze, the story of a mute seamstress who gets attacked and raped twice in one day heads out on a DEATH WISH type vigilante spree against the men of New York. What’s so interesting is that it’s got a huge pro-feminism bent that is completely clouded due to being written and directed by men. So while it seems to be about female empowerment, it’s cloudy as hell and hard to tell if it’s a warning to men to change their way, or a warning to men to watch out for feminists. All that said, it’s fascinating to watch, and 17 year old Zoe Lund is absolutely incredible in the lead. She completely carries the film and further blurs the empowerment/exploitation lines. All the gender politics aside, it’s at it’s more base a kick ass vengeance film, and one of Ferrara’s best. It’s a shame that Lund didn’t do more, but her later collaboration with Ferrara, the script for his fantastic THE BAD LIEUTENANT, solidifies her place as one of the great missed opportunities in film. Sad. Oh yeah, I revisited this one via the new blu-ray from Alamo Drafthouse, and it’s worth every single one of your pennies.

So there it is. Not a bad bunch of films, and quite a few mainstream ones for once. That said, I can’t stop thinking about Ms .45. One hell of a picture, that one!

Now to figure out how to wrap up my blogging week. Until next time.

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Movie A Day! : 238-242 “Hey man, turn down the lights!”

A short one this week, only five titles. Woe is me! The week kind of got away from me, and I’ve been binge watching other stuff. That’s right, I’m going to blog Doctor Who! The first one should be this Wednesday. Sorry Asbestos, you’ll want to skip them, but you might be entertained? Movie a day ain’t going nowhere though (sadly, in every possible meaning that that phrase can mean), and there may be the odd Broken Record happening to. So don’t despair if you hate Doctor Who! It’s easy to ignore these blog posts. Though you shouldn’t!

Here’s the stuff I’ve watched this past week.

I don’t think Jim is using that mic stand in the intended way….

238 09-07 The Doors : Live At The Bowl ‘68 (2013) 3/5
This is a concert film of the Doors playing live at the Hollywood Bowl. Did you guess by the title? Widely considered to be their best filmed performance, they are in musically top notch form. The blu-ray sounds great. This is the debut of the complete concert, an edited version was previously available, and on this one they gave it a widescreen cropping instead of showing the full frame from which it was originally filmed. It’s mostly okay, but there are more than a few shots that suffer from it, where close-ups are just too close due to the cropping. Otherwise it’s good, but watch it for the music, the performance is intense and good, but visually uninspired with Morrison zonked on acid and glued to the mic stand like his life depended on it making it a bit dull visually. Seriously, you would think they were hanging out instead of performing. Fucking dope fiend hippies!

239 09-09 Requiem For A Heavyweight (1956) 4/5
240 09-11 The Comedian (1957) 4/5
Both of these are live broadcast plays from the PLAYHOUSE 90 program. Both written by Rod Serling, they both look at the weaker aspects of the human condition in unflinching ways.

REQUIEM stars Jack Palance as a past his prime boxer. Once ranked 5th in line for a title shot, now he’s so beat up, he could end up blind if he has another fight. The film deals with the scramble of his manager who’s desperate for another payday to clear up some gambling debts while Palance deals with his pride, knowing that he has nothing to show after a life of fighting. As per usual, the performances are incredible, the play moves at a quick pace and it’s impossible to not get swept up into it.

THE COMEDIAN is an entirely different beast. This one looks at live television itself, with Mickey Rooney playing a superstar comedian with the most popular show on TV. Edmond O’Brien is his head writer, burned out and trying to save Rooney’s face after his plan to steal skits written by another writer backfires. Oof, that sounds more complicated than it should. I should be better at these vague recaps. I’m not a Mickey Rooney fan, but he is incredible in this as the biggest, most egotistical star on the planet. O’Brien is no slouch either, and this really is must see TV. Plus it’s direct by John Frankenheimer who would go on to direct classics like THE MANCHURIAN CANDIDATE and the ISLAND OF Dr. MOREAU remake with Marlon Brando.

The poster is helping this movie with that kind of tag line…

241 09-12 The Long Gray Line (1955) 2.5/5
This one is a John Ford film, and his first CinemaScope production. It stars Tyrone Power as a jaunty Irish immigrant and great guy who ends up having a long career at a great place, West Point. It’s based on a true story, my problem is with Ford’s handling of it. Ford was incredibly fond of hokey Irish blarney and mythological Americana and this film is just too overboard in both respects with nothing to balance it out and actually be a great picture. It’s not a bad film, and Power and Maureen O’Hara are both good in it. It just feels very dated and of it’s time compared to Ford’s greater works.

242 09-13 Oh You Beautiful “Doll” (1973) 2/5
Here’s another sleaze fest from the fine folks at Vinegar Syndrome. It’s actually the third film in a set, the other two being more horror oriented so I’m holding off to watch them in October. More on that in another blog. Anyway, this one is about an over the hill actress, the great looking and youthful Cleo O’Hara in horrible make-up and wigs, who is running an acting school as a ruse to lure young men to her apartment to fuck. It’s too porny (softcore and ludicrous) to be trashy fun, which is a shame since this Walt Davis directed vehicle kind of sits with John Water’s trash classics from the seventies, but is missing the over the top glee that make the Water’s films stand out and so much fun. The other two films in the set look even more bonkers, so I’m excited to get to them next month!

That’s about it for this week. Hopefully this Wednesday will be the Who blog debut, otherwise it will be next week. I’m trying to bank some for October. Who’s more obsessed about a blog than he should be? Blogging fills the hole in your life right? Please?

As always, comments, shares, etc are all welcomed. If this get popular enough maybe I could get free movies to review like all the other loser movie bloggers? THEY’RE NO BETTER THAN ME WITH THEIR HORSESHIT DEGREES!

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Movie A Day! : 230-237 “I have returned from hell!”

An exciting week on the ol’ Movie A Day blog this week. I made it to the theaters! I watched a Zatoichi! I may start a second, side blog! Read on!

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230 09-01 Guardians of the Galaxy (2014) 4/5
I finally made it out of the bunker to the cinema to view a film! This one I had little interest in since the trailers all left me flat. So this might be a “low expectations” case but I really loved it. James Gunn hasn’t made a bad picture (and made one of the best superhero films with “Super”), so it shouldn’t be a big surprise. I’m going to credit that since this one is based on a garbage comic book that no one read, it’s free of all the baggage that follows the other Marvel films. It also has actual heart, the stupid raccoon kept making me cry. So yeah, a winner that helps ease the pain that we will never see Edgar Wright’s ANT-MAN.

https://www.movieposter.com/posters/archive/main/91/MPW-45870

231 09-01 The Fantastic Mr. Fox (2009) 4/5
Seeing how Wes Anderson films are all so overly designed and staged, it seems inevitable that he would take a crack at not only an animation feature, but a stop motion animation film. Based on Roald Dahl’s book and featuring many of his regular cast doing the voices, the film is simply a fun joy that isn’t the broken thumb in his filmography that it could have been.

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232 09-01 Doctor Who: Tales From the TARDIS (2013) 2.5/5
I’ve decided to watch the new season of Doctor Who, so I thought I’d start of with this special from last year to get myself up to date. It has some fun behind the scenes stories from all of the surviving Doctors, but did nothing to really get me up to date so that plan was dashed. Anyway, Season 8 with the new Doctor sounds good regardless after the teen idol Doctors I couldn’t bother watching (and the clips contained in here confirmed my decision) so I’ll still give the series a go. Tempted to do side posts tracking the separate stories since Doctor Who is so episodic. Any interest?

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233 09-02 Bang the Drum Slowly (1956) 3.5/5
Another live broadcast from the Golden Age Of Television set, this one stars a pre-fame Paul Newman in the whirlwind roll of a baseball player/writer who deals with a teammates diagnoses of a fatal disease. It was everything you would hope it to be with stellar performances and a genuinely touching story.

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234 09-03 The Whole Town’s Talking (1935) 3.5/5
This one is a real oddball. A comedy of mistaken identity that’s directed by John Ford, who specialized in westerns, and starring Edward G. Robinson, who was known for his tough guy persona. It works though since Ford was a master craftsman, and Robinson one of the greatest actors in film. Robinson has no problems in the dual role playing both the meek clerk who get’s mistakenly identified as a murderous gangster, and shows surprising for the period subtlety in his handling of both characters. Jean Arthur (Mr. Smith Goes To Washington) is solid as usual in the supporting role, and man, I need a Jean Arthur in my life.

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235 09-04 Zatoichi the Outlaw (1967) 4/5

This one is the first in the series to be produced by star Katsu and holy shit was it good! At first it had a cheaper look, seemed kind of blown out on the blu ray transfer. It could be age related though. Once the film got going though, the big change was the tone is way darker, even a bit sleazy, and it made the whole, typical Zatoichi mixed up with Yakuza bosses plot all that much more gripping. Plus they’ve added in blood and special effects so limbs are flying off. It was awesome! It’s ridiculous how much joy I get when there’s bonus gore in a film! I’m sick!

236 09-05 The Violation of Claudia (1977) 3/5

Before making a name for himself as a master of cult-horror with titles like the amazingly brutal MANIAC and the MANIAC COP series, William Lustig got his start in porn with this one, his first film. Going by the name “Billy Bagg”, this one is basically a hardcore version of Bunuel’s BELLE De JOUR. Sharon Mitchell stars as the affluent housewife being ignored by her husband who is looking for some adventure in her life. Fortunately her tennis instructor (played by Jamie Gillis) is a pimp on the side. It’s not as stupid as it sounds, and for the large part it works as a proper movie, more in the elevated Henry Paris style than typical porn. The commentary on this one, hosted by director Nicolas Winding Refn (DRIVE) is as entertaining as the film, with Lustig having many stories to tell, and proud of his humble beginnings. Lustig’s other porn, HOT HONEY is included, I’ll probably watch it next weekend.

237 09-06 Captain America: The Winter Soldier (2014) 4/5

Another dead solid Marvel movie to wrap up the week! This one feels more like a true follow up to THE AVENGERS than the stupid IRON MAN 3 did. Basically Cap deals with an insidious plot to undermine SHIELD that manages to give closure to the first Captain America film while pushing the whole universe of stories forward. This helps clear up some of the odd bits of MARVEL’S AGENTS OF SHIELD that had me thrown while watching season one. Good stuff all around, Marvel really has these movies figured out. (Aside from IRON MAN which is the only series that seems to get progressively worse.)

So there we are! Not a bum movie in the bunch! So what do you think, do you want to see Doctor Who run downs? I’ll post them here if you like. Answer the poll! Actually, there is no poll, when I click “Add Poll” on this stupid thing the screen goes grey and nothing happens. What a piece of shit! So let me know in the comments. You should all be leaving me comments on how great I am anyway. What, do I sound like I have a lots of self esteem or something? To hell with all of you!

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