Movie A Day!: Imitation of Jacks

Another mixed bag of a week. Sort of. I decided to watch some un-watched Criterion Collection discs this month, which lead me to watching all my David Lynch titles that are not in boxes in prep for re-watching Twin Peeks before the new series. Despite only two of those Lynch titles where from Criterion. Mix that up with some oldies and a cheeky Vinegar Syndrome title and it’s not a bad week at all.


136 05/07 The Incredibly Strange Film Show: Russ Meyer (1988) 3/5   A very well done biography on Meyer hosted by Jonathan Ross that manages to hit all points of his career included his start as a combat photographer in WWII. It also shows a clip of a possibly 8 hour documentary that Meyer was working on his own life that would of been amazing but was apparently never finished. A real shame. I would love to see a proper feature length doc on this man.


137 05/07 Imitation of Life (1959) 4/5   Lana Turner stars in this soapy melodrama from Douglas Sirk about a struggling, mature actress in New York who befriends a black housekeeper, Alice (played by Juanita Moore, and she is fantastic) and together they find success. Well, sort of, they stay in their roles based on race and that’s really what this movie is about. Alice has a real struggle with her rebellious, white passing daughter that is far more interesting than the trials that Turner has that leave her in a near constant state of helpless hysteria. You can clearly see a through-line from these style of Sirk pictures to John Waters since his characters are always in the same state hysteria. Anyway, this was pretty great since you don’t think of these sort of topics in 50’s films. Also, Sirk really is great at this stuff. He has a workmanlike sense of direction, but it’s pretty perfect.


138 05/07 Blue Velvet (1986) 4/5   After Dune floundered, David Lynch somehow got the chance to make a film closer to his sensibilities first explored in Eraserhead. It was interesting watching this one on the back of Imitation of Life since they have a pretty similar world of 1950’s like innocence, only Lynch’s small midwest town is a perverted nightmare. Jeffrey, played by Kyle MacLachlan, finds and ear in a field and becomes obsessed with solving it’s mysteries that leads him to a world of pain. Dennis Hopper is absolutely brilliant as the force of nature Frank, Isabella Rossellini is fantastic as the damage nightclub singer Dorothy and Laura Dern manages to hold her own as the symbol of everything good, the girl next door. It’s aged very well, and still holds all it’s power to remain one of Lynch’s best films.


139 05/09 Wild At Heart (1990) 4/5   David Lynch does the Wizard of Oz as a bonkers Elvis inspired road movie with Nicolas Cage and Laura Dern starring as Sailor and Lula who spend most of the film either ruminating or fucking. It has no business being as good as it is. Lynch went genuinely weird with this one and it completely works. Willem Dafoe is unforgettable in his small role and it’s fun to see legends Harry Dean Stanton and Diane Ladd go a bit bonkers. Crispen Glover, man, priceless. I’m too much of a Lynch fanboy to call this one my favourite, but it just might be.


140 05/11 Champion (1949) 4/5   Kirk Douglas takes the lead in this boxing noir about a guy and his handicap brother who is on the skids so Kirk gets into the fight game for the money. It starts off pretty standard, but soon Douglas’s mercilous ambition creeps through and the emotional bloodletting eclipses what’s in the ring. I don’t think I have seen Douglas more unlikable in a movie. This one was a real treat, and recommended.


141 05/11 Mulholland Dr. (2001) 3.5/5   David Lynch’s Neo-Noir about an actress caught up in a mystery is considered a classic, but I just can’t get into it. It’s gorgeous, everyone is on point, it’s delightfully “Lynch-ian” and I can’t knock a thing about it. I have just never warmed to it. Maybe I’ll “get it” the next time I watch it.


142 05/12 Funny Face (1957) 4/5   I really enjoyed this one. Audrey Hepburn and Fred Astaire star in this musical about a frumpy beatnik girl that gets whipped up into the world of high fashion. Hepburn is far too adorable to be frumpy, but she’s surprisingly good in this musical and manages to steal the film with her avant-garde beatnik ballet sequence in a cafe that’s supposed to be played for laughs. Astaire more than holds his own and it’s all looking spectacular under the direction of the legendary Stanley Donen, who also directed one of my all time favourite films, Singing in the Rain. It’s crazy that it’s taken me this long to watch this one.


143 05/12 Her Wicked Ways (1983) 3/5 Jesie St. James stars as a gold digging heiress who has just inherited a billion dollars and Joanna Storm is the daughter trying to get the money back in this adult romp directed by The Lewis Brothers. It’s not the greatest adult film you’ll ever see but it’s just so well done compared to the regular fare in the period that it it ends up being pretty fun. Storm is a real scene-stealer and definitely helps to keep the film moving. The Peekarama DVD from Vinegar Syndrome is a real winner.


144 05/13 One-Eyed Jacks (1961) 4/5   The only film that Marlon Brando directed is this western. I think it’s just me but I think it’s weird that his only directed film is a western. Seems weird, right? Anyway, this is a typical vengeance tale with Brando’s Rio seeking out old partner Karl Malden’s “Dad” Longworth who ditched him during a bank robbery. It’s a gorgeous film and done with the naturalistic acting style Brando was known for and just completely works. There’s a feeling of distance and brooding that is tricky for films to nail, and the support cast featuring Ben Johnson, Slim Pickens and Katy Jurado are all perfect as well. Recommended.

One-Eyed Jacks also ended up being the last film shot in VistaVision so I managed to watch two VistaVision films over the weekend. You just never know what’s going to happen when you blindly watch stuff.  Isn’t the world marvellous?

Hold your loved ones tight.

Movie A Day! 071-075: All That Jazz

So since last blog, my back went out. The past couple days I’ve been home, flat on my back. It’s getting better now, I can walk and sit with out buckling over in pain. You would think I would have had more movies watched, but I decided to catch up on TV. So you lucky mucks were saved from having a bunch of posts!


071 02-21 Foo Fighters: Sonic Highways (2014) 4/5
An eight part documentary about the Foo Fighters recording their latest album sounds like a bad idea, even worse if you’re not a big Foo Fighters fan. I can kind of take them or leave them, but holy shit was this good! The conceit was that they recorded a song in a different city for inspiration, so each episode is a history of the music scene of each city. They are really good mini-histories, with tons of clips, pictures and interviews with the people from the scene, and Dave Grohl is the perfect host. From Buddy Guy talking about Chicago blues, to Dolly Parton talking about Nashville, to Doctor John (not an actual Doctor) telling the most insane story ever in New Orleans, this whole series was a real treat, even if each episode ended with a pretentious Foo Fighter video of the song they recorded.


072 02-22 The 87th Academy Awards (2015) 2/5
This one started with one of the all time great openings ever, largely due to Jack Fuckin’ Black coming out and killing it. Once Neil Patrick Harris settled into hosting, the whole thing just took a giant shit, with an over serious tone in everything from the introductions to the acceptance speeches. Not a single joke or bit by Harris landed, with a stupid “NPH Oscar Predictions” bit maybe having the worst payoff in the history of television after the longest ever set-up. The only saving grace to the never ending thing was the music performances. My favourites Tegan & Sara were great, and holy shit was Lady Gaga ridiculously good in her SOUND OF MUSIC tribute. Hopefully next year the show gets better because you know I’m going to be watching.


073 02-26 Quicksand (1950) 3.5/5
Mickey Rooney sneaks twenty bucks out of the work till to take a bitch blonde out on the town, and it ruins his life. This is a hell of a tight film noir, lean and mean and horrible to watch since it’s so ridiculously skewed to completely fuck Rooney’s character. Plus it has Peter Lorre in a small part as a small time hood, and that’s always a good thing in a movie. Not the classiest low budget film you’ll see, but fun and worth watching all the same.


074 02-27 All That Jazz (1979) 4/5
Hard to believe, but I’m actually a big fan of movie musicals. I like the old, classic Hollywood ones though. The modern equivalent, with few exceptions, tend to get on my tits. I’m also not a huge fan of “jazz dance”, which Bob Fosse, the director of this one, pretty much invented. As a result, I’ve been avoiding this one, and it was a mistake, since it’s brilliant. Fosse turns the musical on it’s head while at the same time honoring tradition. So it plays like the classic Hollywood films (with the musical numbers being part of the story, not having characters break into song like in Broadway plays, thank Christ) while also pushing the format forward by being an autobiographical drama about life and death. You’ve read that right, it’s taking on the big stuff. No goofy romance here. The story comes out of Fosse’s life after having a heart attack scare, while working on a Broadway show while finishing up his movie LENNY. The dance numbers being hallucinations as well as bits of the show the character, Joe Gideon, is working on. It’s absolutely brilliant film making, with Roy Scheider giving an career best performance, hell, an all time great performance as Fosses stand-in Gideon. If you have never seen it, WATCH IT ALREADY!


075 Marvel’s Agent Carter Season 1 (Eight Episodes) (2015) 3/5
Binge watched this one. The story takes place post world war 2, coming from the CAPTAIN AMERICA films. It’s a great idea, and a good story. It’s largely miss-handled in tone though, never deciding if it’s a hard boiled, action packed drama, or a Joss Whedon-esque quip fest. It’s also another TV series that is largely ruined by the score. To have slap-sticky swing music play when Agent Carter is kicking the shit out of guys, but switch to more standard drama type score when she’s receiving the ass kicking seems misguided in our current culture. It’s a bit “Ain’t she cute, beating up boys… oh no, isn’t it terrible, a woman getting punched.” It totally kills the tone and pacing by being so obvious and manipulative. Which is a shame since otherwise they mostly get this one right. Anyway, no need for a second season of this one, as a stand alone it’s good enough.

Seriously, I can’t stop thinking about ALL THAT JAZZ since watching it last night. I got the Criterion Collection blu-ray, so I’m going to have to pour over all the extras.

Movie A Day! 041-45: Deceptive Practice

A real mixed bag in this post. Regional sleaze, bikers, magic, and two very different noirs. Movies are fun guys!


041 02-01 Murder on the Emerald Sea (1973) 3/5
Vinegar Syndrome do it again, digging out a previously thought lost film, this time presented on an extremely limited edition DVD. Someone is killing the winners of the “Artists & Models” ball on the fancy cruise ship Emerald Seas, so a detective gets rooked into going undercover in drag to solve the mystery. This one might be one of the campiest films I’ve seen in a long time, and while it’s certainly cheap and goofy, it was pretty funny. Plus they somehow got Henny “Take my wife, please!” Youngman and Johnny “Tarzan” Weissmuller to cameo in it. Maybe if you’re lucky, VS will stream it on there streaming application when it goes live, see last blog for details.


042 02-02 Deceptive Practice: The Mysteries and Mentors of Ricky Jay (2012) 4/5
Ricky Jay is arguably the best card magician living today. Most will probably recognize him from his acting career in such films as BOOGIE NIGHTS and the TV series DEADWOOD. I’m a huge fan, and as such I really enjoyed this documentary. It follows his path and career in magic. He’s cagey about personal details, says he left his family when he was seventeen but never explains the details. Instead he goes into the lives and experiences with the magicians he learned from. Lots of great clips, card tricks that will melt your brain in ways that flashy magicians like David Copperfield and even my beloved Penn & Teller never do. So it gets a recommend from me both as a look at Ricky Jay, and as a history of card magic.


043 02-05 The Stranger (1946) 4/5
Orson Welles directs this one, playing a Nazi war criminal hiding in a small American town, with with war crimes special agent Edward G. Robinson hot on his heels. This one is a top notch noir and Welles’ direction is stunning. Even basic set-ups are dazzling in composition. Add in a dead on cast (Loretta Young more than holds her own as Welles’ unknowing wife) and a tight script and this is one hell of a film. The only problem with it is that it slipped into public domain, so it’s tricky to find a copy that does the cinematography justice. The version I watched was shit transfer wise, but it’s such a damned fine film that you can look past it. I’ll have to track down a better copy.


044 02-06 Scarlet Street (1945) 4/5
Edward G Robinson is at his meekest in this noir directed by the great Fritz Lang. He plays a schlubby, lovesick clerk who runs into a girl one night, and ends up getting manipulated in typical Femme Fatale fashion. Lang pulls no punched, the film is desperate from the start and the fall seems never ending. One of the more emotionally brutal noirs you’ll see.


045 02-07 Angels From Hell (1968) 3/5
Pretty much a lost genre now, the biker picture. This one was quite fun though. A guy comes back to town, gets his bike gang back together and start hell raising all over town. It’s funny that they try to portray the gang sympathetically as people who just want to their own thing without hassle from society, man, a be free! The problem is, they’re a bunch of assholes. so you never really feel sorry for the guy as he tries to keep his gang together and what not. Still fun though.

It was interesting watching these. Edward G. Robinson was considered a leading man. I couldn’t imagine someone looking like he does being a leading man these days. Times sure have changed, we’re much more superficial right? I think the closest actor we have to him would be Paul Giamatti, who is about hundred times better looking, but rarely gets leading parts despite being amazing in everything he does.

A friendly reminder, it would be cool if you could kick some bucks to the Vinegar Syndrome crowdfunder I talked about last time since they are in their final week.

https://www.indiegogo.com/projects/vinegarsyndrome-tv-instant-digital-exploitation/

Movie A Day! 036-040: Indiegogo Playbook Confession

So this one features a couple of Vinegar Syndrome releases (not the best ones they have to offer, but two all the same). Anyone who’s read this blog should be able to tell, I’m a pretty big fan of this company. They are doing the big work protecting, restoring and preserving a genre of film, exploitation, from disappearing. They’re doing the work that most of the major studios refuse to do (See MGM and the protection of John Wayne’s THE ALAMO for an example) as an independent. They are introducing a new initiative this year, a streaming channel that will start off offering over 200 films, porn, horror, who knows what else, in a Netflix like service. They are currently offering an indiegogo campaign to get the project started. So if you’ve ever been curious about the films I review, but don’t want to purchase, it’s a great way to check them out, help them out, and keep the movies that influenced a generation of film makers alive. Click the link, share the campaign, and watch their video, it’s pretty cool.

https://www.indiegogo.com/projects/vinegarsyndrome-tv-instant-digital-exploitation/


036 01-29 An Act of Confession (1971) 2.5/5
The final film in this Peekarama edition (unless you count a soft version of CRY FOR CINDY) is a bit of a mixed bag. Barely released, never distributed in New York and thought lost, Vinegar Syndrome found a print of this Anthony Spinelli Nunsploitation in the archives of fellow porn legend, director Alex de Renzy. Sadly, it’s not fully uncut, but it is as complete as it’s likely ever going to be. I’m going to guess time wise this one came after Ken Russell’s THE DEVILS (still not released uncut by Warner Bros. despite a HD restoration) since it shares a similar look to whatever version of THE DEVILS I saw (a patched together uncut version from the UK). Explicit films based around nuns getting horned out due to erotic fantasies are always problematic I guess, whether it’s a porno or a Warner Brothers film. Anyway, this one isn’t that bad, and actually plays a bit arty instead of exploitative. Though it is exploitative, there’s a bit of hardcore thrown in/not fully cut out (?) and most importantly, the final scene with the main nun and Jesus(!) is mostly intact. That said, the constant Gregorian chants and rather uninspired plot leave it meandering a little bit, like a less interesting WAKEFIELD POOL’S BIBLE! (also by Vinegar Syndrome). So it’s more of an interesting curiosity than a proper “Good” film.


037 01-30 Silver Linings Playbook (2012) 4/5
It’s technically a rom-com with a stupid title, but I really enjoy this one. I think because it deals with mental illness in an open way, yet never makes actual fun of it. Humour comes from situations, but never the disease itself. Anyway, it’s good, and Bradley Cooper is about as good as he gets in it. Jennifer Lawrence steals the show despite Chris Tuckers attempts in a role that requires him to tone down his usual film persona. Good stuff all around this one.


038 01-31 The Comedy (2012) 2.5/5
I’m a big Tim & Eric fan, so I’ve been wanting to see Tim Heidecker’s dramatic debut for a while. Finally took the plunge, and it’s not great. Tim is fine, the movie is about a wealth fund kid kicking around New York being an asshole. The film is pretty much plot-less as a rambling character study that never really finds a point. Or I just didn’t get what they were trying to achieve.


039 01-31 Impact (1949) 3/5
A B-level noir starring Brian Donlevy as an industrial magnet who’s gold digger wife plots to have killed. The first fifteen minutes play in a burst of energy that would be the plot of most film noirs with the Donlevy’s attempted murder and a mistaken identity plot that then wanders for the rest of the film as Donlevy, presumed dead, lives a new life as a small town mechanic. Shave a bit out of the middle and this could of been a twisty, noir classic. As it stands, it wears out it’s welcome a bit, especially since the film could of ended at the twenty minute mark with a a single call to the police.


040 01-31 Oriental Hawaii (1982) 2/5
When Carlos Tobalina (JUNGLE BLUE) uses an assumed name on a directors credit, you know you’re in trouble since none of his films are all that great. This one is about a family who rents a couple of rooms to some asian university girls for some extra cash. That’s it. The most base of porn plots for a very base porn. This half of the Vinegar Syndrome Peekarama double feature is far from their best effort, though the actual transfer quality is right up there like all their releases. I’ll probably get to the more interesting second feature MAI LIN Vs. SERENA next week.

That’s about it for this one. Be sure to shoot a couple bucks over to the VS campaign if you have some extra bucks to shoot. They, and genre fans everywhere will thank you!

Movie A Day!: 364-368 – Not Quite A Movie A Day

Not a big week of movie watching this past one. I’ve been catching up on shows I fell behind on with the horror challenge, as well as had some evenings blown out.

Of course, the big movie news this past week was that it ends up that Bill Cosby is a horrible, serial rapist. I always find these things conflicting. I, like most people, grew up with Cosby, both with his stand-up and his TV shows like Fat Albert, that magic pen educational thing, The Cosby Show. God damn it Bill, why did you have to be a monster? I nearly bought the complete Fat Albert a while back, and part of me still want’s to re-watch them, but I don’t want to give him my money. Kind of like how I always planned to watch all of Woody Allen’s films, and now will probably steal copies rather than buy the discs, if I bother to even do that. Not that I’m so morally high minded, I’m still picking up Roman Polanski discs. Does the weakness of the creators invalidate their art? I don’t know. I’m not the only hypocrite though, that fucking monster Mike Tyson continues to get movie roles, and now a cartoon series on Adult Swim. Why is he given a pass?

I hate this decade. It seems like for the past few years, every week has some new horror happening. The movies have mostly gone to shit too.

364 11-16 Doctor Who (2005) Season 8 (10 Episodes) 3.5/5
As some of you know, I was blogging recaps of these, so you know I was really enjoying them at the start. The first few episodes were pretty solid, and Peter Capaldi as the new Doctor is doing a great job. My issues were with baggage from the old series. Clara is awful, and the romantic stuff with here is equally awful. There was a few episodes, especially “Kill the Moon” that just weren’t as good as they could of been, and it was largely due to Clara being a dead-faced side kick, and the producers constantly bringing in kids for the Doctor to deal with. Too many fucking kids, frankly. Thankfully the two part finale rights most of the wrongs, so I’m still in for next season. Plus they prick-teased a Christmas special with Nick Frost as Santa Claus, so that’s a must watch.

365 11-16 The Wolf Man (1941) 5/5
Lon Chaney Jr. gets his starring role, creating the title monster on the Universal Horror classic. This one is really pretty great, even if Chaney Jr. is a bit miscast as Larry Talbot, returning to his home town to reconcile with his old man, the great Claude Rains. Once he gets werewolf-ed though, it gets great, and Chaney is great as the Wolf Man. This one has it all, Bela Lugosi as a gypsy, cool Wolf Man make up, foggy moors. On top of that, pretty much everything you know about werewolf’s comes from this movie. I can’t recommend it highly enough.

366 11-17 D.O.A. (1950) 3.5/5
I finally got around to seeing this one after seeing the remake from the late 80’s with Dennis Quaid and Meg Ryan. I liked that one, and I liked this one. Edmond O’Brien is in the lead as the man who is poisoned and has 48 hours to find his killer. It’s good stuff, I just wish this one wasn’t public domain since the copy in the admittedly cheap DVD set I got is the pits and barely watchable.

367 11-22 The Last Hurrah (1958) 4/5
This one stars the great Spencer Tracy as a long running mayor looking for re-election. Since it’s 1958, the old ways of politics are fading away as television and photogenic candidates are becoming important. There’s some nice commentary in this one, as well as bits that get a little over melodramatic, as is often the case when director John Ford deals with Irish leads. That said, it never wanders or annoys, and the support cast featuring many John Ford regulars (and Basil Rathbone, who almost steals the picture) is top notch.

368 11-22 Purely Physical (1982) 2/5
This is the first film in yet another PeekARama collection from Vinegar Syndrome. This set features two films from Chris Warfield, a director I never heard from. The basic plot is a woman takes a job working the desk of a motels night shift so she write about the patrons. That’s it for plot, the film is basically loops and never all that interesting.

That’s it for this round-up. Next week I should hopefully get some more movies in. I can;t believe I didn’t get a Zatoichi in! I have to get them wrapped up, I just received a massive Bruce Lee set so I can re-watch all of his films. As a bonus I got a four film collection of Jimmy Wang films. No idea what those will be like.

The End

Movie a Day! : 024-034 – The End of January

Howdy film fans! Welcome back to the blog! 10 big films in this one to finish off the month of January. Don’t be scared, the comments are as short as ever so it wont take you all day to read. I figured since at this point my movie watching dipped I would compile more films in here. My movie watching continues to be rather slow, so I’m thinking by next week we should all be caught up.

Let’s get on with it, here’s the last films I watched in January!

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024 01-24 Cover Girl (1944) 2.5/5
B-Level Musical starring Rita Hayworth and Gene Kelly. It’s well done and notable for being more serious and psychological than a typical musical, but it kind of plods along as well. Many of the numbers with Kelly will be sort of revisited later (and done to perfection) in “Singing in the Rain”. The standout number is of course a Gene Kelly ballet featuring him confronting a spectral image of himself, and dancing both parts. Also notable for Phil Silvers in a supporting roll as a song and dance man.

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025 01-25 Hayseed Romance (1935) 2/5
026 01-25 Tars & Stripes (1935) 2/5
027 01-25 The E-Flat Man (1935) 2/5
These are 3 more of Buster Keaton’s sound films for Educational, and none of them are very notable so I don’t have much to say. The best gags in each of them where done better in his silent pictures.

028 01-25 The Timid Young Man (1935) 3.5/5
Just when I’m ready to write off the rest of Keaton’s sound shorts, Mack Sennett shows up to produce and direct one and saves the day. So far this is the best one yet, with some more inspired gags and a big push in the pacing. So i guess I’ll watch disc 2.

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029 01-25 The Act of Killing (2012) 4/5
This is the type of documentary that sits beside “Shoah” and has a depressing chat. It’s not pleasant by any means, but still a brilliant, disturbing and fascinating film. It tells the tale of the mass killings that happened in Indonesia in 1965 by having the military enforcers responsible re-enact their crimes in different film styles. Watch it.

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030 01-26 Herschell Gordon Lewis: The Godfather of Gore (2010) 3.5/5
Pretty damned fine documentary by Something Weird Video on HG Lewis. Lewis is notorious in film for two reasons; introducing extreme gore to the “Nudie Cutie” exploitation circuit, and being horrendously cheap and borderline inept at making movies. This doc  pretty much sticks to the films as opposed to personal stories, with lots of interviews and clips, including some fun outtakes. I thought it odd that they skipped some titles, but ends up they’re on the hour or so of outtakes. Also included on the disc is a pretty fun additional short film. Basically, if you ever wondered about Lewis and the invention of the gore film, this is $20 very well spent.

031 01-26 Hot Night at the Go-Go Lounge (?) 2.5/57
This is the short featured on the “Godfather of Gore” disc, a nudie running about 10 minutes featuring a couple of topless dancers dancing for a handful of guys in a basement made to look like a club. So rare I can’t find a release date for the thing (I’m guessing 1964), it’s pretty fun in the wacky dumb way these things typically are. Notable for an extended version of “The Monkey” and a pretty good twerk. I think, I might not know what twerking is.

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032 01-28 Tonight and Every Night (1945) 2.5/5
Another Rita Hayworth musical, this one telling the true story of a music hall show in Britain that never missed a performance during the blitz. Surprisingly serious in tone for a musical, and not as “Rah-RAH!” on the propaganda front as you would suspect. Hayworth is absolutely gorgeous to watch in this one, but the end result with a forced romance is a little flat.

https://www.movieposter.com/posters/archive/main/139/MPW-69529

033 01-29 Lord of the Flies (1963) 4/5
The first adaptation of the William Golding’s book continues to the best one. Natural acting kids, all shot on location, it feels as much like a documentary than it does a fiction.

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034 01-31 Gilda (1946) 4/5
This one is a really well done film noir starring Glenn Ford as a down on his luck schlub trying to escape the memory of a woman, and Rita Hayworth as the woman. Beautifully filmed with a plot that isn’t afraid to take it’s time to tell it’s story. Rita’s striptease doesn’t hurt the film either.

So my final totals for January are as follows:

34 Watched, 29 First Timers, 0 In Theaters.

So off to a strong start in the challenge. With the ongoing cancer dad situation though. we’ll have to see if I can keep the numbers up. Suspense! Let me know if 10 films is too much. I plan once caught up to do a “Weekly” round up.

The End