Movie A Day!: The Story of Running

Late posting this one despite not getting any movies in since the weekend. Put my back out and any sitting and typing was just not going to happen. Finally caught up today.

End of November and I hit 450 titles. Not bad.

Dzieje grzechu Poster
440 11/22 The Story Of Sin (1975) 3/5   Walerian Borowczyk follows up Immoral Tales and the still shocking The Beast with this one, a quieter picture about a young woman who falls for a man, and keeps falling, pretty much out of society. While not as explicit as the previous two films, the look of this one is gorgeous and despite not finding it the most exciting film pacing wise, I have to admit it’s sticking with me. I’ll be revisiting it in the future.

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441 11/23 Possessed (1947) 4/5   Joan Crawford takes the lead in another cracking noir, this one playing almost like a horror film. Crawford plays a woman obsessively in love with a man who is not in love with her in return. It feels a bit against type for Crawford, seeing her playing a weaker role compared to the man eaters she is typically known for, she’s fantastic. This one is well worth your time.

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442 11/24 Stranger On The Third Floor (1940) 3.5/5   A young reporter is the prime witness at a murder trial, and has doubts about his testimony that leads to a conviction. Then Peter Lorre shows up. This one was a tight film noir dripping with paranoia and suspense. Lorre doesn’t get much to do, but steals his scenes anyway, but the real treat is how good John McGuire and Margaret Tallichet are who are the actual leads in the film. I’m not familiar with them, but they carry film. Pack in a ton of style with the direction and this one is short, sweet and suspenseful fun.

Next up, a series of short films from Gorman  Bechard, the director of Psychos In Love and found on the Vinegar Syndrome Blu-ray.

443 11/25 The Only Take (1985) 2/5   Short film from that is more of a one joke sketch. It is what it is. To tell anymore would ruin the joke.

444 11/25 Bartholemew (1982) 2/5   A short about a man having a breakdown due to an overbearing mother. Nothing too exceptional.

445 11/25 Objects in the Mirror Appear Further Than They Appear (2001) 3/5   Decent short that tells the story (all told in narration) of a prostitute that runs into trouble. Told mostly in stills, it’s creative and works.

Next up, the first animated short films from Walerian borowcyzk and found on the Arrow Academy Blu-ray of Story of Sin.

446 11/25 Once Upon A Time (1957) 3.5/5   A really fun, colourful and creative cut-up animated short from Walerian Borowcyzk.

447 11/25 Dom (1959) 3/5   More experimental and surreal cut-up short than Once Upon A Time, it’s a huge step forward for Borowcyzk.

448 11/25 School (1958) 2.5/5   This one features a soldier all filmed and animated from still photographs. It’s impressive but not as full fulfilling as Borowcyzk’s other shorts.

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449 11/25 Snowpiercer (2013) 4/5   Finally got around to this one and loved. Deals with some big ideas, big ideas that feel like prophecy as each day passes, while maintaining an action hook that never lets up. My second South Korean film watched this year that takes place completely on a train, I never would have guessed I’d be such a fan of this genre.

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450 11/26 Long Time Running (2017) 3.5/5   Documentary following the Tragically Hip on their last tour after Gord Downey was diagnosed with Cancer. It’s good and worth watching but I can’t help but feel there’s a better, longer form documentary to be had to tell their story.

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Movie A Day: Secrets Of The Triad Women Ups

Moving into the third week of Summer Cold and now trying not to spiral into depression over it. It’s been tough, I’m covering the warehouse at work, it’s tough when you can’t breath. Anyway, movies!

223 07/16 Secrets from Another Place: Creating Twin Peaks (2007) 3.5/5   A really well done documentary on the making of the TV series. Talks to pretty near everyone that should have been in it, with the exception of David Lynch which isn’t much of a surprise.


224 07/17 The Two Mrs. Carrolls (1947) 4/5   Humphrey Bogart stars as an painter who may be poisoning his wives for inspiration. Bogart is fantastic in this one, and Barbara Stanwyck more than holds her own opposite him. She plays an absolutely lovely woman, which only seems strange when you’ve seen her in dozens of pre-code films playing gloriously manipulative bitches. Man, I love Stanwyck. Anyway, this one is pretty great and worth your time.  


225 07/18 Hail The Conquering Hero (1944) 4/5   Preston Sturges nails another movie. This one about a small town boy who flunks out of the Marines, but ends up being hailed a hero against his will upon his return. Every joke lands, the political commentary is razor sharp and holds up, star Eddie Bracken is perfect in the bewildered lead and I fell in love with Ella Rains. What more can you ask for in a movie?


226 07/18 Shinjuku Triad Society (1995) 4/5   You might think an early Takashi Miike Yakuza picture would be a bit run of the mill and you would be wrong. Really wrong. This one is as bonkers as his more well known films, only playing with Yakuza tropes. Basic plot is the old standard where a cop’s brother has started working with a gang specializing in organ harvesting. There’s more than that going on. The first in a trilogy, I’m hoping the others are as good.


227 07/19 The Clock (1945) 2.5/5   Judy Garland gets a serious non-musical role in this one, starring as a secretary in New York who stumbles into soldier on leave before shipping out. It’s basically like the Before Sunrise series, with the two wandering around falling in love except it’s pretty near charmless and there’s too many bits. A milk delivery scene goes on way too long. I found Robert Walker as the soldier annoying and none of it really worked for me.


228 07/19 Rainy Dog (1997) 3.5/5   The second film in the Black Triad Trilogy has no narrative connections to the first film. This one deals with a Japanese hitman stranded in Taiwan who discovers that he has a child. There is zero sentimentality to this one, it’s got a really bitter feel to it and while not as gleefully bonkers as the first film, this one manages to stick with you.


229 07/21 The Women (1939) 3/5   The most striking thing about this film should be that there are zero men featured in it. I don’t believe you see a single male the whole time, you certainly never hear them. That said, the most striking thing ends up being the shocking array of mysterious hats the leads all wear. The other striking thing is Joan Crawford is almost a bit role but she manages to steal the entire film. Which is saying something considering the strong cast. (I’m also still in love with Paulette Goddard.)


230 07/21 Ley Lines (1999) 3.5/5   Final film in Takashi Miike’s Black Triad Trilogy is another stand alone film, this time dealing with a group of Chinese/Japanese youths in Japan going to Tokyo in an attempt to get some money to leave the country. It’s interesting that the real theme of the trilogy isn’t Yakuza/Triad warfare or gang stories as it is about people stuck in a place they don’t feel like they belong. It makes for three distinct films exploring similar aspects as opposed to traditional film series. They all work in their own way.


231 07/22 The Seven-Ups (1973) 3.5/5   A sort of unofficial sequel to the The French Connection, this one sees Roy Scheider leading a police task force with a license to pretty much break the law in order to catch criminals. It plays it pretty straight and ends up being better than the actual sequel to The French Connection. A good crime plot and a spectacular car chase in the middle make it worth checking out.

 

That’s all I got this week.

Movie A Day: Straight Sugar Pierce

Sick with summer cold this week. Got bad enough that I missed a day of work. Still have it. I feel like this phlegm-y mess is my life now. As a result, lots of movies were watched. I finished up my “True-Life Adventures” jag and started catching up on my Vinegar Syndrome back log. So the sleaze is back, dear readers.


212 07/09 Straight Outta Compton (2015) 3.5/5   The story of NWA is a great story to tell. The performances are great, especially Ice Cube’s kid who plays his dad. I watched the extended director’s cut and it goes on a bit too long frankly, with NWA’s story actually being done before the halfway mark which leaves all the solo stuff which is great for Ice Cube and Dr. Dre, but also means that MC Ren and DJ Yella practically disappear. Still, it’s well done and nails the culture of the era and how stupid the rap business can be. Once again I feel like I would have rather watched a documentary.


213 07/09 Johnny Belinda (1948) 3.5/5   Jane Wyman stars as a deaf/mute girl who is getting help from a town doctor, only there’s a darkness to Cape Breton small time life. Wyman does a great job, and the unsavory subject matter is handled will in this one. It’s best described as a “woman’s picture” from the era, but it plays almost like a film noir.


214 07/10 Detour (1945) 4/5   An essential noir title that I finally got around to watching. A piano player decides to hitchhike from New York to Los Angeles, and gets into the wrong car. It’s a lean number that just completely works and this guy gets hammered maybe the hardest by the wrong set of circumstances and the wrong woman. Essential viewing.


215 07/10 The Hearse (1980) 2.5/5  A woman recovering from a breakdown decides to move into her aunt’s country house and discovers a satanic history and things that go bump in the night. It never really gelled for me and poor Joseph Cotton deserved better movies that this.


216 07/12 Malibu High (1979) 3/5   From the looks of it, this is one of those dopey titty High School comedies that were so popular. It’s not. It’s actually a rather messed up film about a girl who gets dumped and gleefully enters into a prostitution racket. It’s sort of played for laughs, but nothing lands and despite the pacing/cheapness issues it has, it actually works as a low budget neo-noir.


217 07/12 Red Mob (1993) 2.5/5   Russia takes a stab at 80’s style action spectacle and it ends up a total mess. The plot makes zero sense. Something about an ex KGB trying to reconcile with his son and getting mixed up in some other KGB… I have no idea. The action gets bonkers in the second half and the last third is a helicopter chase that seems to last 5 days. It’s more a curiosity than it is “good”, but I have to admit, Sergey Veksler as “Nick” has some serious action chops. To bad he couldn’t transition to western made films.


218 07/12  Journey Into Fear (1942) 3.5/5   The last film Orson Welles delivered to RKO, it’s directed by Norm Foster but Welles’ hand is all over it. Joseph Cotton (who is great in this and carries the film) is an arms dealer in Turkey who gets mixed up in some Nazi intrigue. It’s lean and sharp, but not as good as Welles’ other noir pictures.


219 07/14 Jackie (2016) 3/5   What makes this one interesting is also the problem. The film tells Jackie Kennedy’s story of the days of the assassination. As an assassination nut, it’s interesting and actually something that tends be glossed over. So it’s interesting in that regard, but it also relegates her story to that of “grieving widow” and I’m sure she had a lot more going on than that. It’s a shame since everyone is so good in it.


220 07/14 Sweet Sugar (1972) 4/5   I may be a little biased on this one. Way back in the VHS days dad brought this one home and we watched it late on a Friday night. My intro to the sleazy Women In Prison genre, and at around 12 years old I probably shouldn’t of watched it. It left a mark since it’s so bonkers. Hooker Sugar gets roped into working in a sugarcane plantation run by “Doctor John”, a nut who uses the women for strange experiments. Add in voodoo and this one really is one of the better examples of the genre. It doesn’t hurt that lead Phyllis Davis can carry the film with both her beauty and brawn.


221 07/15 Nurse Sherri (1978) 2.5/5   This one mixes up Satanic possession with the nurse genre and ends up being a real mess despite attempting to be ambitious on no budget. It never works. There’s an alternate cut that puts the sex first over the horror that is supposed to be better, I may check it out at some point.


222 07/15 Mildred Pierce (1945) 4/5   Joan Crawford revitalized her career for the first of many times with this one. She plays a mother that would do anything for her child. It sounds like a melodrama, but it plays like a noir and a dark one at that. Crawford is fantastic, the script is razor sharp and consummate pro director Michael Curtiz nails it. Recommended.