I hit film 300, and I wanted to cheat so that it was the awesome “Scanners” instead of the not as good “Visiting Hours.” Sadly, I’m too honest. 😦
300 10-17 Visiting Hours (1982) 3/5
This is one of those films that has stuck in my brain as being one of the scariest, greatest horrors ever made. The only reason is due to my parents not letting me watch it after “MY BLOODY VALENTINE” gave me nightmares back in the early 80’s. It’s pretty run of the mill stuff. An outspoken news woman ticks off a psycho misogynist who gets obsessed with killing her. The best part of the film is Michael Ironside as the killer, he genuinely seems like a brutal creep as the psycho, and the film turns the page on the typical slasher film by spending quite a bit of time with him instead of the victims. Otherwise, it’s nothing special, not even William Shatner in a bit part as the TV producer.
301 10-17 Scanners (1981) 4/5
This is one I hadn’t seen since it’s VHS debut in the 80’s, and it’s great that it holds up amazingly well. Telepathic “Scanners” are fighting for control, to possibly rule the world. The better subtext is the military industrialization of people as technology seems light years ahead of it’s time in our current world. Patrick McGoohan in a supporting role is fantastic as always, and it’s got heads exploding for the gore hounds. Pretty near a perfect picture, and David Cronenberg would move on from this one by getting even better.
302 10-18 Scanners II: The New Order (1991) 2/5
Ten years after the first film, a cop is trying to create a Scanner squad so he can take over the city. This one is Canadian in the worst way, and just annoys the shit out of you. All the neat stuff in the original is completely ignored in order to show how hard it is to be a Scanner, and to make heads explode. A garbage sequel. Good thing there’s a third one!
303 10-18 Scanners III: Who Gives a Shit (1991) 1.5/5
Fuck this movie.
304 10-18 Antiviral (2012) 3.5/5
David Cronenberg’s kid Brandon makes his big debut with this one. A near future tale in which people aren’t satisfied with just watching their favourite celebrities, they want to feel like them by being infected by their diseases. It’s a messed up tale, and Brandon does a hell of a job with it. A total weird, creep fest that’s worth checking out.
305 10-18 Rabid (1977) 4/5
Another Cronenberg classic. A woman gets experimental plastic surgery that becomes parasitic, causing her to need to feast on human blood. It’s also contagious, so she is patient zero for a pandemic. Really creepy to rewatch with the current Ebola situation, this one pulls no punches and is just as effective today. Porn star Marilyn Chambers in her non-porn debut does a pretty good job, too.
306 10-18 Driller (1984) 3/5
This one is a porn spoof of Michael Jacksons “Thriller”, and man if only. The first 30 minutes is some of the greatest camp you will see, with 2 big dance numbers to offset some ridiculous sex scenes. It’s as perfect a spoof of a video as you could possible want. Sadly it falls apart after that with most of the middle being weird, camp and dull sex scenes, until the final 20 minutes that see’s the return of the “Pop Star” to finish the film off with more dancing and singing. Actual broadway style singing and dancing to a cliche 80’s beat. So as a campy 80’s memento, it’s pure gold. As a porno, it’s terrible, even by porn standards. But if you like the ridiculous, think the insane 80’s dance number from “Night Train to Terror” but with worse music and more camp, dare I say fey dancing, mixed with terrible porn scenes, there’s a lot to like. I’m surprised this doesn’t have more cult status.
307 10-19 The Victim (2011) 2.5/5
Michael Biehn directed this one. He was going for a “Grindhouse” type vibe, but he failed completely. So what you get is a not very good thriller about crooked cops out in the woods partying who accidentally kill a stripper and try to cover it up. Biehn gets mixed up in it while trying to save the stripper who escaped. It’s just never gets interesting, and isn’t trashy enough to be fun like the “Machete” type films that play as a homage to the seventies.
308 10-19 Chained (2012) 3.5/5
A killer snatches a woman and her 9 year old kid, and ends up keeping the kid alive to be his housekeeper. To say much more than that would ruin it. Incredibly dark film by Jennifer Lynch, it could have fallen apart at anytime but she keeps the idea moving forward in some surprising and complex ways. Vincent D’Onofrio is great and disturbing as the kidnapper.
309 10-19 The Invisible Ray (1936) 3.5/5
This one features Boris Karloff as a mad scientist, and Bela Lugosi as the good guy scientist. So it’s another rare film where Lugosi is a good guy. Karloff uses a ray to scan a beam from Andromeda that shows where a meteorite struck Africa 200,000 years in the past. They all go off in search, Karloff gets assy, finds the meteorite and is instantly poisoned by it so that he gets a death touch. Karloff gets Lugosi, who is a master of astro-chemistry and is experimenting on “creatures” (black kids, in the gross casual racism of the time), and he manages to find a cure so that Karloff can manage the death touch and not be turned to dust. So while Karloff is busy using radium X from the meteorite to melt mountains, Lugosi is using it to cure all the ails of mankind. It doesn’t end well. This was one of those old films that is so completely horseshit as far as plot goes, that it manages to be quite fun. It’s another Universal Horror that that features a leading love interest dude who is a total garbage leading man that you just wish would be killed. Any film that starts with a placard explaining that all of scientific innovations were once dreams of “mad men” is going to be bonkers in a good way, and this one holds up the theory.
310 10-19 The Battery (2012) 3.5/5
This one was a nice play on the zombie type film. In fact, as far zombie films go, this one probably is a poor one with it’s lack of gore and all the other things that typically make up a zombie film. Instead it’s more of a character study of two men, baseball teammates but not really friends, dealing with the zombie apocalypse. By not relying on zombie film tropes and instead relying on character, it actually handles this stuff better than THE WALKING DEAD has in it’s four seasons of television. Being a film from a first time director, he can’t quite keep it together the whole time, and as good as the end is, it’s starts to flag a bit. Still well worth a watch though. (I had to look it up.a “Battery” is the team of a pitcher with his catcher in Baseball. So that’s were the title come from. Ugh sports.)
Right, that’s it for today. I might see you all on Wednesday for Star Who? We’ll see! Remember to share with your friends, etc, if you so desire.