Movie A Day!: The Immortal Joy

Hey look! Another week of movies! Who would of thought? Spring is finally hitting which meant that yesterday of this writing I was able to rake the yard. Yard work, never ending yard work. Yay for summer!

I started and ended the week with “Women stories” movies directed by men that didn’t feature pornography. Yay me! I think… they were both pretty good. Onward to movies!


112 04/23 The Immortal Life of Henrietta Lacks (2017) 3/5   If there is one person that mums love, it’s Oprah Winfrey. And who can blame them? Oprah seems to be the only morally grounded billionaire on the planet today. Anyway, mum was the reason for this one being watched and it’s actually pretty good. The true story of the family and the woman who gave us the HELA cells that continue to be the basis of biological studies. It’s a good movie with top notch performances. It’s a bit muddled though in that it never finds a balance between the science and the family so you never get a clear vision of either. Mum thought Oprah was just wonderful.


113 04/23 Super-Hooper-Dyne Lizzies (1925) 4/5 A blitzkrieg of gags from Billy Bevan allows this slapstick comedy to roar. A scientist develops cars that run on broadcast electric wave-forms that sends the petrol industry into a tizzy. Great stuff and about as close to a live action cartoon as you will find.


114 04/24 The Match King (1932)  2.5/5   Scumbag Warren William is back, this time playing a bullshitter who manages to take over the world’s matchbook industry based on dodgy bank loans without having any actual wealth or collateral to carry the debt. SOUND LIKE ANYONE CURRENTLY ALIVE AND THE PRESIDENT OF A SUPERPOWER NATION?!?!? Anyways, for a pre-code film it’s pretty tame but it never really gets off for me. There’s only so much interest to be gleaned from the match industry.


115 04/25 A Rainy Knight (1925) 3/5   A sweet little comedy about a clerk attempting to woo a woman and getting caught up in a love triangle. Not much else to say about this one. Probably most notable now for being an early work from Warner Bros. house director Lloyd Bacon who cranked out some gems in the ‘30s like Busby Berkeley’s Wonder Bar.


116 04/26 Ever In My Heart (1933) 3/5   A fine melodrama that find a loving German/American couple torn apart by racism during World War I. Barbara Stanwyck is the lead as the American wife and despite this one being a bit overblown it really works well and is unflinching in it’s depiction of the petty racism that happens during wartime.

This one wraps up the Forbidden Hollywood Vol 10 set. Again, not as strong as earlier entries in the series, but still a lot of fun. Sad that this one appears to be the final volume as these sets were good value on top of the entertainment. I’d give the set as a whole a 4/5.


117 04/27 Saturday Afternoon (1926) 4/5   Harry Langdon takes the lead on this short, playing a hapless little guy with an overbearing wife who decides to attempt to step out behind her back. Langdon is just so damned good in this, he plays everything so small in contrast to the big stuff Keaton and others would do. Even his incredibly dangerous car stunt at the end is played little. It’s hilarious and sweet at the same time.


118 04/28 The Wrecking Crew! (2008) 4/5   Documentary on the legendary studio musicians who played on all the songs you love from 60’s that came out of California. Watching this you find out they played on even more than you thought. A fantastic documentary centering more on guitarist Tommy Tedesco (played the lead guitar on Batman and Hawaii 5-0) since it was directed by his son, it’s great that it allows all the other to tell their stories. And the stories are great. Recommended.


119 04/28 Ladies Night (1980) 3.5/5   Annette Haven stars as a frustrated football widow who goes out with her girlfriends to a cheesy “Ladies Night” for some action. It’s pretty standard adult fare for the period but Haven has genuine star power and the mythical “Lewis Brother of Detroit” have the chops to elevate this one into something more than the usual with some artistic touches.


120 04/29 Joy (2015) 3/5   David O. Russell is back with his make pretend gang Jennifer Lawrence, Robert De Niro and Bradley Cooper for this one about an industrious young woman who refuses to stop pushing forward with her dreams despite the near abusive negative support from everyone she encounters. I’m torn on this since it’s really good as far as subject matter and performances go, but the tone rubbed me the wrong way. O. Russell presents this like a fairy tale with a narration, as if this woman’s story is a wonderful fantasy, because what woman would push this hard and not give up? Am I right guys? It seems really wrong headed since it is based on a true story. Presenting this story a little more straight and it would of elevated it. I don’t know, I could be wrong. People identifying as women, please feel free to tell me in the comments.

Not bad for the week, a nice variety.  I just can’t burn through those silent comedies like I would like to. Drives me crazy that it takes me two nights to watch a 20minute film due to falling asleep. It’s insulting to everyone involved! looking at this week, I wonder how much improved Immortal Life and Joy would have been if directed by women. Would they have escaped the more annoying “Woman’s Picture” traps? Any women read this blog that can comment? Am I over thinking? Over compensating?

Oh hey! Before I forget. I’ve joined the LETTERBOXD movie tracking community and have started logging my movies there. I’m going back in my list archives and have so far logged my very first movie record from the Scary Movie Challenge 2006. Eventually I will catch up to modern day and this blog, but anyone interested in all the movies I’ve seen can check it out. It\s also porn free since they don’t currently allow adult, so you have that going for you too if you hate seeing adult titles being reviewed as actual films instead of wack-off mechanisms.

https://letterboxd.com/ruz_el/

Feel free to follow, share, obsess and judge!

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Movie A Day!: Gilmore Spectre Girl

Another week and another list of things I’ve watched. I wrapped up the Gilmore Girls this week and now begins trying to catch up on other things. I had the weird experience of having a news article quote me heavily this week and entered into the wild. All of it is anonymous, but it’s still weird to see deeply personal stuff aired in public like that. There will not be links at this time.


072 03/20 Gilmore Girls Season 7 (2007) 3.5/5   And here is where the journey ends. I’ve heard nothing but complaints about this season, and for the first half of it I can see why. Both Lorelai and Rory make all the wrong decisions and it is absolutely infuriating to watch. The interesting thing though is that these horrible decisions don’t actually conflict with the characters behaviour as set up previously, so it’s sort of brave for the creative team to make them so unlikable despite how unpopular it was. Second half of the season is much better, with things resolving relatively naturally for the end of the series. According to Wikipedia, this season had different show runners which might explain some of the confusion at the start. The wiki also says that the original show-runners wanted to have a season 8 to wrap up all the storylines. Which would of been interesting, but as it plays out, it wasn’t really necessary. As a whole, I really enjoyed revisiting the series and am glad I finished it after all these years. It mostly holds up. Some of the pop-culture stuff is dated of course, it was hard not to snicker/weep over the many references to future president Hillary Clinton seeded though out. I’m still a little in love with Lauren Graham. As far as this style of show goes, the writing helps to keep it more relevant than some of the other soapy dramas of the era. I think? I’m no expert on soapy dramas. 


073 03/22 His Marriage Wow (1925) 3/5   Harry Langdon takes the lead in this slapstick comedy, starring as the groom who ends up convinced that his wife is only after his insurance. This one wasn’t as wild as the genre is typically, but it’s charming as hell. Langdon is more quiet and naive like Stan Laurel (the commentary track confirmed my suspicion that Laurel was influenced by Landon) and it makes for an interesting juxtaposition to the wilder action to see him work small in a genre that is so broad.


074 03/24 Gilmore Girls: A Year In The Life (2016) 3.5/5   Ten years after season seven ends and the girls are back. Presented as four 90 minute movies as opposed to a series of episodes, it was both a joy and a mixed bag. The shocking thing is the sheer number of the cast they were able to bring back. It’s great, but it makes the episodes very busy to fit everyone in which makes for nice moments that work against actual cohesive storytelling. There was also more than a few music montage type deals that I found flat out annoying and excessive as opposed to fun and charming. Episode three I found to be the strongest of the four, and episode four nearly falls apart before redeeming itself in the later half. They could probably continue with another series after this one, but I won’t lose sleep if they don’t.


075 03/24 China Girl (1975) 3.5/5   Annette Haven stars in this one as a biochemist who is kidnapped and tortured with extreme pleasure in a bid to get her to give up the recipe for a drug that allows mind control. An exceptionally well done hardcore feature that actually delivers dramatically (in a grindhouse sense) more than just the sex scenes. Haven does a great job at both aspects, and the big surprise is James Hong (you’ve seen him in movies and television) making a non-sex appearance as the crime boss. Overall it doesn’t fully work as a kung-fu sex drama since it’s not fully committed to the drama (probably due to budget limitations for action scenes), but it works enough to be legit and worthwhile. A perfect example of the period of porno chic when it looked like hardcore was going to go legit, the bluray from Vinegar Syndrome is fantastic.


076 03/25 Spectre (2015) 3/5   The latest Bond film hits all the marks that is expected which is kind of the problem. It’s hard to get swept up in the action when you’re thinking “There’s the car ad, ah, there’s the watch commercial.” It all feels a bit outdated instead of fun. Especially now that we literally have superhero movies in which unstoppable feats of action fit more than in a “real world” spy film. The great Christoph Waltz gets to be the villain and they give him nothing to do. It’s not the worst Bond film, just a serviceable one.

That’s it.