Movie A Day!: Naked Alien Double

A day late posting this one. Were you concerned for my well being? Huh? No? FINE!

My dip into snooty Criterion land continues with a side journey watching some De Palma and a actual trip to a theater to watch a first run film! What a week!


160 05/28 Naked Lunch (1991) 4/5   David Cronenberg tackles William Burroughs classic and instead of trying to replicate the novel he uses it as a framework to tell the biographical story of Burroughs life. I think it makes for a better film, and it’s as much a sci-fi/horror hybrid about the creative process as it is anything else. Peter Weller is fantastic as “William Lee”, the Burroughs cipher for the film, and the practical effects remain gooey in typical Cronenberg fashion. It all adds up to making an inspired film.


161 05/29 The Hidden Fortress (1958) 3.5/5   I primarily knew this one due to it having inspired George Lucas to create C-3P0 and R2-D2 in Star Wars. (It’s true! He says so in a special feature on the Criterion disc!) When I first saw it it left me flat, re-visiting it I really enjoyed it. It’s basically about a couple of peasants obsessed with gold, and is more of a comedy adventure than a Samurai epic starring Toshiro Mifune that I was first expecting on my first viewing. It’s as well done as anything Kurosawa has directed and is a lot of fun.

Alien: Covenant Movie Poster
162 05/31 Alien Covenant (2017) 4/5   Ridley Scott is back, continuing the story begun in Prometheus. I really enjoyed this one. It’s exploring some big ideas, faith over science, creation over compassion, it’s a Frankenstein film in mirror image, and the action bits deliver too so it never got bogged down. I’m looking forward to revisiting this one.


163 05/31 A Man Escaped (1956) 3.5/5   Blind bought this one on the cheap since it was a Criterion Collection title and I really enjoyed it. Basic plot is a french resistance fighter is imprisoned in Vichy France and tries to escape. What makes this one special is it is all the prison escape, meticulously shown in all it’s stages with no fat to stretch it out. It’s lean, and worth checking out.


164 06/02 Dressed to Kill (1980) 3.5/5   Fun revisiting this one. Brian De Palma at his most Hitchcock-ian, it holds up well despite from really messy gender politics for modern times. Regardless, the films moves and Nancy Allen is really good.


165 06/04 Scarface (1983) 4.5/5   Easily one of the most over the top films ever made, it shouldn’t work as well as it does. I think it’s because everyone plays it straight. Pacino is legit brilliant as rage-monster lead Tony Montana, and updating the old gangster film to modern day (well, early 80’s now) Miami was a stroke of genius. The three hour run time breezes by and this might be De Palma’s most perfect picture.

Image result for body double 1984 poster
166 06/04 Body Double (1984) 3.5/5   De Palma is back in Hitchcock-Land with this Rear Window/Vertigo mash-up that takes place in Porno-Land LA. It’s not as sleazy as I expected it to be, and I’m rating it probably lower than I should mainly because I didn’t care for the lead. That said, it’s a clever thriller that’s as much about the fake-ness of movies as it is anything else.

 

Until next time.

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Movie A Day! 001- 010: “A New Beginning”

Decided to keep this going since I track what I watch (and read) anyway, but I’m having second thoughts and it’s all due to formatting. Depending on the browser I use, it adds spaces that I don’t want between the move number title thing and the mini-review. It’s ridiculous and drives me crazy. I have to go into the weird text editor and delete spaces added from the copying and pasting. Nice job, stupid website! So much for for finding an easier way to do this.

A weird hodge-podge of porn, cartoons, Shakespeare and special features to start the New Year.

001 01-01 I Am Always Ready (1978) 1.5/5
This is the second feature on Vinegar Syndrome’s PeekaRama disc with THE ULTIMATE PLEASURE, and boy, was it the lesser film. Another Carlos Tobalina title, this one is about a woman who comes into some cash and decides to make a porn film so she can meet John Holmes, and that’s just the opening 3 minutes! I thought I was watching the trailer! The rest of the film is scene after uninspired scene of the porn being shot. It’s dull with nothing to elevate it and will have you reaching for the fast forward button since the horrendous wigs and set dressing are more entertaining.

002 01-01 The “Scanners” Way (2014) 4/5
I watched all the special features on Criterion’s SCANNERS blu-ray that I watched last October. They’re all really good, the main doc going into all aspects of the filming, including the legendary head exploding scene (achieved via SHOTGUN BLAST!), and the rest featuring new and classic interviews with the key players. You typically can’t go wrong with Criterion, and this is no exception.

003 01-01 Frozen (2013) 3/5
This is the Disney film about the Ice Queen, not the horror film about a trio of skiers stuck on a ski lift. This one was good, there are some fun characters and even better, a kickass “Girl Power” vibe. These Princesses don’t need no Prince Charming to save them and who new Veronica Mars could sing like that? My problem with the film is my typical one with modern animation. The CGI characters look ugly and generic with zero personality and there are way too many songs in the first three quarters. Disney seems to think animated features are the same as Broadway musicals. As a result, the story pacing is completely killed. I liked the little snowman guy, and his little music video summer song thing was cute, but completely unnecessary to the narrative. Cut half the songs (not “Let It Go”, that one was actually placed perfectly) and I’d add another star. The ski lift FROZEN also got three stars from me, in case anyone was curious. Also, the new Mickey Mouse short on the blu-ray was pretty great. Man, I miss “Rubber Hose” animation.

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004 01-01 Stereo (1969) 2/5
This is the last of the bonus features on Criterion’s SCANNERS blu-ray. It’s David Cronenberg’s first film! It’s simply not very good! It’s more of an experimental art film about a Canadian testing on telepathy. So it sounds like a prequel to SCANNERS, but it’s not. A group of people silently (there is no soundtrack) wander around a testing facility, communicating only by telepathy. The only spoken words are chunks of narration throughout explaining the technical experiments that aren’t really being shown. So despite being incredibly well shot and looking fantastic in stark black and white, nothing really happens and my brain just kept buzzing away.

005 01-02 Joe (2013) 4/5
Thanks to the internet and some whack-o parts in the past, people forget just how great Nic Cage can be. Like in this movie, which is one of the darker, more bleak films you see in the “Southern Gothic” genre. I’m guessing that’s what you’d call it. Anyway, Nic is the title character who helps out a kid in town whose dad is a degenerate drunk. A hell of a film that goes all the way, like films of this type should. As a bonus, Cage does a bit where he teaches the kid how to make a “cool face”, which when demonstrated, is the face Cage makes ALL THE TIME. (Make your face like you’re in horrible pain, then smile. That’s the secret Cage Cool Face, I expect pictures.)

Macbeth Movie Poster

006 01-03 The Tragedy of Macbeth (1971) 4.5/5
I’m no Shakespeare expert, far from it. Macbeth would be my favourite of the plays though, and this one is one of my favourite movies based on his works. Roman Polanski shoots this one like a movie, not a play, and with the sets and exteriors you forget you’re watching one of the most famous plays every performed and instead get swept up in the story of the doomed Scottish king. There’s not a single bad performance, the wordplay is accessible and since everything is done realistically, everything seems dripping in fog, dirt and blood. It actually plays as much like a horror film than it does a typical tragedy, and I highly recommend the new Criterion blu-ray that looks breathtaking, especially since my only exposure to the film prior was via a VHS dupe since this one seems to be one of the more forgotten films of Polanski’s filmography.

007 01-03 SexWorld (1977) 4/5
First there was WestWorld, then FutureWorld, of course there should have been a SexWorld since really, all those movies are about are fucking robots. This one is directed by legendary Anthony Spinelli, and he gets a higher budget than the porno chic films typically gets and it shows. Featuring many stars, including cult favourites Annette Haven and Kay Parker (her film debut), this one surprisingly hedges on the Sci-Fi elements (so after three films of robot sex, we never learn who has to clean the cum out of them) and instead deals more with the emotional aspects of being able to live your sexual fantasy. Don’t get me wrong, it’s nearly wall to wall sex scenes, but they’re presented in a way that it feels like a “proper” film instead of a loop carrier. So this is a good one, and the Vinegar Syndrome blu-ray puts to shame many legit releases from the major companies from the same period.

008 01-04 Toil & Trouble: Making “Macbeth” (2014) 4/5
009 01-04 Polanski Meets Macbeth (1971) 4/5
These are the main two documentaries on the Criterion blu-ray reviewed above, and both are exactly what you want to see. The first one from 2014 features recent interviews on the history of the film, while the other is a shot on set look at Polanski actually making the movie. They perfectly complement each other without being repetitive and are well worth watching on their own. The other extras, a couple of TV clips, one with the writer of the film on Dick Cavett and the other has Polanski debating Macbeth adaptations with a theatrical director are great as well. So in typical Criterion Collection fashion, this is about as thorough a set as anyone will need for this film.

010 01-04 Throne of Blood (1957) 4/5
Figured I go all out and watch Akira Kurosawa’s adaptation of Macbeth as well. They do a fantastic job adapting the play to feudal Japan, with some neat substitutions like evil spirits in the forest instead of witches. Otherwise, it’s “Macbeth” in plot and Toshiro Mifune is as god as ever in the title role.

Boy, just look at that Criterion cover art for MACBETH. Pretty great eh?

Well, there it is, a new year, an old blog, and more movies no one else is watching. Ten films in 4 days, though most were just around the hour mark so it’s a bit of a cheat. Fun? I hope so. Maybe this year I’ll make it out to the theaters a bit so there are actual current, helpful reviews. (Don’t hold your breath though….)